Jonathan had been gone two weeks, and the school term was coming to an end, when Kate invited me to accompany her on an assignment. Godfrey and Louise Gummler, husband and wife spiritualists and photographers, had risen to popularity in recent years in London, thriving in a city where many who had claimed to photograph spirits had already been exposed and driven away. A newspaper photographer that Kate knew had examined their photographs of clients with spirits hovering in the background and had suspected that they used a sophisticated double-exposure technique to achieve the effect. A French spirit photographer using the same technique had just been put on trial and convicted in Paris. The Gummlers charged a good deal of money for their service, and Kate and Jacob, always keen to expose fraudulent activity, were anxious to get to the truth of the situation.
Kate had convinced her father to give her the money to purchase an elaborate mourning gown to play the part of a bereaved mother. “I suppose you can wear it again after I’m dead,” he had said, handing over the money. “It will please your mother to see you so nicely turned out.”
This evening, she was somberly beautiful in a swirl of black silk moire. I suppose that she wanted the Gummlers to see that she was a woman of means, ripe to be swindled out of a goodly sum of money. Either that, or she secretly enjoyed wearing silk finery and could not admit it, considering her ideals. Jacob wore a dark suit, which he had purchased years before to cover funerals of important people for the newspapers. He did not look quite the equal of his “wife,” but men of means often did not pay much attention to their dress. He had, however, found some way of bleaching his fingers clean of their perennial ink stains.
I came along as godmother of their fictitious deceased child. I did not own a mourning gown, but Kate assured me that the dark-colored dress I wore as a uniform would suffice. I put on a short cotton jacket to improve my style, but Kate said it brightened up the look too much and made me take it off. She threw a coarse black woolen shawl around my shoulders and stood back to look at me. I turned to look in the mirror.
“I look like your poor relation,” I said.
“That is the
The Gummlers’ parlor was a study in fringe. Flowered Spanish shawls draped most of the furnishings. Madam Gummler herself was a middle-aged woman with red streaks of rouge caked on her cheeks and powder in the creases that ran from her nostrils to her mouth. Godfrey Gummler appeared to have taken all the hair from his head and applied it to his face. He was bald as a baby’s behind, but wore the long, furry muttonchops and capacious beard made popular years ago after the Crimean War.
The centerpiece of the room was a boxlike camera, also draped with a Spanish shawl. Madam Gummler put her arm around Kate as she ushered us inside. “My dear, I was touched by your letter. Tragic! To find one’s little infant dead in the crib! Taken from you without warning, without illness, for no foreseeable reason!” She called Jacob and myself angels of mercy, “flanking this lovely woman in her time of need. How fortunate she is to have two stalwarts such as you by her side.” And then to the three of us: “Do sit down.”
Kate sat quietly at the table as Madam Gummler poured three cups of tea, placing their saucers on little lace doilies to protect the shawl on the table.
“First, we shall call upon the spirit of your dear little son,” Madam Gummler said. “After we establish a firm connection, my husband will take the photograph. As you can see by our walls, we have had great success in the past, reuniting the living and the dead.”
The walls of the parlor were lined with framed photographs of the Gummlers’ living subjects, all seated in this very room, each with a ghostly figure hovering in the background. The portraits covered the walls from the wainscot to the floral wallpaper trim bordering the ceiling. The ghosts varied; some were identical to the subject, which Madam Gummler explained meant that the camera had captured the subject’s etheric body, or higher self, while other spirits were different entities entirely.
“Here is Sir Joseph Lansbury with his beloved mother,” Godfrey said. Sir Joseph looked to be a dignified man in his forties; the ghost of his mother was a matron in a white cap and white dress with a lace collar. Others were photographed with baby ghosts wearing christening costumes, or older ghosts in antique garments. Some of the apparitions were angelic forms or, in some cases, mere swirls of light that one had to presume were spirits.
“The spirits themselves have told us how the photography comes into being,” Godfrey explained. “They manifest themselves by merging our sphere with their own. This creates a mixed aura. When rays of light pass through this hybrid atmosphere, they are refracted, which causes their images to be projected on the plate.”
“That is most interesting, and a fair scientific explanation,” Jacob said.
“It is a mere veil that separates you from your child, Mrs. Reed. Just a thin membrane, invisible, made of vapor. Believe me, he is just on the other side. What is the little darling’s name?”
Kate, who apparently should have had a life on the stage, produced a single teardrop and said, “Simon. After his grandfather.” Jacob reached out and touched her hand. What players they were! For my part, I sat quietly sipping tea and trying to look as lugubrious as possible. Godfrey went about the room lighting candles. He lowered the gas lamps on either side of the fireplace.
“Simon. Lovely. Now we begin,” Madam Gummler said.
“Should we all hold hands?” Jacob asked.
“No, none of that nonsense is necessary,” she replied. She raised her hands to the ceiling and with eyes turned upward, she called out in a voice from deep within-octaves lower than her speaking voice. “I call upon the heavenly bodies and angels of high rank to deliver the spirit of the child Simon Reed! Simon Reed, your mother is calling to you! If little Simon has already made his transition and is sitting in heaven with God, then ask the Lord to allow us to borrow his spirit for a brief moment to comfort his bereaved mother. Let us borrow him from eternity! O Holy Ones-Michael; Jophiel; Uriel; Gabriel; and Afriel, protector of babies and children-hear my pleas and answer me!”
Her eyes were closed, and she swayed gently as she waited for a reply from the heavens. I looked about the room. Everyone’s eyes were shut tight. Candles flickered, making the photographs on the walls doubly eerie. But nothing happened.
“Simon Reed, your mother, father, and godmother are calling out to you. O Spirit Mothers, free the infant to come to us, and we shall return him to you, where he may rest in your holy bosom for eternity.”
Suddenly, the medium’s breathing pattern changed, and she started to take short breaths, as if she was about to have an asthmatic attack. She threw herself back in her chair as if something had knocked the wind out of her.
“Another presence has entered the room,” said Madam Gummler, opening her eyes and looking directly at me. “Is there anyone near and dear to you who might inhabit the spirit world?”
She looked convincingly afraid but excited at the same time. Either she was an actress with the skills of Ellen Terry, or she had genuinely felt something happen that had gone undetected by the rest of us.
I looked at her blankly.
“Anyone close to you who is deceased?” she asked.
“Why, everyone,” I said. Jacob laughed. Kate opened her eyes and looked at me angrily. “Surely
“N-no, of course not,” I stammered. “Perhaps my mother may be trying to contact me.”
“No, it is emphatically a male who is attempting contact.”
“I cannot think who it may be,” I said, hoping that it was not my father. The last time I remembered seeing him, he beat me and yelled horrible things at me. I did not want him manifesting here in this parlor, intruding upon the new life I had created and saying things that would disturb Kate’s opinion of me.
“Perhaps it is Simon,” Kate offered.
“Yes, oh yes, I do feel little Simon as well. Yes, I do. Oh, what a sweet little darling. He has a message for you, Mrs. Reed.” Madam Gummler closed her eyes tighter as if she were straining to hear someone. Then she spoke in a high, delicate voice, imitating a small child. “‘I am here, Mama. I did not leave you. It’s just that God wanted me by his side.’”
“Oh!” Kate exclaimed.
“Let us take the photograph while the child is with us,” Godfrey said, rising from the table. He lit the two lamps on either side of the mantel, drowning out the softer light of the candles. “We must have enough light to take the photograph but not enough to frighten away the spirit,” he said. “These are delicate balances that must be
