'But he didn't want to stop seeing her. He was going to leave me.' Fury rode her tone. She shifted the angle of the bar on the anvil. Bang! I jumped again, even though I'd seen it coming.
A trail of perspiration trickled down my side under my T-shirt, and I leaned back, away from the heat. No wonder Barr and Robin thought she had a good motive if she'd acted like this when they'd talked to her. Naked anger rolled off her in waves.
'I told them all of that,' she said. 'I wanted them to know what kind of man they worked with. I wanted them to know he wasn't as perfect as they seemed to think he was.'
She clenched her fists around hammer and tongs so hard they turned white and began shaking. For the first time I felt a trill of fear, and I shivered in spite of the heat.
Then her eyes filled with tears. 'I didn't even realize why they were here. I thought it was a condolence call. I handed myself to them on a platter.' She was choking out the words now.
She put the tools down with studied care, and I jumped up and led her back to the bench. The sobs that followed sounded like they were being ripped out of her chest against her will. I took a chance and left her, running to the back door and into her kitchen. I rifled quickly through her cupboards. There. I grabbed the bottle of Hornitos and ran back out to the smithy. I tossed her iced tea on the grass, replaced it with a shot of tequila and set it on the seat beside her. Then I patted her on the back, and waited.
It took a while for her to run down, but when she did, she slammed the shot in one swallow with a grateful glance my way, shuddered once, and was quiet.
'Wow,' she said. 'That's the first time I really cried about it.'
I wondered whether 'it' referred to Scott's death, or his affair with Ariel-or both.
'Believe me,' I said. 'It won't be the last time. But it will get better'
I still couldn't get over the affair between Scott and Ariel. They were so mismatched: he, a rough-and-tumble, racecar-driving cop who was at least twenty years her senior, and she, an airy, unfocused artist. He'd been good-looking enough, but I didn't get what she'd seen in him beyond that. Maybe she'd had a daddy complex?
Yuck.
'There's something I don't really understand,' I said. 'Why would you kill Ariel three days after Scott's accident?' It wasn't the most tactful thing to say, I know. But geez, how else was I supposed to put it? Talk about closing the barn door after the horse is long gone.
'They think I was so mad that I didn't care.'
'That's nuts,' I said.
'They think I'm nuts. Anyone who kills someone else out of jealousy is nuts. If I'd actually done it, I'd agree with them.'
I couldn't help it. I had trouble thinking about Ariel and Scott without my doppelganger nibbling constantly at the edge of my attention. Of course it was nuts to kill someone out of jealousy. But there was a tiny part of me that could understand going nuts in precisely that way.
'How long had you known?' I asked.
'About three months. I found out shortly after it started.' She looked longingly at the bottle of tequila, sitting on the ground.
I poured out another and handed it to her. 'Were you angry at Scott?'
She gave me a look, then downed the second shot. 'No, I thought it was great that he was seeing a woman who could have been his daughter, and didn't seem to give a damn whether I knew it or not. What's to be angry about?'
'Yeah, okay. Sorry. Stupid question. Do you have any kind of an alibi for when the murder occurred?'
'I might.'
I looked the question at her.
' Detective Lane asked me what I was doing between eight and ten, night before last. If that's when that little bitch was killed, then I'm home free.'
I readjusted my idea that Ariel had been killed the morning of Scott's funeral. Apparently her body had been at CRAG for hours before I found her.
'What were you doing?' I asked.
'Ruth and Irene were over here. Jake was, too, for a while. They were here from a bit before seven until after ten.'
I took in the blue half moons under Chris' red-rimmed eyes, the tiny tremor in her hand even after knocking back a couple shots of tequila. Could she handle an arrest, a trial, the scandal that would result in a town this size?
'So let's hope Robin asking you about that time means that's when the murder occurred. Then they'll have to look elsewhere,' I said. As long as Robin didn't turn her attention back to me.
Chris' eyes flicked up at me and then away again. 'I know that department. Scott worked there for fifteen years. They know what they're doing. It's just that right now they're going down the wrong track' She stood and nodded toward the house. 'Do you want something to eat? People have given me so much food, and I don't have much of an appetite right now. I think I'm done beating up on metal for this afternoon.'
'No, thanks. I have to be going. But Chris?'
'Yeah?'
'The offer to talk still stands. If you want to be left alone right now, that's fine, but if you change your mind, well…'
'Okay. Thanks. I'll keep it in mind.'
NINE
'So WHAT ARE WE going to do with her art?' Jake Beagle asked. 'We can't just keep displaying it at the co-op. What if someone wants to buy it?'
'Fat chance,' Irene muttered.
Jake, Irene, Ruth, and I had gathered around a small rickety table in the corner of the Beans R Us coffee shop to talk about how to keep the co-op from going under. All of Cadyville knew a woman had been murdered in the studio, and the yellow crime scene tape strung over the exterior doors provided a constant reminder in case anyone forgot. No one was allowed inside, so we couldn't retrieve any of our belongings or any of the artists' stock or supplies.
Behind the counter, the barista, Luce, fussed with bags of coffee beans and craned her head so as to best hear our conversation.
'Making money off someone's death isn't right,' Jake said, still talking about Ariel's big splotchy paintings.
'Isn't that something we should worry about later?' I asked. Irene was right; no one was likely to buy Ariel's art right away. After all, no one had bought any of it yet. 'Right now isn't the main problem getting back into the building?'
Irene flicked a quick sidelong look my direction.
' Detective Lane told me we'd be able to get back in tomorrow afternoon, at least downstairs. The crime scene people may be done with the upstairs by then, too.' Ruth said.
All eyes turned to me, as if I should have already had this information. I looked at the floor. Barr and I had only spoken briefly on the phone since he'd dropped the triple bombshell of ex-wife, sister and fortune on me the previous afternoon.
'So, it is pertinent, what we do with Ariel's art.' Jake again. 'If we're going to re-open.CRAC'
Irene scowled at him, then quickly transferred her gaze out the window. Ruth sat quietly and watched all of us. Chris had said she'd rather not join us, and no one blamed her. Ruth had invited me along, just as she had invited me to join the co-op in the first place. I'd jumped at the chance to be in on the discussion, but now I felt like an interloper.
'You may be right,' I said. 'She must have some family.'
'Just a brother, I think,' Ruth said. 'Up north, around La Conner. I don't know his name.' She looked the question at all of us, and we all shook our heads.
'There can't be that many Skylarks in La Conner,' I said.
'I believe he has a different last name. Ariel changed hers to Skylark,' Ruth said.
'Really?' Jake asked, bushy eyebrows climbing up his forehead.
Irene rolled her eyes. 'Don't tell me you're surprised.'
'What about friends around here?' I asked.
Everyone shook their heads.
'No one?'
'Us,' Ruth said. 'And she had a roommate'
'I wasn't her friend.' Irene's tone was flat. 'But I guess Jake was.' She gave him a little wink, which looked downright weird coming from her.
He looked out the window.
Sheesh. What was wrong with these people?
'Tell you what,' I said. 'I'll go talk to her roommate, see if I can find out more about her brother. Maybe we can just ship the art off to him.'
Irene pressed her lips together, as if to keep from saying something. Jake nodded his approval.
'That would be nice,' Ruth said with a slight look of triumph on her face. 'Now, what do we do about the bad publicity?'
No one responded. Sighing inwardly, I stepped up again. 'I've got to say, I don't think it's a problem for business. People are weird, and they'll want to see where the murder happened. We need to change the lock on the doors and implement some rules about being safe when working there, but for the most part, I bet we get
