the audacity to offer an interpretation—which was somewhat opposed to his own—regarding the tribal clowns of the Hopi Indians. I implied that personal experience as an amateur clown and special devotion to this study provided me with an insight possibly more valuable than his own. It was then he disclosed, casually and very obiter dicta, that he had actually acted in the role of one of these masked tribal fools and had celebrated with them the dance of the kachinas. In revealing these facts, however, he somehow managed not to add to the humiliation I had already inflicted upon myself. And for this I was grateful to him. Thoss’s activities were such that he sometimes became the object of gossip or romanticized speculation. He was a fieldworker par excellence, and his ability to insinuate himself into exotic cultures and situations, thereby gaining insights where other anthropologists merely collected data, was renowned. At various times in his career there had been rumors of his having “gone native” a la the Frank Hamilton Cushing legend. There were hints, which were not always irresponsible or cheaply glamorized, that he was involved in projects of a freakish sort, many of which focused on New England. It is a fact that he spent six months posing as a mental patient at an institution in western Massachusetts, gathering information on the “culture” of the psychically disturbed. When his book Winter Solstice: The Longest Night of a Society was published, the general opinion was that it was disappointingly subjective and impressionistic, and that, aside from a few moving but “poetically obscure”

observations, there was nothing at all to give it value. Those who defended Thoss claimed he was a kind of super-anthropologist: while much of his work emphasized his own mind and feelings, his experience had in fact penetrated to a rich core of hard data which he had yet to disclose in objective discourse. As a student of Thoss, I tended to support this latter estimation of him. For a variety of tenable and untenable reasons, I believed Thoss capable of unearthing hitherto inaccessible strata of human existence. So it was gratifying at first that this article entitled “The Last Feast of Harlequin” seemed to uphold the Thoss mystique, and in an area I personally found captivating.

Much of the content of the article I did not immediately comprehend, given its author’s characteristic and often strategic obscurities. On first reading, the most interesting aspect of this brief study—the “notes” encompassed only twenty pages—was the general mood of the piece. Thoss’s eccentricities were definitely present in these pages, but only as a struggling inner force which was definitely contained—incarcerated, I might say—by the somber rhythmic movements of his prose and by some gloomy references he occasionally called upon. Two references in particular shared a common theme. One was a quotation from Poe’s “The Conqueror Worm,” which Thoss employed as a rather sensational epigraph. The point of the epigraph, however, was nowhere echoed in the text of the article save in another passing reference. Thoss brought up the well-known genesis of the modern Christmas celebration, which of course descends from the Roman Saturnalia. Then, making it clear he had not yet observed the Mirocaw festival and had only gathered its nature from various informants, he established that it too contained many, even more overt, elements of the Saturnalia. Next he made what seemed to me a trivial and purely linguistic observation, one that had less to do with his main course of argument than it did with the equally peripheral Poe epigraph. He briefly mentioned that an early sect of the Syrian Gnostics called themselves “Saturnians” and believed, among other religious heresies, that mankind was created by angels who were in turn created by the Supreme Unknown. The angels, however, did not possess the power to make their creation an erect being and for a time he crawled upon the earth like a worm. Eventually, the Creator remedied this grotesque state of affairs.

At the time I supposed that the symbolic correspondences of mankind’s origins and ultimate condition being associated with worms, combined with a year-end festival recognizing the winter death of the earth, was the gist of this Thossian “insight,” a poetic but scientifically valueless observation.

Other observations he made on the Mirocaw festival were also strictly etic; in other words, they were based on secondhand sources, hearsay testimony. Even at that juncture, however, I felt Thoss knew more than he disclosed; and, as I later discovered, he had indeed included information on certain aspects of Mirocaw suggesting he was already in possession of several keys which for the moment he was keeping securely in his own pocket. By then I myself possessed a most revealing morsel of knowledge. A note to the “Harlequin” article apprised the reader that the piece was only a fragment in rude form of a more wide-ranging work in preparation. This work was never seen by the world. My former professor had not published anything since his withdrawal from academic circulation some twenty years ago. Now I suspected where he had gone.

For the man I had stopped on the streets of Mirocaw and from whom I tried to obtain directions, the man with the disconcertingly lethargic gaze, had very much resembled a superannuated version of Dr. Raymond Thoss.

And now I have a confession to make. Despite my reasons for being enthusiastic about Mirocaw and its mysteries, especially its relationship to both Thoss and my own deepest concerns as a scholar—I contemplated the days ahead of me with no more than a feeling of frigid numbness and often with a sense of profound depression. Yet I had no reason to be surprised at this emotional state, which had little relevance to the outward events in my life but was determined by inward conditions that worked according to their own, quite enigmatic, seasons and cycles. For many years, at least since my university days, I have suffered from this dark malady, this recurrent despondency in which I would become buried when it came time for the earth to grow cold and bare and the skies heavy with shadows. Nevertheless, I pursued my plans, though somewhat mechanically, to visit Mirocaw during its festival days, for I superstitiously hoped that this activity might diminish the weight of my seasonal despair. In Mirocaw would be parades and parties and the opportunity to play the clown once again.

For weeks in advance I practiced my art, even perfecting a new feat of juggling magic, which was my special forte in foolery. I had my costumes cleaned, purchased fresh makeup, and was ready. I received permission from the university to cancel some of my classes prior to the holiday, explaining the nature of my project and the necessity of arriving in the town a few days before the festival began, in order to do some preliminary research, establish informants, and so on. Actually, my plan was to postpone any formal inquiry until after the festival and to involve myself beforehand as much as possible in its activities. I would, of course, keep a journal during this time.

There was one resource I did want to consult, however. Specifically, I returned to that out-state library to examine those issues of the Mirocaw Courier dating from December two decades ago. One story in particular confirmed a point Thoss made in the “Harlequin” article, though the event it chronicled must have taken place after Thoss had written his study.

The Courier story appeared two weeks after the festival had ended for that year and was concerned with the disappearance of a woman named Elizabeth Beadle, the wife of Samuel Beadle, a hotel owner in Mirocaw. The county authorities speculated that this was another instance of the “holiday suicides” which seemed to occur with inordinate seasonal regularity in the Mirocaw region. Thoss documented this phenomenon in his “Harlequin” article, though I suspect that today these deaths would be neatly categorized under the heading “seasonal affective disorder”. In any case, the authorities searched a half-frozen lake near the outskirts of Mirocaw where they had found many successful suicides in years past. This year, however, no body was discovered. Alongside the article was a picture of Elizabeth Beadle. Even in the grainy microfilm reproduction one could detect a certain vibrancy and vitality in Mrs. Beadle’s face. That an hypothesis of “holiday suicide” should be so readily posited to explain her disappearance seemed strange and in some way unjust.

Thoss, in his brief article, wrote that every year there occurred changes of a moral or spiritual cast which seemed to affect Mirocaw along with the usual winter metamorphosis. He was not precise about its origin or nature but stated, in typically mystifying fashion, that the effect of this “subseason” on the town was conspicuously negative. In addition to the number of suicides actually accomplished during this time, there was also a rise in treatment of “hypochondriacal” conditions, which was how the medical men of twenty years past characterized these cases in discussions with Thoss. This state of affairs would gradually worsen and finally reach a climax during the days scheduled for the Mirocaw festival. Thoss speculated that given the secretive nature of small towns, the situation was probably even more intensely pronounced than casual investigation could reveal.

The connection between the festival and this insidious subseasonal climate in Mirocaw was a point on which Thoss did not come to any rigid conclusions. He did write, nevertheless, that these two “climatic aspects” had had a parallel existence in the town’s history as far back as available records could document.

A late nineteenth-century history of Mirocaw County speaks of the town by its original name of New Colstead, and castigates the townspeople for holding a “ribald and soulless feast” to the exclusion of normal Christmas observances.

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