Martin had expressed some snorting skepticism which Cowart had ignored.

'Don't you remember Pitts and Lee?' Cowart had replied. Freddie Pitts and Wilbert Lee had been sentenced to die for the murder of a gas-station attendant in North Florida. Both men had confessed to a crime they hadn't done. It had taken years of reporting by one of the Journal's most famous reporters to set them free. He'd won a Pulitzer. In the Journal newsroom, it was the first story any new reporter was told.

'That was different.'

'Why?'

That was in 1963. Might as well have been in 1863. Things have changed.'

'Really? How about that guy in Texas, the one the documentary film-maker got off Death Row there?'

'That was different.'

'How much?'

Martin had laughed. 'That's a good question. Go. With my blessing. Answer that question. And remember, when you're all finished playing reporter again, you can always come home to the ivory tower.' He'd shooed Cowart on his way.

The city desk had been informed and promised assistance should he need any. He had detected a note of jealousy that the story had landed in his lap. He recognized the advantage that he had over the cityside staff. First, he was going to be able to work alone; the city desk would have assigned a team to the story. The Journal, like so. many newspapers and television stations, had a full-time investigative squad with a snappy title like 'The Spotlight Team' or The I-team.' They would have approached the story with the subtlety of an invading force. And, Cowart realized, unlike the regular reporters on the staff, he would have no deadline, no assistant city editor breathing down his neck, wondering every day where the story was. He could find out what he could, structure as he saw fit, write it as he wanted. Or discard it if it wasn't true.

He tried to hold on to this last thought, to armor himself against disappointment, but as he headed down the road and pulled into the prison, he sensed his pulse quickening. A series of warning signs was posted on the access road, informing passersby that by entering the area they were consenting to a search, that any firearms and narcotics violations would be punished by a term of prison. He passed through a gate where a gray-jacketed guard checked his identification against a list and sullenly waved him through, then parked in an area designated VISITORS and entered the administration building.

There was some confusion when he checked with a secretary. She had apparently lost his entrance request. He waited patiently by her desk while she shuffled through papers, apologizing rapidly, until she found it. He was then asked to wait in an adjacent office until an officer could escort him to where he was to meet Robert Earl Ferguson.

After a few minutes, an older man with a gray-tinged Marine Corps haircut and bearing entered the room. The man had a huge, gnarled hand, which he shot forward at Cowart. 'Sergeant Rogers. I'm day officer on the Row today.'

'Glad to meet you.'

'There are a few formalities, Mr. Cowart, sir, if you don't mind.'

'Like?'

I need to frisk you and search your tape recorder and briefcase. I have a statement you need to sign about being taken hostage…'

'What's that?'

'It's just a statement saying you're entering the Florida State Prison of your own wish and that, if taken hostage during your stay here, you will not sue the state of Florida, nor will you expect extraordinary efforts to secure your freedom.'

'Extraordinary efforts?'

The man laughed and rubbed his hand through his brush of hair. 'What it means is that you don't expect us to risk our asses to save yours.'

Cowart smiled and made a face. 'Sounds like a bad deal for me.'

Sergeant Rogers grinned. 'That it is. Of course, prison is a bad deal for just about everybody, except those of us who get to head home at night.'

Cowart took the paper from the sergeant and signed it with a mock flourish. 'Well,' he said, still smiling, 'can't say you guys give me a lot of confidence right here at the start.'

'Oh, you ain't got nothing to worry about, not visiting Robert Earl. He's a gentleman and he ain't crazy.' As he spoke, the sergeant methodically searched through Cowart's briefcase. He also opened up the tape recorder to inspect the insides and popped the battery compartment to ascertain that there were batteries in the space. 'Now, it's not like you were coming in to visit Willie Arthur or Specs Wilson – they were those two bikers from Fort Lauderdale that let a little fun with that girl they picked up hitchhiking get out of hand – or Jose Salazar – you know, he killed two cops. Undercover guys in a drug deal. You know what he made them do before he killed 'em? To each other? You oughta find out. It'll open your mind to how bad folks can be when they set their minds right to it. Or some of the other lovely guys we got in here. Most of the worst come from downstate, from your hometown. What y'all doing down there anyway, that makes folks kill each other so bad?'

'Sergeant, if I could answer that question…'

They both grinned. Sergeant Rogers put down Cowart's briefcase and gestured for him to hold his hands up in the air. 'Sure helps to have a sense of humor around here, the sergeant said as his hands flitted across Cowart's body. The sergeant patted him down rapidly.

'Okay,' the sergeant said. 'Let me brief you on the drill. It's gonna be just you and him. I'm just there for security. Be right outside the door. You need help, you just yell. But that ain't gonna happen, because we're talking about one of the non-crazy men on the Row. Hell, we're gonna use the executive suite…'

'The what?'

'The executive suite. That's what we call the inter- view room for the best behaved. Now, it's just a table and chairs, so it ain't no big deal. We've got other facilities that are more secure. And Robert Earl won't have no restraints. Not even leg irons. But no hand contact. I mean you can give him a smoke…'

I don't'

'Good. Smart man. You can take papers from him, if he hands you documents. But if you wanted to hand him anything, it would have to go through me.'

Like hand him what?'

'Oh, maybe a file and hacksaw and some road maps.'

Cowart looked surprised.

'Hey, just kidding,' the sergeant said. 'Of course, in here, that's the one joke we never much make.'Escape. Not funny, you know. But there's lots of different ways to escape a prison. Even Death Row. A lot of the inmates think talking to reporters is one way.' 'Help them escape?'

'Help them get out. Everyone always wants the press to get excited about their case. Inmates never think they got a fair shake. They think that maybe if they make enough of a stink, they'll get a new trial. Happens. That's why prison people like me always hate to see reporters. Hate to see those little pads of paper, those camera crews and lights. Just gets everyone riled up, excited about nothing much. People think it's the loss of freedoms that makes for trouble in prisons. They're wrong. Worse thing by far is expectations getting raised and then smashed. It's just another story for you guys. But for the guys inside, it's their lives you're talking about. They think one story, the right story, and they'll just walk on out of here. You and I know that ain't necessarily true. Disappointment. Big, angry, frustrating disappointment. Causes more trouble than you'd like to know. What we like is routine. No wild hopes, no dreams. Just one day exactly like the last. Don't sound exciting, but of course, you don't want to be around a prison when things get exciting.'

'Well, I'm sorry. But I'm just here checking a few facts.'

'In my experience, Mr. Cowart, there ain't no such thing as a fact, except two maybe, one being born and one being dying. But, no problem. I ain't as hard-core as some around here. I kinda like a little change of pace, as long as it's within reason. Just don't hand him nothing. It'll only make it worse for him. 'Worse than Death Row?'

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