stars that form Lumides the Pants Salesman.

Modern Biology: How the body functions, and where it can usually be found. Blood is analyzed, and it is learned why it is the best possible thing to have coursing through one’s veins. A frog is dissected by students and its digestive tract is compared with man’s, with the frog giving a good account of itself except on curries.

Rapid Reading: This course will increase reading speed a little each day until the end of the term, by which time the student will be required to read The Brothers Karamazov in fifteen minutes. The method is to scan the page and eliminate everything except pronouns from one’s field of vision. Soon the pronouns are eliminated. Gradually the student is encouraged to nap. A frog is dissected. Spring comes. People marry and die. Pinkerton does not return.

Musicology III: The Recorder. The student is taught how to play “Yankee Doodle” on this end-blown wooden flute, and progresses rapidly to the Brandenburg Concertos. Then slowly back to “Yankee Doodle.”

Music Appreciation: In order to “hear” a great piece of music correctly, one must: (1) know the birthplace of the composer, (2) be able to tell a rondo from a scherzo, and back it up with action. Attitude is important. Smiling is bad form unless the composer has intended the music to be funny, as in Till Eulenspiegel, which abounds in musical jokes (although the trombone has the best lines). The ear, too, must be trained, for it is our most easily deceived organ and can be made to think it is a nose by bad placement of stereo speakers. Other topics include: The four-bar rest and its potential as a political weapon. The Gregorian Chant: Which monks kept the beat.

Writing for the Stage: All drama is conflict. Character development is also very important. Also what they say. Students learn that long, dull speeches are not so effective, while short, “funny” ones seem to go over well. Simplified audience psychology is explored: Why is a play about a lovable old character named Gramps often not as interesting in the theatre as staring at the back of someone’s head and trying to make him turn around? Interesting aspects of stage history are also examined. For example, before the invention of italics, stage directions were often mistaken for dialogue, and great actors frequently found themselves saying, “John rises, crosses left.” This naturally led to embarrassment and, on some occasions, dreadful notices. The phenomenon is analyzed in detail, and students are guided in avoiding mistakes. Required text: A. F. Shulte’s Shakespeare: Was He Four Women?

Introduction to Social Work: A course designed to instruct the social worker who is interested in going out “in the field.” Topics covered include: how to organize street gangs into basketball teams, and vice versa; playgrounds as a means of preventing juvenile crime, and how to get potentially homicidal cases to try the sliding pond; discrimination; the broken home; what to do if you are hit with a bicycle chain.

Yeats and Hygiene, A Comparative Study: The poetry of William Butler Yeats is analyzed against a background of proper dental care. (Course open to a limited number of students.)

Hassidic Tales, with A Guide to Their Interpretation by the Noted Scholar

A man journeyed to Chelm in order to seek the advice of Rabbi Ben Kaddish, the holiest of all ninth-century rabbis and perhaps the greatest noodge of the medieval era.

“Rabbi,” the man asked, “where can I find peace?” The Hassid surveyed him and said, “Quick, look behind you!”

The man turned around, and Rabbi Ben Kaddish smashed him in the back of the head with a candlestick. “Is that peaceful enough for you?” he chuckled, adjusting his yarmulke.

In this tale, a meaningless question is asked. Not only is the question meaningless but so is the man who journeys to Chelm to ask it. Not that he was so far away from Chelm to begin with, but why shouldn’t he stay where he is? Why is he bothering Rabbi Ben Kaddish-the Rabbi doesn’t have enough trouble? The truth is, the Rabbi’s in over his head with gamblers, and he has also been named in a paternity case by a Mrs. Hecht. No, the point of this tale is that this man has nothing better to do with his time than journey around and get on people’s nerves. For this, the Rabbi bashes his head in, which, according to the Torah, is one of the most subtle methods of showing concern. In a similar version of this tale, the Rabbi leaps on top of the man in a frenzy and carves the story of Ruth on his nose with a stylus.

*

Rabbi Raditz of Poland was a very short rabbi with a long beard, who was said to have inspired many pogroms with his sense of humor. One of his disciples asked, “Who did God like better-Moses or Abraham?”

“Abraham,” the Zaddik said.

“But Moses led the Israelites to the Promised Land,” said the disciple.

“All right, so Moses,” the Zaddik answered.

“I understand, Rabbi. It was a stupid question.”

“Not only that, but you’re stupid, your wife’s a meeskeit, and if you don’t get off my foot you’re excommunicated.”

Here the Rabbi is asked to make a value judgment between Moses and Abraham. This is not an easy matter, particularly for a man who has never read the Bible and has been faking it. And what is meant by the hopelessly relative term “better”? What is “better” to the Rabbi is not necessarily “better” to his disciple. For instance, the Rabbi likes to sleep on his stomach. The disciple also likes to sleep on the Rabbi’s stomach. The problem here is obvious. It should also be noted that to step on a rabbi’s foot (as the disciple does in the tale) is a sin, according to the Torah, comparable to the fondling of matzos with any intent other than eating them.

*

A man who could not marry off his ugly daughter visited Rabbi Shimmel of Cracow. “My heart is heavy,” he told the Rev, “because God has given me an ugly daughter.”

“How ugly?” the Seer asked.

“If she were lying on a plate with a herring, you wouldn’t be able to tell the difference.”

The Seer of Cracow thought for a long time and finally asked, “What kind of herring?”

The man, taken aback by the query, thought quickly and said, “Er-Bismarck.”

“Too bad,” the Rabbi said. “If it was Maatjes, she’d have a better chance.”

Here is a tale that illustrates the tragedy of transient qualities such as beauty. Does the girl actually resemble a herring? Why not? Have you seen some of the things walking around these days, particularly at resort areas? And even if she does, are not all creatures beautiful in God’s eyes? Perhaps, but if a girl looks more at home in a jar of wine sauce than in an evening gown she’s got big problems. Oddly enough, Rabbi Shimmers own wife was said to resemble a squid, but this was only in the face, and she more than made up for it by her hacking cough- the point of which escapes me.

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