pronounced views on a number of subjects, some of them not at all to my taste. But they had an oddly personal ring. One felt they were deduced from experience and not worked out simply to epater. He is, for example, rather an old-fashioned reactionary in his outlook, and is consequently rather mal vu by his brother craftsmen who suspect him of Fascist sympathies; the prevailing distemper of left-wing thought, indeed all radicalism is repugnant to him. But his views were expressed humorously and without heat. I could not, for example, rouse him on the Spanish issue. (“All those little beige people trooping off to die for the Left Book Club!”)’

Mountolive had indeed been rather shocked by opinions as clear-cut as they were trenchant, for he at the time shared the prevailing egalitarian sympathies of the day — albeit in the anodyne liberalized form then current in The Office. Pursewarden’s royal contempts made him rather a formidable person. ‘I confess’ Mountolive wrote ‘that I did not feel I had exactly placed him in any one category. But he expressed views rather than attitudes, and I must say he said a number of striking things which I memorized for you, as: “The artist’s work constitutes the only satisfactory relationship he can have with his fellow-men since he seeks his real friends among the dead and the unborn. That is why he can’t dabble in politics, it isn’t his job. He must concentrate on values rather than policies. Today it all looks to me like a silly shadow-play, for ruling is an art, not a science, just as a society is an organism, not a system. Its smallest unit is the family and really royalism is the right structure for it — for a Royal Family is a mirror image of the human, a legitimate idolatry. I mean, for us, the British, with our essentially quixotic temperament and mental sloth. I don’t know about the others. As for capitalism, its errors and injustices are all remediable, by fair taxation. We should be hunting not for an imaginary equality among men, but simply for a decent equity. But then Kings should be manufacturing a philosophy of sorts, as they did in China; and absolute Monarchy is hopeless for us today because the philosophy of kingship is at a low ebb. The same goes for a dictatorship.

‘“As for Communism, I can see that is hopeless too; the analysis of man in terms of economic behaviourism takes all the fun out of living, and to divest him of a personal psyche is madness.” And so on. He has visited Russia for a month with a cultural delegation and did not like what he felt there; other boutades like “Sad Jews on whose faces one could see all the melancholia of a secret arithmetic; I asked an old man in Kiev if Russia was a happy place. He drew his breath sharply and after looking around him furtively said: ‘We say that once Lucifer had good intentions, a change of heart. He decided to perform a good act for a change — just one. So hell was born on earth, and they named it Soviet Russia.’”

‘In all this, his sister played no part but sat in eloquent silence with her fingers softly touching the table, curling like tendrils of vine, smiling at his aphorisms as if at private wickednesses. Only once, when he had gone out for a second, she turned to me and said: “He shouldn’t concern himself with these matters really. His one job is to learn how to submit to despair.” I was very much struck by this oracular phrase which fell so naturally from her lips and did not know what to reply. When he returned he resumed his place and the conversation at one and the same time as if he had been thinking it over by himself. He said “No, they are a biological necessity, Kings. Perhaps they mirror the very constitution of the psyche? We have compromised so admirably with the question of their divinity that I should hate to see them replaced by a dictator or a Workers’ Council and a firing squad.” I had to protest at this preposterous view, but he was quite serious. “I assure you that this is the way the left-wing tends; its object is civil war, though it does not realize it — thanks to the cunning with which the sapless puritans like Shaw and company have presented their case. Marxism is the revenge of the Irish and the Jews!” I had to laugh at this, and so —to do him justice — did he. “But at least it will explain why I am mal vu” he said, “and why I am always glad to get out of England to countries where I feel no moral responsibility and no desire to work out such depressing formulations. After all, what the hell! I am a writer!”

‘By this time he had had several drinks and was quite at his ease. “Let us leave this barren field! Oh, how much I want to get away to the cities which were created by their women; a Paris or Rome built in response to the female lusts. I never see old Nelson’s soot-covered form in Trafalgar Square without thinking: poor Emma had to go all the way to Naples to assert the right to be pretty, feather-witted and d’une splendeur in bed. What am I, Pursewarden, doing here among people who live in a frenzy of propriety? Let me wander where people have come to terms with their own human obscenity, safe in the poet’s cloak of invisibility. I want to learn to respect nothing while despising nothing — crooked is the path of the initiate!”

‘“My dear, you are tipsy!” cried Liza with delight.

‘“Tipsy and sad. Sad and tipsy. But joyful, joyful!”

‘I must say this new and amusing vein in his character seemed to bring me much nearer to the man himself. “Why the stylized emotions? Why the fear and trembling? All those gloomy lavatories with mackintoshed policewomen waiting to see if one pees straight or not? Think of all the passionate adjustment of dress that goes on in the kingdom! the keeping off the grass: is it any wonder that I absent-mindedly take the entrance marked Aliens Only whenever I return?”

‘“You are tipsy” cried Liza again.

‘“No. I am happy.” He said it seriously. “And happiness can’t be induced. You must wait and ambush it like a quail or a girl with tired wings. Between art and contrivance there is a gulf fixed!”

‘On he went in this new and headlong strain; and I must confess that I was much taken by the effortless play of a mind which was no longer conscious of itself. Of course, here and there I stumbled against a coarseness of expression which was boorish, and looked anxiously at his sister, but she only smiled her blind smile, indulgent and uncritical.

‘It was late when we walked back together towards Trafalgar Square in the falling snow. There were few people about and the snowflakes deadened our footsteps. In the Square itself your poet stopped to apostrophize Nelson Stylites in true calf-killing fashion. I have forgotten exactly what he said, but it was sufficiently funny to make me laugh very heartily. And then he suddenly changed his mood and turning to his sister said: “Do you know what has been upsetting me all day, Liza? Today is Blake’s birthday. Think of it, the birthday of codger Blake. I felt I ought to see some signs of it on the national countenance, I looked about me eagerly all day. But there was nothing. Darling Liza, let us celebrate the old b …’s birthday, shall we? You and I and David Mountolive here — as if we were French or Italian, as if it meant something.” The snow was falling fast, the last sodden leaves lying in mounds, the pigeons uttering their guttural clotted noises. “Shall we, Liza?” A spot of bright pink had appeared in each of her cheeks. Her lips were parted. Snowflakes like dissolving jewels in her dark hair. “How?” she said. “Just how?”

‘“We will dance for Blake” said Pursewarden, with a comical look of seriousness on his face, and taking her in his arms he started to waltz, humming the Blue Danube. Over his shoulder, through the falling snowflakes, he said: “This is for Will and Kate Blake.” I don’t know why I felt astonished and rather touched. They moved in perfect measure gradually increasing in speed until they were skimming across the square under the bronze lions, hardly heavier than the whiffs of spray from the fountains. Like pebbles skimming across a smooth lake or stones across an ice-bound pond…. It was a strange spectacle. I forgot my cold hands and the snow melting on my collar as I watched them. So they went, completing a long gradual ellipse across the open space, scattering the leaves and the pigeons, their breath steaming on the night-air. And then, gently, effortlessly spinning out the arc to bring them back to me — to where I stood now with a highly doubtful-looking policeman at my side. It was rather amusing. “What’s goin’ on ’ere?” said the bobby, staring at them with a distrustful admiration. Their waltzing was so perfect that I think even he was stirred by it. On they went and on, magnificently in accord, the dark girl’s hair flying behind her, her sightless face turned up towards the old admiral on his sooty perch. “They are celebrating Blake’s birthday” I explained in rather a shamefaced fashion, and the officer looked a shade more relieved as he followed them with an admiring eye. He coughed and said “Well, he can’t be drunk to dance like that, can he? The things people get up to on their birthdays!”

‘At long last they were back, laughing and panting and kissing one another. Pursewarden’s good humour seemed to be quite restored now, and he bade me the warmest of good-nights as I put them both in a taxi and sent them on their way. There! My dear Leila, I don’t know what you will make of all this. I learned nothing of his private circumstances or background, but I shall be able to look him up; and you will be able to meet him when he comes to Egypt. I am sending you a small printed collection of his newest verses which he gave me. They have not appeared anywhere as yet.’

In the warm central heating of the club bedroom, he turned the pages of the little book, more with a sense of duty than one of pleasure. It was not only modern poetry which bored him, but all poetry. He could never get the wave-length, so to speak, however hard he tried. He was forced to reduce the words to paraphrase in his own mind, so that they stopped their dance. This inadequacy in himself (Leila had taught him to regard it as such)

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