firehose away from the vent. And the other one lets off bursts of gunfire whenever someone approaches. On the other side of the stone wall, soldiers and firemen, bent double, have to keep putting the firehose back in place while avoiding the spray of bullets.

June 2, 2008. The Germans bring a gigantic searchlight to dazzle the men in the crypt, so they can’t aim properly. But before they’ve even had time to switch it on, a burst of gunfire, like an ironic punctuation mark, puts it out of service.

June 3, 2008. The Germans keep sliding the hose into the crypt, to drown them or smoke them out, but each time the parachutists use the ladder like a telescopic arm to push it back. I don’t understand why the Germans couldn’t put the firehose through the trapdoor in the nave, which is still—as far as I’m aware—wide open. Perhaps the hose is too short, or they can’t get into the nave with the kind of equipment required? Or perhaps it’s an unlikely providence that is depriving them of all tactical lucidity?

June 4, 2008. The water is up to their knees. Outside, Curda and Ata Moravec are brought to the vent. Ata refuses to speak, but Curda shouts through the opening: “Give yourselves up, lads! They’ve treated me well. You’ll be prisoners of war—it’ll be all right.” Gabcik and Valcik recognize his voice; now they know who betrayed them. They reply in the usual way: with a burst of gunfire. Ata stands with his head lowered. His face is swollen and he has the absent look of a young man with one foot in the land of the dead.

June 5, 2008. After about ten feet, the earth in the tunnel becomes hard. Do the parachutists stop digging so they can concentrate on shooting? I can’t believe that. They go at it even harder. They’ll dig with their fingernails if they have to.

June 9, 2008. Frank can bear it no longer. Pannwitz tries to think. There must be some other way in. They used to put dead monks in the crypt. How did they get the bodies down there? Inside the church, his men continue their search. They clear away the rubble. They pull up the carpets. They demolish the altar. They tap on the stone walls. They search high and low.

June 10, 2008. And they find something else. Beneath the altar, there’s a heavy slab that sounds hollow when you tap it. Pannwitz sends for the firemen and orders them to break the slab. A sectional drawing at this moment would show the firemen hammering away with a pickax at ground level while the parachutists do the same underground. The picture would be captioned: “Race against death—and against all odds.”

June 13, 2008. Twenty minutes have passed and the firemen have worn themselves out on the stone slab, to no effect. In bad German, they stammer to the watching soldiers that it’s impossible to break this stone with the tools at hand. The weary SS guards dismiss them and bring in some dynamite. The explosives experts fuss around the slab for a while, and when everything’s ready they evacuate the church. Outside, everyone is told to move back. Below, the parachutists have surely stopped digging. The sudden silence must have alerted them, coming after such a racket. Something is about to happen—they can’t help but be aware of it. The explosion confirms it. A cloud of dust falls over them.

June 16, 2008. Pannwitz orders the rubble cleared away. The slab has been smashed in two. A Gestapo agent puts his head through the gaping hole. Straightaway, bullets whistle around his face. Pannwitz gives a satisfied smile. They’ve found the way in. They send two stormtroopers down, but it’s the same old problem: a cramped wooden staircase allows only one man at a time to pass. The first unlucky SS guards are shot down like skittles. But from now on, the parachutists have to watch over three different openings. Taking advantage of this distraction, one of the firemen grabs the ladder as it’s being used to push the firehose away from the vent for the umpteenth time, and manages to hoist it up to the street outside. Frank applauds. The fireman will be rewarded for his zeal (but punished after the liberation).

June 17, 2008. The situation is getting more and more difficult. The defenders have been deprived of their makeshift telescopic arm, and now their bunker is shipping water everywhere—both figuratively and literally. As soon as the SS have two entry points, added to the danger posed by the vent, the parachutists realize it’s all over. They’re screwed and they know it. They stop digging, if they haven’t already, and concentrate entirely on shooting their enemies. Pannwitz orders a new attack through the main entrance while grenades are thrown into the crypt and another man tries to get down through the trapdoor. Inside the crypt, the Stens spray bullets at the assailants. It’s total chaos. It’s the Alamo. And it goes on and on, and it doesn’t end, it comes from all sides, through the trapdoor, down the stairs, through the vent; and while the grenades fall in the water and don’t explode, the four men empty their guns at everything that moves.

June 18, 2008. They come to their last clip, and it’s the kind of thing that you grasp very quickly, I suppose, even (perhaps especially) in the heat of battle. The four men don’t need to speak. Gabcik and his friend Valcik smile at each other—I’m sure of that, I can see them. They know they’ve fought well. It’s noon when four dull explosions pierce the tumult of gunfire, which stops immediately. Silence falls once again on Prague, like a shroud of dust. The SS are like statues: nobody dares fire, or even move. They wait. Pannwitz stands rigid. He signals to an SS officer, who hesitates—where is the manly confidence that he ought, by law, to show in all circumstances?—then orders two of his men to go and see. Carefully, they descend the first few steps. Then, like two little boys, they stop and look back up at their commander, who signals that they should continue—weiter, weiter! Everybody in the church watches, breath held. They disappear into the crypt. Time passes slowly then a call is heard, in German, from beyond the grave. Revolver in hand, the officer jumps to his feet and rushes down the staircase. He comes back up, his trousers soaked up to his thighs, and yells: “Fertig!” It’s all over. Four bodies float in the water. Gabcik, Valcik, Svarc, and Hruby killed themselves in order not to fall into the Gestapo’s hands. On the surface of the water float ripped-up banknotes and identity papers. Among the objects scattered around the crypt are a stove, some clothes, mattresses, and a book. There are bloodstains on the wall and a pool of blood on the stairs—though that, at least, is German blood. And cartridge cases but not a single cartridge: they kept the last ones for themselves.

It is noon. It has taken eight hundred SS stormtroopers nearly eight hours to get the better of seven men.

251

I am coming to the end and I feel completely empty. Not just drained but empty. I could stop now, but that’s not how it works here. The people who took part in this story are not characters. And if they became characters because of me, I don’t wish to treat them like that. With a heavy heart—and without turning it into literature, or at least, without meaning to—I will tell you what became of those who were still alive on June 18, 1942.

When I watch the news, when I read the paper, when I meet people, when I hang out with friends and acquaintances, when I see how each of us struggles, as best we can, through life’s absurd meanderings, I think that the world is ridiculous, moving, and cruel. The same is true for this book: the story is cruel, the protagonists are moving, and I am ridiculous. But I am in Prague.

I fear that I am in Prague for the last time. The stone ghosts that people the town surround me, as always, with their threatening, welcoming, or indifferent presences. I see a young woman’s body, like an evanescent sculpture, with brown hair and white skin, pass under the Charles Bridge: a summer dress clings to her stomach and her thighs, the water streams over her bared chest, and on her breasts magical incantations are vanishing. The river water washes the hearts of men taken by the current. From Liliova Street I hear the echo of horses’ hooves striking the cobbles. In the tales and legends of old Prague, the city of alchemists, it’s said that the Golem will return when the city is in danger. But the Golem did not come back to protect the Jews or the Czechs. Nor, frozen in his centuries-old curse, did the iron man move when they opened Terezin, or when they killed people, when they despoiled, bullied, tortured, deported, shot, gassed, executed them in every conceivable way. By the time Gabcik and Kubis landed, it was already too late. The disaster had occurred; there was nothing left to do but wreak vengeance. And it was stunning. But they, and their friends, and the Czech people, paid dearly for it.

Leopold Trepper, head of the French arm of the legendary Resistance organization Red Orchestra, made an observation: when a Resistance fighter fell into enemy hands and was offered the chance to cooperate, he had a choice: to accept or not. If he accepted, the damage could still be limited by saying as little as possible, hemming and hawing, releasing information drop by drop, and playing for time. This was the strategy Trepper adopted when he was arrested, and it was also the strategy used by A54. But they were both extremely high-level professional spies. Most of the time, the spy who accepted the offer to swap sides—even if he had until then resisted the worst

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