“Stop, Claude,” El Katook said. Thoroughgood said it appeared like Katook was trying to smile. “I wasn’t with them. I didn’t mix in at all.”
Heroux only growled.
“I was in Millinocket,” El Katook said, his voice starting to rise toward a scream. “I was in Millinocket, I swear it on my mother’s name! Ask anybody if you don’t believe meeeee…”
Claude raised the dripping axe, and El Katook sprayed the rest of the cards into his face. The axe came down, whistling. El Katook ducked. The axe-head buried itself in the planking that formed the Silver Dollar’s back wall. El Katook tried to run. Claude hauled the axe out of the wall and poked it between his ankles. El Katook went sprawling. Stugley Grenier shot at Heroux again, this time having a bit more luck. He had been aiming at the crazed lumberman’s head; the bullet struck home in the fleshy part of Heroux’s thigh.
Meantime, El Katook was crawling busily toward the door with his hair hanging in his face. Heroux swung the axe again, snarling and gibbering, and a moment later Katook’s severed head was rolling across the sawdust-strewn floor, the tongue popped bizarrely out between the teeth. It rolled to a stop by the booted foot of a lumberman named Varney, who had spent most of the day in the Dollar and who, by then, was so exquisitely slopped that he didn’t know if he was on land or at sea. He kicked the head away without looking down to see what it was, and hollered for Jonesy to run him down another beer.
El Katook crawled another three feet, blood spraying from his neck in a high-tension jet, before he realized he was dead and collapsed. That left Stugley. Heroux turned on him, but Stugley had run into the outhouse and locked the door.
Heroux chopped his way in, hollering and blabbering and raving, slobber falling from bis jaws. When he got in Stugley was gone, although the cold, leaky little room was windowless. Heroux stood there for a moment, head lowered, powerful arms slimed and splattered with blood, and then, with a roar, he flipped up the lid of the three-holer. He was just in time to see Stugley’s boots disappearing under the ragged board skirting of the outhouse wall. Stugley Grenier ran screaming down Exchange Street in the rain, beshitted from top to toe, crying that he was being murdered. He survived the cutting party in the Silver Dollar-he was the only one who did-but after three months of listening to jokes about his method of escape, he quitted the Derry area forever.
Heroux stepped out of the toilet and stood in front of it like a bull after a charge, head down, his axe held in front of him. He was puffing and blowing and covered with gore from head to foot.
“Shut the door, Claude, that shitpot stinks to high heaven,” Thoroughgood said. Claude dropped his axe on the floor and did as he had been asked. He walked over to the card-strewn table where his victims had been sitting, kicking one of Eddie King’s severed legs out of his way. Then he simply sat down and put his head in his arms. The drinking and conversation at the bar went on. Five minutes later more men began to pile in, three or four sheriffs deputies among them (the one in charge was Lal Machen’s father, and when he saw the mess he had a heart attack and had to be taken away to Dr Shratt’s office). Claude Heroux was led away. He was docile when they took him, more asleep than awake.
That night the bars all up and down Exchange and Baker Streets boomed and hollered with news of the slaughter. A righteous drunken sort of fury began to build up, and when the bars closed better than seventy men headed downtown toward the jail and the court-house. They had torches and lanterns. Sonic were carrying guns, some had axes, some had peavies.
The County Sheriff wasn’t due from Bangor until the noon stage the next day, so he wasn’t there, and Goose Machen was laid up in Dr Shratt’s infirmary with his heart attack. The two deputies who were sitting in the office playing cribbage heard the mob coming and got out of there fast. The drunks broke in and dragged Claude Heroux out of his cell. He didn’t protest much; he seemed dazed, vacant.
They carried him on their shoulders like a football hero; down to Canal Street they carried him, and there they lynched him from an old elm that overhung the Canal. “He was so far gone that he didn’t kick but twice,” Egbert Thoroughgood said. It was, so far as the town records show, the only lynching to ever take place in this part of Maine. And almost needless to say, it was not reported in the Derry News. Many of those who had gone on drinking unconcernedly while Heroux went about his business in the Silver Dollar were in the necktie party that strung him up. By midnight their mood had changed.
I asked Thoroughgood my final question: had he seen anyone he didn’t know during that day’s violent activities? Someone who struck him as strange, out of place, funny, even clownish? Someone who would have been drinking at the bar that afternoon, someone who had maybe turned into one of the rabble-rousers that night as the drinking went on and the talk turned to lynching?
“Mayhap there was,” Thoroughgood replied. He was tired by then, drooping, ready for his afternoon nap. “It were a long time ago, mister. Long and long.”
“But you remember something,” I said.
“I remember thinkin that there must be a county fair up Bangor way,” Thoroughgood said. “I was having a beer in the Bloody Bucket that night. The Bucket was about six doors from the Silver Dollar. There was a fella in there… comical sort of fella… doing flips and rollovers… jugglin glasses… tricks… put four dimes on his forrid and they’d stay right there… comical, you know…”
His bony chin had sunk to his chest again. He was going to sleep right in front of me. Spittle began to bubble at the corners of his mouth, which had as many tucks and wrinkles as a lady’s change-purse.
“Seen him a few now” n thens since,” Thoroughgood said. “Figure maybe he had such a good time that night… that he decided to stick around.”
“Yeah. He’s been around a long time,” I said.
His only response was a weak snore. Thoroughgood had gone to sleep in his chair by the window, with his medicines and nostrums lined up beside him on the sill, soldiers of old age at muster. I turned off my tape-recorder and just sat looking at him for a moment, this strange time-traveller from the year 1890 or so, who remembered when there were no cars, no electric lights, no airplanes, no state of Arizona. Pennywise had been there, guiding them down the path toward another gaudy sacrifice-just one more in Derry’s long history of gaudy sacrifices. That one, in September of 1905, ushered in a heightened period of terror that would include the Easter-tide explosion of the Kitchener Ironworks the following year.
This raises some interesting (and, for all I know, vitally important) questions. What does It really eat, for instance? I know that some of the children have been partially eaten-they show bite- marks, at least-but perhaps it is we who drive It to do that. Certainly we have all been taught since earliest childhood that what the monster does when it catches you in the deep wood is eat you. That is perhaps the worst thing we can conceive. But it’s really faith that monsters live on, isn’t it? I am led irresistibly to this conclusion: Food may be life, but the source of power is not food but faith. And who is more capable of a total act of faith than a child?
But there’s a problem: kids grow up. In the church, power is perpetuated and renewed by periodic ritualistic acts. In Derry, power seems to be perpetuated and renewed by periodic ritualistic acts, too. Can it be that It protects Itself by the simple fact that, as the children grow into the adults, they become either incapable of faith or crippled by a sort of spiritual and imaginative arthritis?
Yes. I think that’s the secret here. And if I make the calls, how much will they remember? How much will they believe? Enough to end this horror once and for all, or only enough to get them killed? They are being called-I know that much. Each murder in this new cycle has been a call. We almost killed It twice, and in the end we drove It deep in Its warren of tunnels and stinking rooms under the city. But I think It knows another secret: although It may be immortal (or almost so), we are not. It had only to wait until the act of faith, which made us potential monster-killers as well as sources of power, had become impossible. Twenty-seven years. Perhaps a period of sleep for It, as short and refreshing as an afternoon nap would be for us. And when It awakes, It is the same, but a third of our lives has gone by. Our perspectives have narrowed; our faith in the magic that makes magic possible, has worn off like the shine on a new pair of shoes after a hard day’s walking.
Why call us back? Why not just let us die? Because we nearly killed It, because we frightened It, I think. Because It wants revenge.
And now, now that we no longer believe in Santa Claus, the Tooth Fairy, Hansel and Gretel, or the troll under the bridge, It is ready for us. Come on back, It says. Come on back, let’s finish our business in Derry. Bring your jacks and your marbles and your yo-yos! We’ll play. Come on back and we’ll see if you remember the simplest thing of all: how it is to be children, secure in belief and thus afraid of the dark.
On that one, at least I score a thousand per cent: I am frightened. So goddam frightened.
Part 5
THE RITUAL OF CHUD
“It is not to be done. The seepage has
rotted out the curtain. The mesh
is decayed. Loosen the flesh
from the machine, build no more
bridges. Through what air will you
fly to span the continents? Let the words
fall any way at all-that they may
hit love aslant. It will be a rare
visitation. They want to rescue too much,
the flood has done its work”
“Look and remember. Look upon this land,
Far, far across the factories and the grass.
Surely, there, surely they will let you pass.
Speak then and ask the forest and the loam.
What do you hear? What does the land command?
The earth is taken: this is not your home.”
Chapter 19
IN THE WATCHES OF THE NIGHT
