Old Mortality, Complete

dour Burley, the handful of Preachers, representing every current of opinion in the Covenant, the awful figure of Habakkuk Mucklewrath, the charm of goodness in Bessie McLure, are all immortal, deathless as Shakspeare's men and women. Indeed here, even more than elsewhere, we admire the life which Scott breathes into his minor characters, Halliday and Inglis, the troopers, the child who leads Morton to Burley's retreat in the cave, that auld Laird Nippy, old Milnwood (a real 'Laird Nippy' was a neighbour of Scott's at Ashiestiel), Ailie Wilson, the kind, crabbed old housekeeper, generous in great things, though habitually niggardly in things small. Most of these are persons whom we might still meet in Scotland, as we might meet Cuddie Headrigg—the shrewd, the blithe, the faithful and humorous Cuddie. As to Miss Jenny Dennison, we can hardly forgive Scott for making that gayest of soubrettes hard and selfish in married life. He is too severe on the harmless and even beneficent race of coquettes, who brighten life so much, who so rapidly 'draw up with the new pleugh lad,' and who do so very little harm when all is said. Jenny plays the part of a leal and brave lass in the siege of Tillietudlem, hunger and terror do not subdue her spirit; she is true, in spite of many temptations, to her Cuddie, and we decline to believe that she was untrue to his master and friend. Ikuse, no doubt, is a caricature, though Wodrow makes us acquainted with at least one Mause, Jean Biggart, who 'all the winter over was exceedingly straitened in wrestling and prayer as to the Parliament, and said that still that place was brought before her, Our hedges are broken down!' ('Analecta,' ii. 173.) Surely even Dr. McCrie must have laughed out loud, like Lady Louisa Stuart, when Mause exclaims: 'Neither will I peace for the bidding of no earthly potsherd, though it be painted as red as a brick from the tower o' Babel, and ca' itsel' a corporal.' Manse, as we have said, is not more comic than heroic, a mother in that Sparta of the Covenant. The figure of Morton, as usual, is not very attractive. In his review, Scott explains the weakness of his heroes as usually strangers in the land (Waverley, Lovel, Mannering, Osbaldistone), who need to have everything explained to them, and who are less required to move than to be the pivots of the general movement. But Morton is no stranger in the land. His political position in the juste milieu is unexciting. A schoolboy wrote to Scott at this time, 'Oh, Sir Walter, how could you take the lady from the gallant Cavalier, and give her to the crop-eared Covenanter?' Probably Scott sympathised with his young critic, who longed 'to be a feudal chief, and to see his retainers happy around him.' But Edith Bellenden loved Morton, with that love which, as she said, and thought, 'disturbs the repose of the dead.' Scott had no choice. Besides, Dr. McCrie might have disapproved of so fortunate an arrangement. The heroine herself does not live in the memory like Di Vernon; she does not even live like Jenny Dennison. We remember Corporal Raddlebanes better, the stoutest fighting man of Major Bellenden's acquaintance; and the lady of Tillietudlem has admirers more numerous and more constant. The lovers of the tale chiefly engage our interest by the rare constancy of their affections.

The most disputed character is, of course, that of Claverhouse. There is no doubt that, if Claverhouse had been a man of the ordinary mould, he would never have reckoned so many enthusiastic friends in future ages. But Beauty, which makes Helen immortal, had put its seal on Bonny Dundee. With that face 'which limners might have loved to paint, and ladies to look upon,' he still conquers hearts from his dark corner above the private staircase in Sir Walter's deserted study. He was brave, he was loyal when all the world forsook his master; in that reckless age of revelry he looks on with the austere and noble contempt which he wears in Hell among the tippling shades of Cavaliers. He died in the arms of victory, but he lives among

                         The chiefs of ancient names
     Who swore to fight and die beneath the banner of King James,
     And he fell in Killiecrankie Pass, the glory of the Grahames.

Sentiment in romance, not in history, may be excused for pardoning the rest.

Critics of the time, as Lady Louisa Stuart reminds Sir Walter, did not believe the book was his, because it lacked his 'tedious descriptions.' The descriptions, as of the waterfall where Burley had his den, are indeed far from 'tedious.' There is a tendency in Scott to exalt into mountains 'his own grey hills,' the bosses verdatres as Prosper Merimee called them, of the Border. But the horrors of such linns as that down which Hab Dab and Davie Dinn 'dang the deil' are not exaggerated.

'Old Mortality' was the last novel written by Scott before the malady which tormented his stoicism in 1817- 1820. Every reader has his own favourite, but few will place this glorious tale lower than second in the list of his incomparable romances.

ANDREW LANG.

INTRODUCTION TO THE TALES OF MY LANDLORD.

As I may, without vanity, presume that the name and official description prefixed to this Proem will secure it, from the sedate and reflecting part of mankind, to whom only I would be understood to address myself, such attention as is due to the sedulous instructor of youth, and the careful performer of my Sabbath duties, I will forbear to hold up a candle to the daylight, or to point out to the judicious those recommendations of my labours which they must necessarily anticipate from the perusal of the title-page. Nevertheless, I am not unaware, that, as Envy always dogs Merit at the heels, there may be those who will whisper, that albeit my learning and good principles cannot (lauded be the heavens) be denied by any one, yet that my situation at Gandercleugh hath been more favourable to my acquisitions in learning than to the enlargement of my views of the ways and works of the present generation. To the which objection, if, peradventure, any such shall be started, my answer shall be threefold:

First, Gandercleugh is, as it were, the central part—the navel (si fas sit dicere) of this our native realm of Scotland; so that men, from every corner thereof, when travelling on their concernments of business, either towards our metropolis of law, by which I mean Edinburgh, or towards our metropolis and mart of gain, whereby I insinuate Glasgow, are frequently led to make Gandercleugh their abiding stage and place of rest for the night. And it must be acknowledged by the most sceptical, that I, who have sat in the leathern armchair, on the left-hand side of the fire, in the common room of the Wallace Inn, winter and summer, for every evening in my life, during forty years bypast, (the Christian Sabbaths only excepted,) must have seen more of the manners and customs of various tribes and people, than if I had sought them out by my own painful travel and bodily labour. Even so doth the tollman at the well-frequented turnpike on the Wellbrae-head, sitting at his ease in his own dwelling, gather more receipt of custom, than if, moving forth upon the road, he were to require a contribution from each person whom he chanced to meet in his journey, when, according to the vulgar adage, he might possibly be greeted with more kicks than halfpence.

But, secondly, supposing it again urged, that Ithacus, the most wise of the Greeks, acquired his renown, as the Roman poet hath assured us, by visiting states and men, I reply to the Zoilus who shall adhere to this objection, that, de facto, I have seen states and men also; for I have visited the famous cities of Edinburgh and Glasgow, the former twice, and the latter three times, in the course of my earthly pilgrimage. And, moreover, I had the honour to sit in the General Assembly (meaning, as an auditor, in the galleries thereof,) and have heard as much goodly speaking on the law of patronage, as, with the fructification thereof in mine own understanding, hath made me be considered as an oracle upon that doctrine ever since my safe and happy return to Gandercleugh.

Again,—and thirdly, If it be nevertheless pretended that my information and knowledge of mankind, however extensive, and however painfully acquired, by constant domestic enquiry, and by foreign travel, is, natheless, incompetent to the task of recording the pleasant narratives of my Landlord, I will let these critics know, to their own eternal shame and confusion, as well as to the abashment and discomfiture of all who shall rashly take up a song against me, that I am NOT the writer, redacter, or compiler, of the 'Tales of my Landlord;' nor am I, in one single iota, answerable for their contents, more or less. And now, ye generation of critics, who raise yourselves up as if it were brazen serpents, to hiss with your tongues, and to smite with your stings, bow yourselves down to your native dust, and acknowledge that yours have been the thoughts of ignorance, and the words of vain foolishness. Lo! ye are caught in your own snare, and your own pit hath yawned for you. Turn, then, aside from