Mark Chadbourn

World's End

Prologue

And now the world turns slowly from the light. Not with the cymbal clash of guns and tanks, but with the gently plucked harp of shifting moods and oddly lengthening shadows, the soft tread of a subtle invasion, not here, then here, and none the wiser. Each morning the sun still rises on supermarket worlds of plastic and glass, on industrial estates where slow trucks lumber in belches of diesel, on cities lulled by the whirring of disk drives breaking existence down into digitised order. People still move through their lives with the arrogance of rulers who know their realms will never fall. Several weeks into the new Dark Age, life goes on as it always has, oblivious to the passing of the Age of Reason, of Socratic thought and Apollonian logic.

No one had noticed. But they would. And soon.

Chapter One

misty morning, albert bridge

It was just before dawn, when the darkness was most oppressive. London was blanketed by an icy, impenetrable, February mist that rolled off the Thames, distorting the gurgle and lap of the water and the first tentative calls of the birds in the trees along the embankment as they sensed the impending sunrise. The hour and atmosphere were unfriendly, but Church was oblivious to both as he wandered, directionless, lost to thoughts that had turned from discomfort to an obsession, and had soured him in the process. If anyone had been there to see his passing, they might have thought him a ghost: tall and slim, with too-pale skin emphasised by the blackness of his hair and a dark expression which added to the air of disquieting sadness which surrounded him. The night-time walks had become increasingly regular over the past two years. During the routines of the day he could lose himself, but when evening fell the memories returned in force, too realistic by far, forcing him out on to the streets in the futile hope he could walk them off, leave them behind. It was as futile as any childhood wish; when he returned home he could never escape her things or her empty space. The conundrum was almost more than he could bear: to recover meant he would have to forget her, but the mystery and confusion made it impossible to forget; it seemed he was condemned to live in that dank, misty world of not-knowing. And until he did know he felt he would not be whole again.

But that night the routine had been different. It wasn't just the memories that had driven him out, but a dream that God had decided His work, the world, had gone irrevocably wrong and He had decided to wipe it away and start again. Inexplicably, it had disturbed Church immeasurably.

There was a clatter of dustbins nearby, some dog scavenging for food. But just to be sure, he paused, tense and alert, until a russet shape padded soundlessly out of the fog. The fox stopped in its tracks when it saw him, eyed him warily for a second, until it seemed to recognise some similar trait, and then continued across the road until it was lost again. Church felt a frisson of some barely remembered emotion that he gradually recognised as a sense of wonder. Something wild and untamed in a place shackled by concrete and tarmac, pollution and regulations. Yet after the initial excitement it served only to emphasise the bleak view of the world he had established since Marianne. Perhaps his dream had been right. He had never really been enticed by the modern world. Perhaps that was why he was so drawn to archaeology as a child. But now everything seemed so much worse. If there was a God, what would he want with a world where such a vital force as a sense of wonder was so hard to come by? Although most people seemed to hark back to some golden age where things were felt so much more vibrantly, it seemed to Church, with his new eyes, that they didn't even seem to have the passion to hate the world they lived in; they were simply bowed by the boredom of it: a place of routine and rules, where daily toil was the most important thing and the only rewards that really counted were the ones that came in currency. There wasn't anything to get excited about any more; nothing to believe in. You couldn't even count on God. Churches of all denominations seemed to be in decline, desperately stripping out the supernatural wonder for some modernist sense of community that made them seem like dull Oxfam working parties. But he had no time for God anyway. And that brought him in an ironic full circle: God was preparing to wipe the world clean and God didn't exist.

He snorted a bitter laugh. Away in the mist he could hear the fox's eerie barking howl and for a hopeful second he considered pursuing it to a better place. But he knew in his heart he wasn't nimble enough; his legs felt leaden and there seemed to be an unbearable weight crushing down on his shoulders.

And then all the thoughts of God got him thinking about himself and his miserable life, as if there were any other subject. Was he a good person? Optimistic? Passionate? He had been once, he was sure of it, but that was before Marianne had turned everything on its head. How could one event sour a life so completely?

It wasn't the damp that drew his shiver, but he pulled his overcoat tighter nonetheless. Sometimes he wondered what the future held for him. Two years ago there had been so much hope stitched into the direction he had planned for his life: more articles for the learned magazines, a book, something witty and incisive about the human condition, which also instigated a quiet revolution in archaeological thinking, building on the promise he had shown at Oxford when he had become the first member of his family to attain a degree. At twenty-six, he had known everything about himself. Now, at twenty-eight, he knew nothing. He was flailing around, lost in a strange world where nothing made sense. Any insight he thought he might have had into the human condition had been expunged, and poking about in long-dead things suddenly hadn't seemed as attractive as it had when he'd been the leading light of his archaeology course. It sounded pathetic to consider it in such bald terms, and that made it even more painful. He had never been pathetic. He had been strong, funny, smart, confident. But never pathetic. He had potential, ambitions, dreams, things that he thought were such a vital part of him he would never be able to lose them, yet there he was without any sign of them at all. Where had they all gone?

The only work of which he had felt capable was hack journalism, turning technical manuals into plain English and writing PR copy, bill-paying rather than future-building. And all because of Marianne. Sometimes he wished he could channel his feelings into bitterness, maybe even hate, anything that would allow him to move on, but he just wasn't capable of it. She'd dragged him out of life and left him on a mountaintop, and he felt he would never be able to climb down again.

With a relief that was almost childlike in its intensity, his thoughts were disturbed by a splashing of water which jarred against the sinuous sounds of the river. At first Church thought it might have been a gull at the river's edge, another sign of raw nature intruding on his life, but the intermittent noise suggested something larger. Leaning on the cold, wet wall, he waited patiently for the folds of mist to part as the splashing ebbed and flowed.

For several minutes he couldn't see anything, but as he was about to leave, the mist unfurled in a manner that reminded him of a theatre curtain rolling back. Framed in the white clouds at the river's edge was a hunched black shape, like an enormous crow. As it dipped into the eddies, then rose shakily, Church glimpsed a white, bony hand. An old woman, in a long, black dress and a black shawl, was washing something he couldn't see; it made him think of pictures of peasants in the Middle East doing their laundry in muddy rivers. The strangeness of a woman in the freezing water before dawn didn't strike him at first, which was odd in itself, but the more he watched, the more he started to feel disturbed by the way she dipped and washed, dipped and washed. Finally the jangling in his mind began to turn to panic and he started to pull away from the sight. At that moment the woman stopped her washing and turned, as if she had suddenly sensed his presence. Church glimpsed a terrible face, white and gaunt, and black, piercing eyes, but it was what she held that filled his thoughts as he ran away along the footpath towards Albert Bridge. For the briefest instant it appeared to be a human head, dripping blood from the severed neck into the cold Thames. And it had his face.

Ruth Gallagher had a song in her head that she couldn't quite place; something by The Pogues, she thought.

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