The Glass Bead Game

However, he listened on the radio to one seminar and to a good many lectures and games. So also, from afar, sitting in his excellent guest room in the monastery, he took part in that “solemnity” in the festival hall of the Vicus Lusorum at which the results of the prize competition were announced. He had handed in a rather impersonal and not at all revolutionary, but solid and elegant piece of work whose value he knew, and he was prepared for an honorable mention or a third or second prize. To his surprise he now heard that he had been awarded first prize, and even before surprise had given way to delight, the spokesman for the Magister Ludi’s office continued reading in his beautiful low voice and named Tegularius as winner of the second prize. It was certainly a moving and rapturous experience that the two of them should emerge from this competition hand in hand, as the crowned winners. He sprang to his feet without listening to the rest, and ran down the stairs and through the echoing corridors out into the open air.

In a letter to the former Music Master, written at this time, we may read: “I am very happy, revered Master, as you can imagine. First the success of my mission and its commendation by the directorate of the Order, together with the prospect — so important to me — of soon returning home to friends and to the Glass Bead Game, instead of being kept in the diplomatic service; and now this first prize for a Game whose formal aspects I did take pains with, but which for good reasons by no means drained me of everything I had to contribute. And on top of that the joy of sharing this success with my friend — it really was too much all at once. I am happy, yes, but I could not well say that I am merry. Because of the dearth of the preceding period — at any rate what seemed to me a dearth — my real feeling is that these fulfillments are coming rather too suddenly and too abundantly. There is a measure of unease mingled with my gratitude, as if the vessel is so filled to the brim that only another drop is needed to tilt it. But, please, consider that I have not said this; in this situation every word is already too much.”

As we shall see, the vessel filled to the brim was destined to have more than just one additional drop added to it. But at the moment Joseph Knecht devoted himself to his happiness, and the concomitant unease, with great intensity, as if he had a premonition of the impending great change. For Father Jacobus, too, these few months were a happy, an exuberant time. He was sorry that he would soon be losing this disciple and associate; and in their hours of work together, still more in their free-ranging conversations, he tried to bequeath to him as much as he could of the understanding he had acquired during a long life of hard work and hard thinking, understanding of the heights and depths in the lives of men and nations. He also had some things to say about the consequences of Knecht’s mission, assessing its meaning, and the value of amity and political concord between Rome and Castalia. He recommended that Joseph study the epoch which had seen the founding of the Castalian Order as well as the gradual recovery of Rome after a humiliating time of tribulation. He also recommended two books on the Reformation and schism of the sixteenth century, but strongly urged him to make a principle of studying the primary sources. He advised Joseph to confine himself to graspable segments of a field in preference to reading ponderous tomes on world history. Finally, Father Jacobus made no bones about his profound mistrust of all philosophies of history.

SIX MAGISTER LUDI

KNECHT HAD DECIDED to postpone his final return to Waldzell until the spring, the time of the great public Glass Bead Game, the Ludus anniversarius or sollemnis. The era when annual Games lasted for weeks and were attended by dignitaries and representatives from all over the world — what we may call the great age in the memorable history of these Games — already belonged forever to the past. But these spring sessions, with the one solemn Game that usually lasted for ten days to two weeks, still remained the great festive event of the year for all of Castalia. It was a festival not without its high religious and moral importance, for it brought together the advocates of all the sometimes disparate tendencies of the Province in an act of symbolic harmony. It established a truce between the egotistic ambitions of the several disciplines, and recalled to mind the unity which embraced their variety. For believers it possessed the sacramental force of true consecration; for unbelievers it was at least a substitute for religion; and for both it was a bath in the pure springs of beauty. The Passions of Johann Sebastian Bach had once upon a time — not so much in the time they were written as in the century following their rediscovery — been in similar fashion a genuine consecratory act for some of the performers and audience, a form of worship and religious substitute for others, and for all together a solemn manifestation of art and of the Creator spiritus.

Knecht had had scant difficulty obtaining the consent of both the monks and his home authorities for his decision. He could not quite determine the nature of his position after his reassignment to the little republic of the Vicus Lusorum, but he suspected that he would not long be left unoccupied and would soon be burdened and honored with some new office or mission. For the present he looked forward happily to returning home, to seeing his friends and participating in the approaching festival. He enjoyed his last days with Father Jacobus, and accepted with dignity and good humor the rather demonstrative kindnesses of the Abbot and monks when the time came for farewells. Then he left, feeling some sadness at parting from a place he had grown fond of and from a stage in his life he was now leaving behind, but also in a mood of festive anticipation, for although he lacked guidance and companions, he had, on his own initiative, scrupulously undertaken the whole series of meditation exercises prescribed as preparations for the festival Game. He had not been able to prevail on Father Jacobus to accept the Magister Ludi’s formal invitation to attend the annual Game and accompany him, but this had not affected his good spirits; he understood the old anti-Castalian’s reserved attitude, and he himself for the moment felt entirely relieved of all duties and restrictions and ready to surrender his whole mind to the impending ceremonies.

Festivities have their own peculiar nature. A genuine festival cannot go entirely wrong, unless it is spoiled by the unfortunate intervention of higher powers. For the devout soul, even in a downpour a procession retains its sacral quality, and a burned feast does not depress him. For the Glass Bead Game player every annual Game is festive and in a sense hallowed. Nevertheless, as every one of us knows, there are some festivals and games in which everything goes right, and every element lifts up, animates, and exalts every other, just as there are theatrical and musical performances which without any clearly discernible cause seem to ascend miraculously to glorious climaxes and intensely felt experiences, whereas others, just as well prepared, remain no more than decent tries. Insofar as the achievement of intense experiences depends on the emotional state of the spectator, Joseph Knecht had the best imaginable preparation: he was troubled by no cares, returning from abroad loaded with honors, and looking forward with joyous anticipation to the coming event.

Nevertheless, this time the Ludus sollemnis was not destined to be touched by that aura of the miraculous and so rise to a special degree of consecration and radiance. It turned out, in fact, a cheerless, distinctly unhappy, and something very close to an unsuccessful Game. Although many of the participants may have felt edified and exalted all the same, the real actors and organizers of the Game, as always in such cases, felt all the more inexorably that atmosphere of apathy, lack of grace and failure, of inhibition and bad luck which overshadowed this festival. Knecht, although he of course sensed it and found his high expectations somewhat dashed, was by no means among those who felt the fiasco most keenly. Even though the solemn act failed to reach the true peak of perfection and blessing, he was able, because he was not playing and bore no responsibility for it, to follow the ingeniously constructed Game appreciatively, as a devout spectator, to let the meditations quiver to a halt undisturbed, and with grateful devotion to share that experience so familiar to all guests at these Games: the sense of ceremony and sacrifice, of mystic union of the congregation at the feet of the divine, which could be conveyed even by a ceremony that, for the narrow circle of initiates, was regarded as a “failure.” Nevertheless, he too was not altogether unaffected by the unlucky star that seemed to preside over this festival. The Game itself, to be sure, was irreproachable in plan and construction, like every one of Master Thomas’s Games; in fact it was one of his cleanest, most direct, and impressive achievements. But its performance was specially ill-starred and has not yet been forgotten in the history of Waldzell.

When Knecht arrived, a week before the opening of the great Game, he was received not by the Magister Ludi himself, but by his deputy Bertram, who welcomed him courteously but informed him rather curtly and distractedly that the venerable Master had recently fallen ill and that he, Bertram, was not sufficiently informed about Knecht’s mission to receive his report. Would he therefore go to Hirsland to report his return to the directorate of the Order and await its commands.

As he took his leave Knecht involuntarily betrayed, by tone or gesture, his surprise at the coolness and