'You got to understand, even on the Row there's lots of ways of doing your time. We can make it real hard, or not so tough. Right now, Robert Earl, he's got it pretty good. Oh, he still gets his cell tossed every day, and he still gets a strip search after a little meeting like this one here today, but he's got yard privileges now and books and such. You wouldn't think it, but even in prison there's all sorts of little things we can take away that will make his life a lot worse.'
'I've got nothing for him. But he may have some papers or something
'Well, that's okay. We ain't so concerned with stuff being smuggled out of the prison…'
The sergeant laughed again. He had a booming laugh to match his forthright speech. Rogers was obviously the sort of man who could tell you much or make your life miserable, depending on his inclination. 'You're also supposed to tell me how long you're gonna be.'
'I don't know.'
'Well, hell, I got all morning, so take your time. Afterwards I'll give you a little tour of the place. You ever seen Old Sparky?'
'No.'
'It's an education.'
The sergeant rose. He was a wide, powerful man, with the sort of bearing that implied he'd seen much trouble in his life and always managed to deal with it Successfully.
'Kinda puts things in perspective, if you know what
I mean.'
Cowart followed him through the doorway, feeling dwarfed by the man's broad back.
He was led through a series of locked doors and a metal detector manned by an officer who grinned at the sergeant as they passed through. They came to a terminal center where several wings of the immense wheel-like prison building came together. In that moment, Cowart was aware of the noise of prison, a constant cacophony of raised voices and metallic clangs and crashes as doors swung open, only to be slammed shut and locked again. A radio somewhere was playing country music. A television set was tuned to a soap opera; he could hear the voices, then the ubiquitous music of commercials. He felt a sensation of motion about him, as if caught in a strong river current, but, save for the sergeant and a pair of other officers manning a small booth in the center of the room, there were few people about. He could see inside the booth and noted an electronic board that showed which doors were open and which were shut. Cameras mounted in the corners by the ceiling and television monitors showed flickering gray images from each cell tier as well. Cowart noticed that the floor was a spotless yellow linoleum, worn bright by the flood of people and the never-ending efforts of prison trustees. He saw one man, wearing a blue jumpsuit, diligently swabbing a corner area with a dirty gray mop, endlessly going over and over a spot that was already clean.
'That's Q, R, and S wings,' said the sergeant. 'Death Row. Actually, I guess you'd have to say Death Rows. Hell, we've even got an overcrowding problem on Death Row. Says something, don't it? The chair's down there. Looks like the other areas, but it ain't the same. No, sir.'
Cowart stared down the narrow, high corridors. The cell tiers were on the left, rising up three stories, with stairs at either end. The wall facing the cells contained three rows of dirty windows that swung open to let in the air. There was an empty space between the catwalk outside the bank of cells and the windows. He realized the men could lie locked in each small cell and stare out across and through to the sky, a distance of perhaps thirty feet that might as well have been a. million miles. It made him shudder.
'There's Robert Earl over there,' the sergeant said. Cowart spun about and saw the sergeant pointing toward a small barred cage in a far corner of the terminal area. There were four men inside, sitting on an iron bench, staring out at him. Three men wore blue jumpsuits, like the trustee. One man wore bright orange. He was partially obscured by the bodies of the other men.
'You don't want to wear the orange,' the sergeant said quietly. 'That means the clock's ticking down on your life.'
Cowart started toward the cage but was stopped by the sergeant's sudden grip on his shoulder. He could feel the strength in the man's fingertips.
'Wrong way. Interview room's over here. When someone comes to visit, we search the men and make a list of everything they have – papers, law books, whatever. Then they go into isolation, over there. We bring him to you. Then, when it's all said and done, we reverse the process. Takes goddamn forever, but security, you know. We do like to have our security.'
Cowart nodded and was steered into an interview room. It was a plain white office with a single steel table in the center and a pair of old, scarred brown chairs. A mirror was on one wall. An ashtray in the center. Nothing else.
He pointed at the mirror. 'Two-way?' he asked.
'Sure is, replied the sergeant. 'That a problem?'
'Nope. Hey, you sure this is the executive suite?' He turned toward the sergeant and smiled. 'Us city boys are accustomed to a bit more in the way of creature comforts.'
Sergeant Rogers laughed. 'Why, that's what I would have guessed. Sorry, this is it.'
'It'll do,' Cowart said. 'Thanks.'
He took a seat and waited for Ferguson.
His first impression of the prisoner was a young man in his mid-twenties, just shorter than six feet, with a boyish slight build, but possessing a deceptive, wiry strength that passed through his handshake. Robert Earl Ferguson had rolled his sleeves up, displaying knotted arm muscles. He was thin, with narrow hips and shoulders like a distance runner, with an athlete's easy grace in the manner he walked. His hair was short, his skin dark. His eyes were alert, quick, penetrating; Matthew Cowart had the sensation that he was measured by the prisoner in a moment's time, assessed, read, and stored away.
'Thank you for coming,' the prisoner said.
'It wasn't a big deal.'
'It will be,' Ferguson replied confidently. He was carrying a stack of legal papers, which he arranged on the table in front of him. Cowart saw the prisoner glance over at Sergeant Rogers, who nodded, turned, and exited through the door, slamming it shut with a crash.
Cowart sat, took out a notepad and pen, and arranged a tape recorder in the center of the table. 'You mind?' he asked.
'No,' Ferguson responded. 'It makes sense.'
'Why did you write me?' Cowart asked. 'Just curious, you know. Like, how did you get my name?'
The prisoner smiled and rocked back in his seat. He seemed oddly relaxed for what should have been a critical moment.
'Last year you won a Florida Bar Association award for a series of editorials about the death penalty. Your name was in the Tallahassee paper. It was passed on to me by another man on the Row. It didn't hurt that you work for the biggest and most influential paper in the state.'
'Why did you wait to contact me?'
'Well, to be honest, I thought the appeals court was going to throw out my conviction. When they didn't, I hired a new lawyer – well, hired isn't quite right -I got a new lawyer and started being more aggressive about my situation. You see, Mr. Cowart, even when I got convicted and sentenced to die, I still really didn't think it was happening to me. I felt like it was all a dream or something. I was going to wake up any moment and be back at school. Or maybe like someone was just going to come along and say, 'Hey, hold everything. There's been a terrible mistake made here… ' and so I wasn't really thinking right. I didn't realize that you have to fight hard to save your life. You can't trust the system to do it for you.'
There's the first quote of my story, Cowart thought.
The prisoner leaned forward, placing his hands on the table, then, just as rapidly, leaned back, so that he could use his hands to gesture in short, precise movements, using motion to underscore his words. He had a soft yet sturdy voice, one that seemed to carry the weight of words easily. He hunched his
