himself already dead, being called forward by his wife from the other side.

He tried for the first time to loosen his hand and foot restraints so that he could perhaps move closer to the empty space where the woman’s voice was coming from.

A shot was fired somewhere. In the air? At him? At the woman calling Jean? He didn’t feel the expected hot burst of flames anywhere on his skin. Someone dragged him by the legs, pulled him forward, removing his jacket, and then he felt himself falling from the back of the truck onto the concrete. He fell on his face, crushing his forehead. His blood quickly soaked the blindfold, a warm veil of red covering the darkness over his eyes. He was being dragged by the legs over the rise of a curb. With each yank forward, a little bit of him was bruised, peeled away. He felt as though he was shedding skin, shedding voice, shedding sight, shedding everything he’d tried so hard to make himself into, a well-dressed man, a well-spoken man, a well-read man. He was leaving all that behind now with bits of his flesh in the ground, morsel by morsel being scraped off by pebbles, rocks, tiny bottle shards, and cracks in the concrete.

He tried to make himself as limp as possible as he was pushed down some uneven steps that at different moments in his descent wedged themselves between his ribs.

He was probably in a cell now, for he heard the rattling of bars and a lock being turned. He heard some breathing, some of it labored, and loud, moaning men. The smell of rotting flesh made him want to sneeze. There were some shadows circling him, sniffing like rats following the scent of blood. His head was spinning like a child’s top. The shadows were spinning too and then faded all together.

He was disappointed to find himself awakened again sometime in the night. A warm liquid was trickling down on his face and when he opened his mouth to quench his thirst with it, he realized it was urine.

Ave urina! The ridiculous thought entered his mind from some source he couldn’t quite recall. Morituri te salutant, I who am about die salute you.

His blindfold was now gone, but his inflamed eyelids formed a cover of their own. He fell into his darkness once more, this time even more abruptly than before.

3

The lights suddenly went out in the house and all over Rue Tirremasse, just as Anne was feeling one of those odd sensations she’d been experiencing since childhood. Even though it was pitch-black, she felt a slight pinch in both her eyes, another curtain of darkness settling in, further deepening the obscurity around her. Her face was growing progressively warmer, as though the candle she now so longed to light had already been ignited beneath the skin on her cheekbones. A high-pitched sound was ringing in her ears, like a monotonic flute, just as her nose was being bombarded with the sweet, lingering smell of frangipanis in bloom. Anticipating the convulsions to follow, she lowered herself to the ground and lay on her back, spreading her arms and legs apart. She imagined observing herself from somewhere high above, perhaps perched from the ceiling, watching herself on the cool cement floor, looking like a butterfly whose wings had been fractured, forcing it to set down and slowly die. Her breathing was shallow, the pauses growing longer between each cycle. Her body stiffened and the inside of her mouth felt crowded, her tongue swelling and spreading out over her teeth, filling them with the briny taste of dirty seawater. Fragmented moments from her life were filing past her, event after event streaming by at high speed on the giant puppet screen she now imagined her mind to be: her younger brother’s drowning, her stepbrother’s departure from their seaside village, perhaps to avoid the waters that had taken their brother’s life, their respective parents’ death from either chagrin or hunger or both, her recent move to the city to join her older brother, his inability to stop speaking about his wife’s death, which, it seemed, was not so unlike this death she was sure she was experiencing.

Maybe she shouldn’t have left the church a few moments ago. He was going on again about his wife and she was tired of it. Based on her brother’s own accounts, she couldn’t help but blame him for his wife’s death. What made him think he could denounce the powerful on the radio, of all places, and not risk the safety of those he loved? She wanted to tell him these things, hoped she would get the chance. Yet there she was, dying again or possessed again, she couldn’t tell which. If she were possessed, then why did the spirits wait until she was alone to enter her body, mount her the way she’d mounted docile horses as a child? There was no one there to hear whatever revelations the spirits would communicate through her, and when she came around again, if she came around again, she would have no recollection of this semi-mortal trance, except perhaps the sudden certainty that even as she was lying there, somewhere her older brother too was failing. Either his body itself was dying or something inside him was dying, but she feared that she might never see him again.

4

He was told to release the preacher. The change of orders had come directly from the national palace. He had missed an important nuance; the preacher had been arrested rather than killed. The arrest had been sloppily handled.

It was supposed to be a quiet operation, his superior, Rosalie, a short, stout, bespectacled woman, told him. She was in her fifties and one of the few high-ranking women in the barracks. Somehow she had become a friend, even though he didn’t see her often. She was frequently at the palace, where she had direct access to the president, for whom she was trying to recruit more female volunteers. Like the president, she had a deep love for folklore, which according to her they discussed frequently. And since the president had named his volunteer militia after the mythic figure of the Tonton Macoute, a bogeyman who abducted naughty children at night and put them in his knapsack, she wanted to name her female force Fillette Lalo, after a rhyme most of the country grew up singing, a parable about a woman who eats children.

When she’d shared all this with him, over glasses of rum and Cuban cigars, she even sang the rhyme, as if he needed to be reminded of it.

Little Bird, where are you going? I am going to Fillette Lalo’s. Fillette Lalo eats little children. If you go, she will eat you too. Brikolobrik Brikolobrik Hummingbirds eat soursop.

For others, the song recital might have seemed menacing, like a blatant effort to cast herself as the hummingbird to his soursop, but not for him. She had taken him under her wing, seeing in him some of her own zeal for the job. But now she wasn’t singing or laughing. She was angry.

“By all accounts, the arrest turned into a cockfight,” she said. She had long tried to copy the nasal inflection of her boss, the president, coming up with her own variation of it. “You went into a church filled with people when you could have gotten him on the street. Why did you bring him here?”

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