On Monday he left. Just like that, he was gone. He left all his things in his room. After a few days, she realized that it would be practical to store his things in the attic and use his room for a study, but she couldn’t touch anything. She continued to take care of the room, but not every day. Sometimes when she felt lonely, she would go in there and look at all his books in the bookcase. Other times, she would clean the house thoroughly at night, with a burst of energy, as if to make ready for his return. One night after she cleaned, she took some bottles of beer to put in the refrigerator, so they would be cool when she came home from work. She did not lose her temper anymore, but her programs were no longer innovative. Alison’s piano playing guided the Junior Chorus through the world, sad and weary, through the winter and into the spring.
One night, her husband called (he was her ex-husband now). He was still trying to track down the safe- deposit box where his mother had placed her jewelry. Quite a lot of old pieces were there; there were a few diamonds and some good jade. His mother was old; he didn’t want to disturb her, or make her think of dying, and he was embarrassed to let her know he’d misplaced her instructions. She said she would look for the paper and call him back, and he asked if he could come and look with her. She said that would be all right. He came that night, and she offered him a beer. They looked through her file and found nothing. “The paper has to be somewhere,” he said, full of professional assurance. “It has to be somewhere.” She gestured hopelessly at the rooms of the house; it wasn’t in the bathroom or the kitchen or the living room, and it certainly wasn’t in Sam’s room. He asked how Sam was doing, and she told him she hadn’t heard from him. Every day she expected some word from him, but none had come. She didn’t tell him that—just that she hadn’t heard. She drank several beers, as she did every night. They sat together in the living room, drinking beer. She asked if he would like something to eat, and fixed sandwiches. He said he would go, so she could get up in the morning. She gestured at the rooms of the house. He stayed, and slept in her bed.
In the morning, Ellen called the school and said she had a cold. “Everybody is sick,” the switchboard operator told her. “It’s the change in the weather.” She and her husband took a drive and went to a nice restaurant for lunch. After lunch, they went to his house and hunted for the paper. They couldn’t find it. He fixed her dinner, and she stayed at his house that night. In the morning, he dropped her off at school on his way to work.
A girl in Junior Chorus came up to talk to her after class. Shyly, the girl told her she played the piano. Could she also play the piano for the chorus sometime? Alison played very well, the girl said quickly; she didn’t want Alison to stop playing, but could she try sometime, too? She could read music well, and she knew some classics and some Gilbert and Sullivan and a lot of popular songs, too. She mentioned some of them. Ellen watched the girl leave, blushing with nervousness at having spoken to the teacher and proud that she would be allowed to play the piano at the next meeting. She was a tall girl, with brown hair that had been cut too short; her glasses, which were harlequin-shape, looked more like something the girl’s mother would wear. Ellen wondered if Sam had a girlfriend. If the girlfriend had brown hair, did it get tangled in the wind on the motorcycle? Sam would have been proud of her—the way she put the new pianist at ease, feigning interest in the girl’s talent, thanking her for volunteering. The next afternoon, she thought of Sam again. He would have found it funny that the brown-haired girl also chose to play “Swanee River.”
Her husband came to her house after work, and they had dinner. She had a postcard from Sam. She showed it to him—a picture of the Santa Monica Freeway, clogged with cars. The message read, “The small speck between the red and the yellow car is me, doing 110. Love, Sam.” There were no specks between cars, which were themselves only specks in the picture, but Ellen looked and smiled anyway.
The next week there was another postcard—a scowling Indian—which had been mailed to her husband. Sam thanked him for the talk they had before he left. He closed with some advice: “Come West. It’s warm and it’s beautiful. How do you know until you try? Peace, Sam.”
Later that week, while they were on their way to buy groceries, a couple on a motorcycle came out of nowhere and swerved in front of their car, going much too fast.
“Crazy son of a bitch!” her husband said, hitting the brakes.
The girl on the motorcycle looked back, probably to assure herself that they really had got through safely. The girl was smiling. Actually, the girl was too far away for Ellen to see her expression clearly, but she was certain that she saw a smile.
“Crazy son of a bitch,” her husband was saying. Ellen closed her eyes and remembered being in the motorcycle shop with Sam, looking at the machines.
“I want one that will do a hundred with no sweat,” Sam had said to the salesman.
“All of these will do a hundred easy,” the salesman said, smiling at them.
“This one, then,” Sam told him, tapping the handlebars of the one he stood by.
He paid for most of it with cash. She hadn’t taken any rent money from him for a long time, so he had a lot of cash. He wrote a check to cover the rest of it. The salesman was surprised, counting the bills.
“Do you have streamers?” Sam had asked.
“Streamers?”
“Isn’t that what they’re called? The things kids have on their bikes?”
The salesman smiled. “We don’t carry them. Guess you’d have to go to a bicycle shop.”
“I guess I will,” Sam said. “I’ve got to go in style.”
Ellen looked at her husband. How can I be so unsympathetic to him, she wondered. She was angry. She should have asked Sam why she felt that way toward her husband sometimes. He would have explained it all to her, patiently, in a late-night talk. There had been no return address on the postcards. Someday he would send his address, and she could still ask him. She could tell him about the new girl who could have played anything she wanted and who selected “Swanee River.” In the car, with her eyes closed, she smiled, and ahead of them—miles ahead of them now—so did the girl on the motorcycle.
Fancy Flights
Silas is afraid of the vacuum cleaner. He stands, looking out the bedroom door, growling at it. He also growls when small children are around. The dog is afraid of them, and they are afraid of him because he growls. His growling always gets him in trouble; nobody thinks he is entitled to growl. The dog is also afraid of a lot of music. “One Little Story That the Crow Told Me” by the New Lost City Ramblers raises his hackles. Bob Dylan’s “Positively Fourth Street” brings bared teeth and a drooping tail. Sometimes he keeps his teeth bared even through the quiet intervals. If the dog had his way, all small children would disappear, and a lot of musicians would sound their last notes. If the dog had his way, he would get Dylan by the leg in a dark alley. Maybe they could take a trip—Michael and the dog—to a recording studio or a concert hall, wherever Dylan was playing, and wait for him to come out. Then Silas could get him. Thoughts like these (“fancy flights,” his foreman called them) were responsible for Michael’s no longer having a job.
