Non-Stop

‘It’s no compliment. You just happened to be near and my legs were never constructed for running. My life’s in danger.’

While he was talking, Marapper stared wildly about, as if for a better hiding place, and then evidently decided to stay where he was. By adjusting a blanket over the far side of the bed he was screened from the doorway.

‘They must have seen me come in here,’ he said. ‘It’s not that I care for my own skin, but I’ve got plans. I let one of the Guards in on this scheme of ours and he went straight in and told it to Zilliac.’

‘Why should I—’ Complain began hotly. A scuffle outside gave them the briefest warning and then the door was hurled open, rebounding on its hinges. It missed Complain by inches only, for he stood half behind it.

The crisis powered his inspiration. Flinging both hands over his face, he bent forward, groaning loudly and staggering, making believe the edge of the door had struck him. Through his fingers he saw Zilliac, the Lieutenant’s right-hand man, next in line for the lieutenancy, burst into the room and kick the door shut behind him. He glared contemptuously at Complain.

‘Hold your filthy row, man,’ Zilliac shouted. ‘Where’s the priest? I saw him come in here.’

As he turned, dazer ready, to survey the room, Complain whipped up Gwenny’s wooden stool by one leg and brought it down at the base of Zilliac’s skull, square across the tense neck. A delightful splintering sound of wood and bone, and Zilliac toppled full length. He had barely hit the deck before Marapper stood up. With a heave, all teeth showing, he tipped the heavy bunk over sideways, sending it falling across the fallen man.

‘I’ve got him!’ the priest exclaimed. ‘Hem’s guts, I’ve got him!’ He gathered up Zilliac’s dazer, moving with agility for a heavy man, and faced the door.

‘Open up, Roy! There’ll doubtless be others outside, and it’s now or never if we’re getting out of this with breathable throats.’

But the door swung open at that moment without Complain’s aid. Meller the artist stood there, sheathing a knife, his face pale as boiled fowl.

‘Here’s an offering for you, priest,’ he said. ‘I’d better bring him in before someone comes along.’

He grabbed the ankles of a guard who lay crumpled in the corridor. Complain went to his aid, and together they dragged the limp body in and closed the door. Meller leaned against the wall mopping his forehead.

‘I don’t know what you’re up to, priest,’ he said, ‘but when this fellow heard the rumpus in here, he was off to fetch his friends. I thought it looked most convenient to despatch him before you had a party.’

‘May he make the Long Journey in peace,’ Marapper said weakly. ‘It was well done, Meller. Indeed, we’ve all done well for amateurs.’

‘I have a throwing blade,’ Meller explained. ‘Fortunately — for I dislike hand-to-hand fighting. Mind if I sit down?’

Moving dazedly, Complain knelt between the bodies and felt for a heart beat. Directly action had started, the ordinary Complain had been shuffled away for another, an automatic man with defter movement and sure impulse. He it was who took over when the hunt was on. Now his hand searched Zilliac and the crumpled Guard and found there was no pulse between the two of them.

Death was as common as cockroaches in the small tribes. ‘Death is the longest part of a man’, said a folk poem. This stretched-out spectacle, so frequently met with, was the subject of much of the Teaching: there had to be a formal way of dealing with it. It was fearful, and fear must not be allowed to lodge in a man. The automatic man in Complain, confronted with death now, fell straight into the first gesture of prostration, as he had been brought up to do.

Seeing their cue, Marapper and Meller instantly joined him, Marapper crying softly aloud. Only when their intricate business was over and the last Long Journey said did they lapse back into something like normality.

Then they sat looking at each other, scared, sheepishly triumphant, across the quiet bodies. Outside, all was silence; only the prevailing indolence after the recent merry-making saved them from a crowd of sightseers and inevitable exposure. Slowly, Complain found himself able to think again.

‘What about the Guard who passed on your scheme to Zilliac?’ he asked. ‘We shall have trouble from him soon, Marapper, if we stay here.’

‘If we stayed here forever he would not trouble us,’ the priest said, ‘except to offend our nostrils. He lies here before us now.’ He pointed to the man Meller had dragged in, adding: ‘Which makes it look as if my plans have been passed on no further. So we are fortunate: we still have a little while before a search starts for Zilliac. He, I suspect, was nourishing some little scheme of his own on the quiet, otherwise he would have had an escort. So much the better for us. Come, Roy, we must move at once. Quarters is no longer healthy for us.’

He stood up on legs unexpectedly shaky and promptly sat down again. He rose again with more care, saying defensively: ‘For a man of sensibility, I worked neatly with that bunk, eh?’

‘I’ve yet to hear what they were after you for, priest,’ Meller said.

‘The greater credit to the speed of your assistance,’ said Marapper smoothly, making towards the door. Meller put his arm across it and answered, ‘I want to hear what you are involved in. It seems to me I am now involved in it too.’

When Marapper drew up but did not speak, Complain said impetuously, ‘Why not let him come with us, Marapper?’

‘So…’ the artist said reflectively. ‘You’re both leaving Quarters! Good luck to you, friends — I hope you will find whatever you are going looking for. Myself, I’d rather stay here safely and paint, thanks for the invitation.’

‘Brushing aside the minor point that no invitation was offered, I agree with all you say,’ Marapper said. ‘You showed up well just now, friend, but I need only real men of action with me: and at that I want a handful, not an army.’

As Meller stepped aside and Marapper took hold of the door handle, the latter’s attitude softened and he said, ‘Our lives are of microscopically small moment, but I believe that we now owe them to you, painter. Back to your dyes now with our thanks, and not a word to anyone.’

He made off down the corridor, Complain hurrying to get by his side. Sleep had closed over the tribe. They passed a late sentry, going to one of the rear barricades; two young men and two girls in bright rags were attempting to recapture the spirit of the past revelry; otherwise, the place was deserted.

Turning sharply down a side corridor, Marapper led the way to his own quarters. Glancing about him furtively, he produced a magnetic key and opened the door, pushing Complain in ahead of him. It was a large room, but crowded with the acquisitions of a lifetime, a thousand articles bribed or begged, things meaningless since the extinction of the Giants, and now merely fascinating totems of a more varied and advanced civilization than theirs. Complain stared about him almost helplessly, regarding without recognizing a camera, electric fans, jigsaw puzzles, books, switches, condensers, a bed pan, a bird cage, vases, fire extinguishers, keys in bundles, two oil paintings, a scroll labelled ‘Map of the Moon (Devizes Sector)’, a toy telephone and a crate full of bottles containing a thick sediment called ‘Shampoo’. Loot, all loot, with little perhaps but curiosity value.

‘Stay here while I get the other three rebels,’ Marapper said, making to go. ‘Then we’ll be on the move.’

‘Supposing they betray you as the Guard did?’

‘They won’t — as you’ll know when you see them,’ Marapper said shortly. ‘I only let the Guard in on it because he saw this going in here.’ He thumped the looker inside his tunic.

After he had gone, Complain heard the magnetic lock click into place. If something did go awry with the priest’s plans, he would be trapped here with much awkward explaining to do on his release, and would probably die for Zilliac’s death. He waited tensely, picking nervously at an irritation in one hand. He glanced down at length, and saw a minute splinter embedded in the flesh of his palm. The legs of Gwenny’s stool had always been rough.

PART II DEADWAYS