The Rise of Rome

16

Blood Brothers

CORNELIA WAS A VERY GRAND LADY INDEED. AS THE second daughter of Scipio Africanus, she belonged to one of Rome’s wealthiest and most aristocratic families. Well educated, she cultivated intellectual pursuits and, Plutarch writes, “always had Greeks and literary men about her.”

Her lifestyle was one of some splendor, although, like many millionairesses of taste, she dressed with elegant simplicity (as the poet Horace famously put it, simplex munditiis, or “casually chic”). Once, she was entertaining a woman friend from Campania, where bling or deluxe display was de rigueur. Her guest drew particular attention to the fine jewelry she was wearing. Cornelia waited until her two sons came home from school, and then said, “These are my jewels.”

Noblemen’s daughters seldom married for love, and the Scipiones were no exception. Cornelia’s husband, Tiberius Sempronius Gracchus, had been a political opponent of her father but had objected to the attempts of Cato and his friends to bring her uncle Lucius to trial for corruption. Cornelia was his reward. When they married, sometime after Africanus’s death in disappointed retirement, she was in her teens and Gracchus was in his forties.

Despite the disparity in their ages, the union was a happy one and Cornelia gave birth to twelve children, although only three reached adulthood—a daughter and the boys, Tiberius and Gaius. Gracchus loved his wife, as a curious anecdote bears witness. One day he discovered two snakes on his bed. Being a typically superstitious Roman, he saw this as an alarming prodigy and consulted the appropriate religious authority. The advice he received could not have been more awkward if that had been the intention. He was neither to kill the snakes nor to let them go; rather, he should kill one or the other of them. An unhelpful caveat was added: if the male snake was killed, he would soon die, and if the female snake was killed, then Cornelia would die. Because Gracchus was so much older than his wife, he decided that it was fairer to sacrifice himself, so he killed the male and let the female slither away.

Whatever the truth of the story, Gracchus did die sometime after his second consulship in 163, leaving his young widow to bring up the children alone. We have observed that Africanus conducted himself as the equal of an eastern monarch, and his daughter was the nearest thing the Republic had to an international royal celebrity. The pharaoh of Egypt, Ptolemy VIII, offered her his hand in marriage. Nicknamed Physcon (Greek for “sausage,” “potbelly,” or “bladder”), he was an unappealing prospect, and Cornelia politely declined. She decided not to marry again, but to manage her estates and devote herself to the education of her children. She lived the blameless life of a Roman matron. It was unusual for aristocratic widows to remain unmarried, but Cornelia was that rare thing in the ancient world—an independent woman.

HOW CORNELIA BROUGHT up her sons is uncertain, but at some point in the third century educational practice in Rome changed. Originally, it was based on an apprenticeship supervised by the father—in working families probably linked to agriculture or a trade, in more aristocratic homes to military training and an induction into public life in the Forum. Gradually, a Greek model came to be followed. Greek-speaking tutors were employed (for example, the poets Livius Andronicus and Ennius), who taught both Latin and Greek. This is no doubt what a wealthy Hellenistic family such as the Scipios would have done.

At about the same time, elementary and secondary schools opened, to which Cornelia could have sent Tiberius and Gaius. In that case, a paedagogus, usually a slave, would have taken them to and from their classes and generally supervised their behavior. A secondary school master, or grammaticus, taught language and poetry, and was sometimes a distinguished intellectual in his own right. For children in their mid to late teens, the principle of apprenticeship was maintained, with boys being attached for a time to a leading senator, rather like today’s interns. Oratory was a highly developed art form and was essential to a political career. Teachers of rhetoric offered advanced training in the elaborate techniques of persuasion.

THE STATUS OF women in ancient Rome was mixed. Their main task was to bear legitimate children, and chastity outside the marriage bed was essential to achieving that aim. They had no political rights; they could not attend, address, or vote at citizen assemblies, and they could not hold public office.

As a rule, a girl married young, between twelve and fifteen years of age, but her husband was often a man in his twenties or older. Irrespective of whether she had passed puberty (generally thought to begin in the fourteenth year), it seems that she was expected to have, or perhaps to endure, sex immediately upon marriage. There were different kinds of contract. A wife might be passed into the manus, or hands, of her husband, but this was becoming increasingly unpopular. Otherwise, she remained under her father’s nominal patria potestas or, if he was dead, she controlled her affairs sui iuris, by her own legal authority, albeit under the guidance of a guardian or tutor. This was Cornelia’s situation.

Divorce was easy, and because of the age difference there was a large number of widows. While many remarried, Romans rather admired the univira, the woman who, like Cornelia, stayed true to the memory of one man.

(Boys, of course, enjoyed greater license than girls. They were expected to sow their wild oats, within reason. Once, when Cato saw a young nobleman emerge from a brothel, he told him, “Keep up the good work.” When he came across the young man a short time later, in similar circumstances, he remarked, “When I complimented you on ‘good work’ I didn’t mean you should make this place your home.”)

In spite of legal constraints, women were able to play an important role in family and public life if they wished, provided they obeyed the conventions of modesty and respectability. Within her household, a wife was the domina, or mistress, and she was regarded on an equal level with her husband. She led a full social life, visiting friends, patronizing the Games, and attending her husband’s dinner parties. She was able to exert political influence through her husband, whose career she promoted. Although marriages were often cool, professional affairs, we know of many happy couples.

Cornelia was not alone in seeing so many of her children die in their early years. The duty to produce progeny was hampered by primitive medical knowledge. The upper classes seem to have practised birth control and abortion, although it is unclear how effective their methods were. Techniques such as washing out the vagina, coating it with old olive oil, inserting sponges soaked in vinegar, or jumping up and down after intercourse are unlikely to have done much good. Doctors did their best to encourage fertility and were not meant to facilitate abortion, but in Hippocratic medicine a substance known as misy was claimed to prevent pregnancy for a year; unfortunately, we do not know what it is (some have suggested yellow copperas). Various plants were commonly used for birth control, and some have been found in modern times to have contraceptive properties—Daucus carota, or Queen Anne’s lace, for example.

Women who broke the rules of propriety received no mercy. In the first century, a certain Sempronia met the full force of male condemnation. It has been speculated that she was Cornelia’s granddaughter and, whether or not this was so, was similarly well-endowed with charm and intellect. She married well and received a good education in Greek and Latin literature. She wrote poetry, had a ready wit, and was an amusing conversationalist.

However, according to the historian Gaius Sallustius Crispus (whom we know as Sallust), there was another side to her personality:

She had greater skill in lyre-playing and dancing than there is any need for a respectable woman to acquire, besides many other accomplishments such as minister to dissipation. There was nothing that she set a smaller value on than seemliness and chastity, and she was as careless of her reputation as she was of her money. Her passions were so ardent that she more often made advances to men than they did to her. Many times … she had broken a solemn promise, repudiated a debt by perjury, and been an accessory to murder.

It is a curiously unconvincing passage: venial sins such as being a lively partygoer are gradually amplified into an unsubstantiated accusation of involvement in murder, as if one thing naturally led to the other. Some of Sempronia’s excesses echo those of Tanaquil and Tullia, perhaps because historians from the late Republic