cold distance of morning the town clock finished out its chimes and quieted.

Timothy sang. He knew no words, no tune, yet the words and tune came round and high and good. And he gazed at the closed door at the top of the stairs.

'Thanks Cecy,' he whispered. 'You're forgiven. Thanks.'

Then he just relaxed and let the words move, with Cecy's voice, free from his lips.

Good-bys were said, there was a great rustling. Mother and Father stood at the door to shake hands and kiss each departing relative in turn. The sky beyond the open door colored in the east. A cold wind entered. And Timothy felt himself seized and settled in one body after another, felt Cecy press him into Uncle Fry's head so he stared from the wrinkled leather face, then leaped in a flurry of leaves up over the house and awakening hills…

Then, loping down a dirt path, he felt his red eyes burning, his fur pelt rimed with morning, as inside Cousin William he panted through a hollow and dissolved away.

Like a pebble in Uncle Einar's mouth, Timothy flew in a webbed thunder, filling the sky. And then he was back, for all time, in his own body.

In the growing dawn, the last few were embracing and crying and thinking how the world was becoming less a place for them. There had been a time when they had met every year, but now decades passed with no reconciliation. 'Don't forget,' someone cried, 'we meet in Salem in 1970!'

Salem. Timothy's numbed mind turned the words over. Salem, 1970. And there would be Uncle Fry and a thousand-times-great Grandmother in her withered cerements, and Mother and Father and Ellen and Laura and Cecy and all the rest. But would he be there? Could he be certain of staying alive until then?

With one last withering blast, away they all went, so many scarves, so many fluttery mammals, so many sere leaves, so many whining and clustering noises, so many midnights and insanities and dreams.

Mother shut the door. Laura picked up a broom. 'No,' said Mother. 'We'll clean tonight. Now we need sleep.' And the Family vanished down cellar and upstairs. And Timothy moved in the crape-littered hall, his head down. Passing a party mirror, he saw the pale mortality of his face all cold and trembling.

'Timothy,' said Mother.

She came to touch her hand on his face. 'Son,' she said, 'we love you. Remember that. We all love you. No matter how different you are, no matter if you leave us one day.' She kissed his cheek. 'And if and when you die, your bones will lie undisturbed, we'll see to that. You'll lie at ease forever, and I'll come visit every Allhallows Eve and tuck you in the more secure.'

The house was silent. Far away the wind went over a hill with its last cargo of dark bats, echoing, chittering.

Timothy walked up the steps, one by one, crying to himself all the way.

The Wonderful Death of Dudley Stone

'Alive!'

'Dead!'

'Alive in New England, damn it.'

'Died twenty years ago!'

'Pass the hat, I'll go myself and bring back his head!'

That's how the talk went that night. A stranger set it off with his mouthings about Dudley Stone dead. Alive! we cried. And shouldn't we know? Weren't we the last frail remnants of those who had burnt incense and read his books by the light of blazing intellectual votives in the twenties?

The Dudley Stone. That magnificent stylist, that proudest of literary lions. Surely you recall the head-pounding, the cliff-jumping, the whistlings of doom that followed on his writing his publishers this note: Sirs: Today, aged 30, I retire from the field, renounce writing, burn all my effects, toss my latest manuscript on the dump, cry hail and fare thee well. Yrs., affect. Dudley Stone

Earthquakes and avalanches, in that order.

'Why?' we asked ourselves, meeting down the years.

In fine soap-opera fashion we debated if it was women caused him to hurl his literary future away. Was it the Bottle? Or Horses that outran him and stopped a fine pacer in his prime?

We freely admitted to one and all, that were Stone writing now, Faulkner, Hemingway, and Steinbeck would be buried in his lava. All the sadder that Stone, on the brink of his greatest work, turned one day and went off to live in a town we shall call Obscurity by the sea best named The Past.

'Why?'

That question forever lived with those of us who had seen the glints of genius in his piebald works.

One night a few weeks ago, musing off the erosion of the years, finding each others' faces somewhat more pouched and our hairs more conspicuously in absence, we became enraged over the typical citizen's ignorance of Dudley Stone.

At least, we muttered, Thomas Wolfe had had a full measure of success before he seized his nose and jumped off the rim of Eternity. At least the critics gathered to stare after his plunge into darkness as after a meteor that made much fire in its passing. But who now remembered Dudley Stone, his coteries, his frenzied followers of the twenties?

'Pass the hat,' I said. 'I'll travel three hundred miles, grab Dudley Stone by the pants and say: 'Look here, Mr. Stone, why did you let us down so badly? Why haven't you written a book in twenty-five years?''

The hat was lined with cash; I sent a telegram and took a train.

I do not know what I expected. Perhaps to find a doddering and frail praying mantis, whisping about the station, blown by seawinds, a chalk-white ghost who would husk at me with the voices of grass and reeds blown in the night. I clenched my knees in agony as my train chuffed into the station. I let myself down into a lonely country-side, a mile from the sea, like a man foolishly insane, wondering why I had come so far.

On a bulletin board in front of the boarded-up ticket office I found a cluster of announcements, inches thick, pasted and nailed one upon another for uncountable years. Leafing under, peeling away anthropological layers of printed tissue I found what I wanted. Dudley Stone for alderman, Dudley Stone for Sheriff, Dudley Stone for mayor! On up through the years his photograph, bleached by sun and rain, faintly recognizable, asked for ever more responsible positions in the life of this world near the sea. I stood reading them.

'Hey!'

And Dudley Stone plunged across the station platform behind me suddenly. 'Is that you, Mr. Douglas!' I whirled to confront this great architecture of a man, big but not in the least fat, his legs huge pistons thrusting him on, a bright flower in his lapel, a bright tie at his neck. He crushed my hand, looked down upon me like Michelangelo's God creating Adam with a mighty touch. His face was the face of those illustrated North Winds and South Winds that blow hot and cold in ancient mariners' charts. It was the face that symbolizes the sun in Egyptian carvings, ablaze with life!

My God! I thought. And this is the man who hasn't written in twenty-odd years. Impossible. He's so alive it's sinful. I can hear his heartbeat!

I must have stood with my eyes very wide to let the look of him cram in upon my startled senses.

'You thought you'd find Marley's Ghost,' he laughed. 'Admit it.'

'I-'

'My wife's waiting with a New England boiled dinner, we've plenty of ale and stout. I like the ring of those words. To ale is not to sicken, but to revive the flagging spirit. A tricky word, that. And stout? There's a nice ruddy sound to it. Stout!' A great golden watch bounced on his vest-front, hung in bright chains. He vised my elbow and charmed me along, a magician well on his way back to his cave with a luckless rabbit. 'Glad to see you! I suppose you've come, as the others came, to ask the same question, eh! Well, this time I'll tell everything!'

My heart jumped. 'Wonderful!'

Behind the empty station sat an open-top 1927-vintage Model-T Ford. 'Fresh air. Drive at twilight like this, you get all the fields, the grass, the flowers, coming at you in the wind. I hope you're not one of those who tiptoe

Вы читаете The October Country
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату
×