to take note of him. His struggles increased after he refused to join the Party and was denounced by neighbors for “anti-Nazi” sympathies. Unlike many other prominent artists, however, Fallada decided not to flee Germany. By the end of World War II he’d suffered an alcohol-fueled nervous breakdown and was in a Nazi insane asylum, where he nonetheless managed to write—in code—the brilliant subversive novel,
“Hans Fallada’s
—Alan Furst, author of Spies of Warsaw
“The greatest book ever written about German resistance to the Nazis.”
—Primo Levi
“An unrivalled and vivid portrait of life in wartime Berlin.”
—Philip Kerr, author of the Berlin Noir series
Little Man, What Now?
“Painfully true to life … I have read nothing so engaging as Little Man, What Now for a long time.”
—Thomas Mann
“There are chapters which pluck the nerves … there are chapters which raise the spirits like a fine day in the country. The truth and variety of the characterization is superb … it recognizes that the world is not to be altered with moral fables …”
—Graham Greene
“An inspired work of a great writer hitherto neglected in the English-speaking world. Fallada is a genius at bringing his wide range of colorful characters to life. The ‘Little Man’ is Mr. Everybody.”
—Beryl Bainbridge