blast. He handed her the Chesterfield and she took an elaborate puff-she didn’t actually smoke-blowing out a dramatic stream of smoke as though she were Marlene Dietrich. “I woke up,” she said. “Couldn’t go back to sleep.”
“What’s wrong?”
She shook her head.
They’d certainly played long and hard-it was what they did best-night love and morning love tumbled up together, and when he’d left the bedroom she’d been out cold, mouth open, breathing sonorous and hoarse. Not snoring, because, according to her, she never snored.
In the light of the white bathroom he could see that her eyes were shining, lips pressed tight-
The rain slackened, that afternoon, Paris a little
He sat in his office in the Hungarian legation, crumpled up a cable and tossed it in the wastebasket. Now, he thought, it was actually going to happen.
5:20. She was, as always, subtly late, enough to stir anticipation. With the drapes drawn the room was almost dark, lit only by a single small lamp and firelight. Did the fire need another log? No, it would do, and he didn’t want to wait while the porter climbed three flights of stairs.
Just as his eyes began to close, a delicate knock at the door, followed by the appearance of Mimi Moux-the chanteuse Mimi Moux as the gossip writers of the newspapers had it. Ageless, twittering like a canary, with vast eyes and carmine lipstick-a theatrical face-she bustled into his office, kissed him on both cheeks, and touched him, somehow, damned if he knew how she did it, in sixteen places at once. Talking and laughing without pause-you could enter the conversation or not, it didn’t matter-she hung her afternoon Chanel in a closet and fluttered around the room in expensive and pleasantly exhilarating underwear.
“Put on the Mendelssohn, my dear, would you?”
Arms crossed over her breasts-a mock play on modesty-she twitched her way over to an escritoire with a Victrola atop it and, still talking-“you can imagine, there we were, all dressed for the opera, it was simply
Eventually, just at the moment-of their several underappreciated virtues, he mused, the French possessed the purest sense of timing in all Europe-she settled on her knees in front of his chair, unbuttoned his fly with one hand and, at last, stopped talking. Polanyi watched her, the concerto came to an end, the needle hissed back and forth in an empty groove. He had spent his life, he thought, giving pleasure to women, now he had reached a point where they would give pleasure to him.
Later, when Mimi Moux had gone, the legation cook knocked lightly on his door and carried in a steaming tray. “A little something, your excellency,” she said. A soup made from two chickens, with tiny dumplings and cream, and a bottle of 1924 Echezeaux. When he was done, he sat back in his chair and breathed a sigh of great contentment. Now, he noted, his fly was closed but his belt and pants button were undone.
The Cafe Le Caprice lurked in the eternal shadows of the rue Beaujolais, more alley than street, hidden between the gardens of the Palais Royal and the Bibliotheque Nationale. His uncle, Morath had realized long ago, almost never invited him to the legation, preferring to meet in unlikely cafes or, sometimes, at the houses of friends. “Indulge me, Nicholas,” he would say, “it frees me from my life for an hour.” Morath liked the Le Caprice, cramped and grimy and warm. The walls had been painted yellow in the nineteenth century, then cured to a rich amber by a hundred years of cigarette smoke.
Just after three in the afternoon, the lunch crowd began to leave and the regulars drifted back in to take their tables.
Morath took a table vacated by a party of stockbrokers who’d walked over from the Bourse, lit a cigarette, ordered a
A very grand Opel Admiral had pulled up in front of Le Caprice, the driver held the back door open, and a tall man in black SS uniform emerged, followed by a man in a raincoat, followed by Uncle Janos. Who talked and gesticulated as the others listened avidly, expectant half-smiles on their faces. Count Polanyi pointed his finger and scowled theatrically as he delivered what was obviously a punch line. All three burst into laughter, just faintly audible inside the cafe, and the SS man clapped Polanyi on the back-
They said good-bye, shook hands, and the civilian and the SS man returned to the Opel. Here’s something new, Morath thought, you rarely saw SS men in uniform in Paris. They were everywhere in Germany, of course, and very much in the newsreels; marching, saluting, throwing books into bonfires.
Morath’s uncle entered the cafe and took a moment to find him. Somebody at the next table made a remark, one of his friends snickered. Morath stood, embraced his uncle, and they greeted each other-as usual, they spoke French together in public. Count Polanyi took off his hat, gloves, scarf, and coat and piled them up on the empty chair. “Hmm, that went over well,” he said. “The two Roumanian businessmen?”
“I haven’t heard it.”
“They run into each other on the street in Bucharest, Gheorgiu is carrying a suitcase. ‘Where are you off to?’ Petrescu asks. ‘Cernauti,’ his friend says. ‘Liar!’ Petrescu shouts. ‘You tell me you’re going to Cernauti to make me think you’re going to Iasi, but I’ve bribed your office boy, and I know you’re going to Cernauti!’ “
Morath laughed.
“You know Von Schleben?”
“Which one was he?”
“Wearing a raincoat.”
Hyacinthe appeared. Polanyi ordered a Ricon.
“I don’t think so,” Morath said. He wasn’t completely sure. The man was tall, with pale, fading hair a little longer than it should be, and something about the face was impish; he had the sly grin of the practical joker. Quite handsome, he could have played the suitor-not the one who wins, the one who loses-in an English drawing-room comedy. Morath was sure he’d seen him somewhere. “Who is he?”
“He works in the diplomatic area. Not a bad sort, when all is said and done, I’ll introduce you sometime.”
The Ricon arrived, and Morath ordered another