she got a scholarship to the dancing school and she worked part time there with the young kids and Miss La Verne, who ran the school, let her stay with her. Miss La Verne was very nice at first and so was her boy friend, Charlie, who was a funny-looking man, kind of fat, who used to sit and look at Molly and he reminded her of a frog, the way he used to spread his fingers out on his knees, pointing in, and pop his eyes.

Then Miss La Verne got cross and said Molly better get a job, but Molly didn’t quite know how to begin and finally Miss La Verne said, “If I get you a job will you stick with it?” Molly promised.

It was a job with a carny. There was a Hawaiian dance show, what they called a kooch show-two other girls and Molly. The fellow who ran it and did the talking was called Doc Abernathy. Molly didn’t like him a bit and he was always trying to make the girls. Only Jeannette, one of the dancers, and Doc were steady and Jeannette was crazy-mad jealous of the other two. Doc used to devil her by horsing around with them.

Molly always liked Zeena, who ran the mental act in the Ten-in-One show across the midway. Zeena was awfully nice and she knew more about life and people than anybody Molly had ever met except Dad. Zeena had Molly bunk in with her, when she stayed in hotels, for company, because Zeena’s husband slept in the tent to watch the props, he said. Really it was because he was a souse and he couldn’t make love to Zeena any more. Zeena and Molly got to be real good friends and Molly didn’t wish she was dead any more.

Then Jeannette got nastier and nastier about Doc’s paying so much attention to Molly and she wouldn’t believe that Molly didn’t encourage him. The other girl told her, “With a chassis like that Cahill kid’s got you don’t have to do no encouraging.” But Jeannette thought Molly was a stinker. One day Doc whispered something to her about Molly and Jeannette started for her looking like a wild animal with her lips pulled back over her teeth. She smacked Molly in the face and before Molly knew what was going on she had pulled off her shoe and was swinging at her, beating her in the face with it. Doc came rushing over and he and Jeannette had a terrible battle. She was cursing and screaming and Doc told her to shut up or he would smash her in the tits. Molly ran out and went over to the Ten-in-One and the boss fired Doc out of the carny and the kooch show went back to New York.

“Fifteen thousand volts of electricity pass through her body without hurting a hair of the little lady’s head. Ladies and gentlemen, Mamzelle Electra, the girl who, like Ajax of Holy Writ, defies the lightning…”

Glory be to God, I hope nothing happens to that wiring. I want Dad. God, how I want him here. I’ve got to remember to smile…

“Stand over here, Teddy, and hold onto Ma’s hand. So’s you won’t git tromped on and kin see. That there’s a ’lectric chair, same’s they got in the penitentiary. No, they ain’t going to hurt the lady none, leastways I hope not. See? They strap her in that chair-only there’s something about her body that don’t take ’lectricity. Same’s rain rolls right off the old gander’s back. Don’t be scared, Teddy. Ain’t nothing going to happen to her. See how the ’lectricity makes her hair stand out stiff? Lightning’ll do the same thing I heard tell. There. See? She’s holding a ’lectric bulb in one hand and grabbing the wire with the other. See the bulb light? That means the ’lectricity is passing right through her ’thout hurting her none. I wisht your pa was that way with ’lectricity. He got a powerful bad burn last winter, time the wires blowed down and he was helping Jim Harness get his road cleared. Come along, Teddy. That’s all they’re going to do over here.”

Now I can get up. Sailor Martin’s looking at me again. I can’t keep saying no to him every time he asks me to go out with him. But he can always think faster than I can. Only I mustn’t let him, ever. I mustn’t be a tramp; I don’t want it this way, the first time. Dad…

Stanton Carlisle: The great Stanton stood up and smiled, running his glance over the field of upturned faces. He took a deep breath. “Well, folks, first of all I’m going to show you how to make money. Is there anybody in the crowd who’s willing to trust me with the loan of a dollar bill? You’ll get it back-if you can run fast. Thanks, bud. Now then-nothing in either hand, nothing up the sleeves.”

Showing his hands empty, save for the borrowed bill, Stan gave a hitch to his sleeves. In the folds of his left sleeve was a roll of bills which he acquired deftly. “Now then, one dollar- Wait a minute, bud. Are you sure you gave me only one? You’re sure. Maybe that’s all you got with you, eh? But here are two- one and two. Count ’em. It’s a good trick, especially along toward the end of the week.”

Which one will smile at the oldest gag? One out of every five. Remember that. One in five is a born chump.

He produced the bills one after another, until he had a green fan of them. He returned the bill to the lad. In doing so he turned his left side from the crowd, got a metal cup in his hand. It hung by an elastic from his left hip.

“Now then, out of nowhere they came. Let’s see what happens to them when we roll them up. One, two, three, four, five, six. All present and accounted for. Into a roll-” He placed the bills in his left hand, slipping them into the vanisher. “Blow on the hand-” The vanisher, released, thudded softly against his hip under his coat. “Lo and behold! Gone!”

There was a scattering of applause, as if they were a little ashamed of it. The chumps.

“Where did they go? You know, day after day I stand here- wondering just where they do go!” That’s Thurston’s gag. By God, I’m going to use it until I see one face-just one-in this bunch of rubes that gets the point. They never do. But that dollar bill production goes over. Poverty-struck bastards-they all wish they could do it. Make money out of the air. Only that’s not the way I make mine. But it’s better than real estate. My old man and his deals. Church vestryman on Sundays, con man the rest of the week. Frig him, the Bible-spouting bastard.

“Now then, if I can have your attention for a moment. I have here a bunch of steel rings. Each and every one of them a separate, solid hoop of steel. I have one, two, three-four, five, six-seveneight. Right? Now I take two. Tap ’em. Joined together! Would you take these, madam, and tell me if you can find any joints or signs of an opening? No? Thank you. All solid. And again, two separate rings. Go! Joined!”

Better speed it up, they’re getting restless. This is the life, though. Everyone looking at you. How does he do it? Gosh, that’s slick. Trying to figure it out. It’s magic to them, all right. This is the life. While they’re watching and listening you can tell ’em anything. They believe you. You’re a magician. Pass solid rings through each other. Pull dollars out of the air. Magic. You’re top man-while you keep talking.

“And now, folks, eight separate and distinct rings; yet by a magic word they fly together and are joined inextricably into a solid mass. There you are! I thank you for your kind attention. Now I have here a little booklet that’s worth its weight in gold. Here is a collection of magic tricks that you can do-an hour’s performance before your club, lodge, or church gathering or in your own parlor. An hour’s practice-a lifetime of fun, magic, and mystery. This book formerly sold for a dollar, but for today I’m going to let you have it for two bits-a quarter of a dollar. Let’s hurry it up, folks, because I know you all want to see and hear Madam Zeena, the seeress, and her act does not go on until everyone who wants one of these great books gets one. Thank you, sir. And you. Any more? Right.

“Now then, folks, don’t go ’way. The next complete show will not start for twenty minutes. I call your attention to the next platform. Madam Zeena-miracle woman of the ages. She sees, she knows, she tells you the innermost secrets of your past, your present, and your future. Madam Zeena!”

Stan jumped down lightly from his own small platform and pushed through the crowd to a miniature stage draped in maroon velvet. A woman had stepped out from between the curtains. The crowd flowed over and stood waiting, looking up at her, some of the faces absently chewing, hands cupping popcorn into mouths.

The woman was tall, dressed in flowing white with astrological symbols embroidered on the hem of her robe. A cascade of brassy blond hair fell down her back and a band of gilt leather studded with glass jewels was around her forehead. When she raised her arms the loose sleeves fell back. She had large bones, but her arms were white and capable-looking, with a spattering of freckles. Her eyes were blue, her face round, and her mouth a shade too small, so that she looked a trifle like an elaborate doll. Her voice was low-pitched with a hearty ring to it.

“Step right up, folks, and don’t be bashful. If there’s any of you that want to ask me a question Mr. Stanton is now passing among you with little cards and envelopes. Write your question on the card; be careful not to let anybody else see what you write, because that’s your business. I don’t want anybody asking me about somebody else’s business. Just let’s all mind our own and we’ll stay out of trouble. When you’ve written your question, sign your initials to the card or write your name as a token of good faith. Then give the sealed envelope to Mr. Stanton. You’ll see what I’m going to do next.

“Meantime, while we’re waiting for you to write your questions, I’m going to start right in. It isn’t necessary for you to write anything, but that helps you to fix it firmly in mind and keeps your mind from wandering off it, same as if you want to remember somebody’s name you just met it helps to jot it down. Isn’t that so?”

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