the why and wherefore, that was a mystery. Susan often said that only Grandpa Arthur knew where she’d been and why, but Lucy, as usual, moved as close to the line as possible trying to find out.

‘No, I was never in the Resistance,’ Agnes said wearily to one of Lucy’s unremitting schoolgirl questions.

‘Did you know anyone who was?’

‘Yes, I did.’

‘So you were involved with them?’

‘Not really I was just on the edge.’

‘Were they brave?’

‘Very brave. ‘

‘So you must have edged towards bravery?’

Agnes became very still, distracted. ‘We were all so young, so very young.

‘So you did do something?’ pressed Lucy, eating chocolate.

‘Nothing much to write home about. Now, stop your questions.’

That was usually where the probing ceased. But this time Lucy chanced her arm, pushed into the place of shadows: ‘You can’t have a big secret and not tell us what happened.’

Agnes gave a low animal growl through bared teeth. ‘Enough.’

It was Lucy’s first experience of atavistic fear. She became scared of her own grandmother. For Freddie, who was sitting in the corner, watching over a collapsed newspaper, it was simply another example of his mother’s hopelessly introspective temperament. But Lucy, aged fourteen, still possessed the awesome non-rational percipience of childhood, and was young enough to be acutely sensitive to something neither she nor anyone else could name or know It was that which made her shrink instinctively back: a smell on the wind.

So the reason for arrest and what had happened during two and a half years of incarceration lay out of reach.’ The narrative trail resumed, through Lucy’s persistence, at the moment of Agnes’ release, as if nothing had gone before: ‘A Russian soldier stood gawping at me. He was no more than a boy, and his gun looked like a battered toy He couldn’t say anything. I couldn’t speak.’ I was standing with children on either side. He cried.’ We just watched him.’ Eventually he said in English, “You’re free now.”‘

Agnes wearily passed a blue-veined hand through her grey hair, rearranging a silver clip, and added, ‘I got out of Babylon, but there was no Zion. No promised land.’

‘What’s that, Gran?’ Lucy enquired, puzzled.

‘Just an old song about homesickness. And hope.’

‘By Boney M?’

‘A psalm.’

It was an opaque exchange, and all the more peculiar because Agnes was not a religious woman.’

After the war Agnes returned to Paris where she met Captain Arthur Embleton in a hospital. They were married within two months, staying on in France for the next couple of years, during which time they had twins: Freddie and Elodie. After leaving the army Grandpa Arthur brought the family back to a suburban existence in north London.’ He became a solicitor in a large London firm and their life was superficially comfortable and predictable, except for those who knew otherwise. After Lucy’s unnerving exchange with her grandmother, Freddie told Lucy about his own inexplicable childhood memories.

At times Agnes was captivating and extrovert, Freddie explained, but could suddenly and for no apparent reason become swamped by abstraction.’ It was as if the apparatus of her personality shut down, like a vast generator losing its source of power. The life in her would drain away until all the lights blinked and flickered before going out. And then she was gone, even though she was still in the same room, and everyone else was left adrift and awkward, trying to make contact across the space left by her absence.

This was the kind of thing Grandpa Arthur called ‘a tactical withdrawal from the field of conflict’, which was his thin attempt to joke with the children. But it also named a truth. Ordinary life was a battle for Agnes. Lucy’s father also remembered those frightening moments: when Agnes suddenly froze, as if gripped by vertigo, shaking and sweating, holding on to the rim of the sink, the edge of a table, the back of a chair, until talked down by Grandpa Arthur.

Later, when Lucy’s relationship with her father became more complicated, her mother. passed on a little more history so that Lucy might better understand the man she had ceased to know in a simple way

‘Try to understand your father,’ Susan said appealingly. ‘It wasn’t easy for him as a child, even though Grandpa did his best.’

Grandpa Arthur, she said, had tried to provide some consistency for Freddie and Elodie, giving them what he thought was a warm English upbringing, with lots of Gilbert and Sullivan, Wisden annuals (which Elodie loved) and regular tea at four o’clock. But he could not completely protect them. Where Agnes had been approachable and inviting one day, Freddie in particular would run towards her the next only to find her withdrawn. There had been one little incident that Freddie had never forgotten:

‘Mum, look what Alex gave me. It’s Excalibur. The sword pulled from a stone.’

Freddie held out the plastic brand with both hands, holding tight, just in case anyone actually tried to take it. Agnes slowed for a moment, but carried on peeling carrots.

‘Mum, look, it’s Excalibur. Alex gave it to me.’

Agnes continued roughly peeling off the skins, aware that Freddie was at her side, unaware he held out the toy he no longer wanted.

And Susan continued: ‘You see, it wasn’t easy for your father. It wasn’t that bad for Elodie.’

‘Why?’ Lucy asked, and was granted more history.

Part of the problem for Freddie was that Elodie did not need Agnes like he did.’ Ironically, that made relations between mother and daughter moderately relaxed. Elodie drew water from another well. She naturally gravitated towards her father, with their shared love of cricket, leaving Freddie behind, resentful. Batting averages held nothing for him and he vainly searched for something he could bring to his mother, but she gave no lead. So he found himself unable to reach his mother and jealous of his sister. When they grew up and left home, the distance between siblings was weakly bridged by Christmas cards and awkward phone calls, the most memorable of which was when Elodie rang to say she had cancer. Freddie didn’t know what to say and to his horror said nothing of consequence. He groped for the language they had once shared as children but that was long gone. He asked questions but could not remove the note of polite enquiry. He said goodbye as if nothing had really happened. The illness took its time, drawing Elodie down despite treatments, prescribed and otherwise. Curiously, as Freddie heard the details of decline he felt the need to talk to her. He rang spontaneously, often in the middle of the day, without knowing what he would say. More often than not conversation flowed easily, and something began to grow He paid a few visits, always arranging another. And then Elodie died, sedated and beyond the comfort of her family, aged thirty-two. He blamed himself for having become a stranger.’ And, somehow, Freddie blamed Agnes.

And Susan said to Lucy, ‘So you see, it hasn’t been that easy for your father.’

Lucy could remember her father still trying hard, despite his confusion. Grandpa Arthur had always said, proudly, that Agnes was a jolly good musician. So her father bought a piano. But Agnes never played it. He bought various records, but Agnes never listened to them. In that conventional period of family calm, after Sunday lunch, the piano and records became a silent accusation. The lid had not been lifted; the records were still wrapped in cellophane. It was Lucy who first pressed the keys and introduced ‘Chopsticks’ to the house. It was Lucy who scratched Faure’s ‘Romance sans parole’, anxious because of the simmering politesse among the grown-ups. The scratching was a symbolic mishap, because the second of those three little piano pieces was her grandmother’s favourite melody. That was why Freddie bought it.

It seemed to Lucy — not surprisingly — that her father’s attempts to reach his mother became more deliberate and dutiful, his need constrained by a thin skin of self-protection. And yet, simultaneously, as Agnes grew older her oscillations in mood were replaced by a more moderate inaccessibility. But by then it seemed to be too late for Freddie. He could not slough the skin. Lucy’s memory of Grandpa Arthur at this time was of a tired man, endlessly patient and exquisitely gentle with Agnes but a man who had learned to live more or less alone. He died quietly in his sleep one day, after a sudden stroke, as if he had slipped out of the back door in his slippers, unnoticed.

Agnes was strangely composed until the funeral, when her grief broke out like a flood. Then it sank away like a stone beneath flattened water. However, she refused to stay in the family home and sold up within two months, moving to a spacious flat in Hammersmith, by the river.

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