check cotton handkerchief, a round black snuff-box, and a green

spectacle-case. The neatness and orderliness of all these articles show

clearly that Karl Ivanitch has a clear conscience and a quiet mind.

Sometimes, when tired of running about the salon downstairs, I would

steal on tiptoe to the schoolroom and find Karl sitting alone in his

armchair as, with a grave and quiet expression on his face, he perused

one of his favourite books. Yet sometimes, also, there were moments when

he was not reading, and when the spectacles had slipped down his large

aquiline nose, and the blue, half-closed eyes and faintly smiling lips

seemed to be gazing before them with a curious expression. All would be

quiet in the room--not a sound being audible save his regular breathing

and the ticking of the watch with the hunter painted on the dial. He

would not see me, and I would stand at the door and think: 'Poor, poor

old man! There are many of us, and we can play together and be happy,

but he sits there all alone, and has nobody to be fond of him. Surely

he speaks truth when he says that he is an orphan. And the story of his

life, too--how terrible it is! I remember him telling it to Nicola. How

dreadful to be in his position!' Then I would feel so sorry for him that

I would go to him, and take his hand, and say, 'Dear Karl Ivanitch!'

and he would be visibly delighted whenever I spoke to him like this, and

would look much brighter.

On the second wall of the schoolroom hung some maps-- mostly torn, but

glued together again by Karl's hand. On the third wall (in the middle of

which stood the door) hung, on one side of the door, a couple of rulers

(one of them ours--much bescratched, and the other one his--quite a new

one), with, on the further side of the door, a blackboard on which our

more serious faults were marked by circles and our lesser faults by

crosses. To the left of the blackboard was the corner in which we had to

kneel when naughty. How well I remember that corner--the shutter on the

stove, the ventilator above it, and the noise which it made when turned!

Sometimes I would be made to stay in that corner till my back and knees

were aching all over, and I would think to myself. 'Has Karl Ivanitch

forgotten me? He goes on sitting quietly in his arm-chair and reading

his Hydrostatics, while I--!' Then, to remind him of my presence, I

would begin gently turning the ventilator round. Or scratching some

plaster off the wall; but if by chance an extra large piece fell upon

the floor, the fright of it was worse than any punishment. I would

glance round at Karl, but he would still be sitting there quietly, book

in hand, and pretending that he had noticed nothing.

In the middle of the room stood a table, covered with a torn black

oilcloth so much cut about with penknives that the edge of the table

showed through. Round the table stood unpainted chairs which, through

use, had attained a high degree of polish. The fourth and last wall

contained three windows, from the first of which the view was as

follows. Immediately beneath it there ran a high road on which every

irregularity, every pebble, every rut was known and dear to me. Beside

the road stretched a row of lime-trees, through which glimpses could be

caught of a wattled fence, with a meadow with farm buildings on one side

of it and a wood on the other--the whole bounded by the keeper's hut at

the further end of the meadow. The next window to the right overlooked

the part of the terrace where the 'grownups' of the family used to sit

Вы читаете Childhood. Boyhood. Youth
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