Chivalry

Inasmuch as it was by your command, illustrious and exalted lady, that I have gathered together these stories to form the present little book, you should the less readily suppose I have presumed to dedicate to your Serenity this trivial offering because of my esteeming it to be not undeserving of your acceptance. The truth is otherwise; and your postulant now approaches as one not spurred toward you by vainglory but rather by plain equity, and simply in acknowledgment of the fact that he who seeks to write of noble ladies must necessarily implore at outset the patronage of her who is the light and mainstay of our age. In fine, I humbly bring my book to you as Phidyle approached another and less sacred shrine, farre pio et salente mica, and lay before you this my valueless mean tribute not as appropriate to you but as the best I have to offer.

It is a little book wherein I treat of divers queens and of their love-business; and with necessitated candor I concede my chosen field to have been harvested, and even scrupulously gleaned, by many writers of innumerable conditions. Since Dares Phrygius wrote of Queen Heleine and Virgil (that shrewd necromancer) of Queen Dido, a preponderating mass of clerks, in casting about for high and serious matter, have chosen, as though it were by common instinct, to dilate upon the amours of royal women. Even in romance we scribblers must contrive it so that the fair Nicolette shall be discovered in the end to be no less than the King's daughter of Carthage, and that Sir Doon of Mayence shall never sink in his love-affairs beneath the degree of a Saracen princess; and we are backed in this old procedure not only by the authority of Aristotle but, oddly enough, by that of reason as well.

Kings have their policies and wars wherewith to drug each appetite. But their consorts are denied these makeshifts; and love may rationally be defined as the pivot of each normal woman's life, and in consequence as the arbiter of that ensuing life which is eternal. Because—as of old Horatius Flaccus demanded, though not, to speak the truth, of any woman,—

Quo fugis? ah demons! nulla est fuga, tu licet usque
Ad Tanaim fugias, usque sequetur amor.

And a dairymaid, let us say, may love whom she will, and nobody else be a penny the worse for her mistaking of the preferable nail whereon to hang her affections; whereas with a queen this choice is more portentous. She plays the game of life upon a loftier table, ruthlessly illuminated, and stakes by her least movement a tall pile of counters, some of which are, of necessity, the lives and happiness of persons whom she knows not, unless it be by vague report. Grandeur sells itself at this hard price, and at no other. A queen must always play, in fine, as the vicar of destiny, free to choose but very certainly compelled to justify that choice in the ensuing action; as is strikingly manifested by the authentic histories of Brunhalt, and of Guenevere, and of swart Cleopatra, and of many others that were born to the barbaric queenhoods of a now extinct and dusty time.

For royal persons are (I take it) the immediate and the responsible stewards of Heaven; and since the nature of each man is like a troubled stream, now muddied and now clear, their prayer must ever be, Defenda me, Dios, de me! Yes, of exalted people, and even of their near associates, life, because it aims more high than the aforementioned Aristotle, demands upon occasion a more great catharsis which would purge any audience of unmanliness, through pity and through terror, because, by a quaint paradox, the players have been purged of all humanity. For in that aweful moment would Destiny have thrust her sceptre into the hands of a human being and Chance would have exalted a human being into usurpal of her chair. These two—with what immortal chucklings one may facilely imagine—would then have left the weakling thus enthroned, free to direct the pregnant outcome, free to choose, and free to steer the conjuration either in the fashion of Friar Bacon or of his man, but with no intermediate course unbarred. Now prove thyself! saith Destiny; and Chance appends: Now prove thyself to be at bottom a god or else a beast, and now eternally abide that choice. And now (O crowning irony!) we may not tell thee clearly by which choice thou mayst prove either.

It is of ten such moments that I treat within this little book.

You alone, I think, of all persons living have learned, as you have settled by so many instances, to rise above mortality in such a testing, and unfailingly to merit by your conduct the plaudits and the adoration of our otherwise dissentient world. You have sat often in this same high chair of Chance; and in so doing have both graced and hallowed it. Yet I forbear to speak of this, simply because I dare not seem to couple your well-known perfection with any imperfect encomium.

 Therefore to you, madame—most excellent and noble lady,

 to whom I love to owe both loyalty and love—

 I dedicate this little book.

I The Story of the Sestina

'Armatz de fust e de fer e d'acier,
Mos ostal seran bosc, fregz, e semdier,
E mas cansos sestinas e descortz,
E mantenrai los frevols contra 'ls fortz.'

THE FIRST NOVEL.—ALIANORA OF PROVENCE, COMING IN

DISGUISE AND IN ADVERSITY TO A CERTAIN CLERK, IS BY

HIM CONDUCTED ACROSS A HOSTILE COUNTRY; AND IN

THAT TROUBLED JOURNEY ARE MADE MANIFEST TO EITHER

THE SNARES WHICH HAD BEGUILED THEM AFORETIME. 

In this place we have to do with the opening tale of the Dizain of Queens. I abridge, as afterward, at discretion; and an initial account of the Barons' War, among other superfluities, I amputate as more remarkable for veracity than interest. The result, we will agree at outset, is that to the Norman cleric appertains whatever these tales may have of merit, whereas what you find distasteful in them you must impute to my delinquencies in skill rather than in volition.

Within the half-hour after de Giars' death (here one overtakes Nicolas mid-course in narrative) Dame Alianora thus stood alone in the corridor of a strange house. Beyond the arras the steward and his lord were at irritable converse.

First, 'If the woman be hungry,' spoke a high and peevish voice, 'feed her. If she need money, give it to her. But do not annoy me.'

'This woman demands to see the master of the house,' the steward then retorted.

'O incredible Boeotian, inform her that the master of the house has no time to waste upon vagabonds who select the middle of the night as an eligible time to pop out of nowhere. Why did you not do so in the beginning, you dolt?' He got for answer only a deferential cough, and very shortly continued: 'This is remarkably vexatious. Vox et praeterea nihil,—which signifies, Yeck, that to converse with women is always delightful. Admit her.' This was done, and Dame Alianora came into an apartment littered with papers, where a neat and shrivelled gentleman of fifty-odd sat at a desk and scowled.

He presently said, 'You may go, Yeck.' He had risen, the magisterial attitude with which he had awaited her advent cast aside. 'O God!' he said; 'you, madame!' His thin hands, scholarly hands, were plucking at the air.

Dame Alianora had paused, greatly astonished, and there was an interval before she said, 'I do not recognize