Because I get to shoot up.

That's all I want to do just now. Go into that kitchen and shoot up.'

'And the next time?'

'I'll do it again. And the time after that. I'll do it forever and then I'll die. Hey…' He forced a smile. 'Nice thought.'

'Dying?'

'Doing it forever.'

His hand went to his mouth. He sat absolutely still for a moment or two, then jack-knifed forward in the chair and began to retch.

Instinctively, J-J panned the camera slowly down, following a thin green thread of vomit onto the patterned carpet. Glassy-eyed, Daniel wiped his mouth and tried to apologise. Eadie had spotted a box of tissues. She leaned across, mopping up the vomit, stealing a glance at the camera to make sure J-J was still taping.

From the entry phone on the wall in the hall came a single ring, then two more. Daniel was on his feet, heading out of the room. Seconds later, Eadie heard the door open and the sound of footsteps as he ran for the stairs.

'You got it all?' she signed.

J-J nodded. He knew exactly what was going to happen next and he knew as well that he wanted no part of it. Watching someone in this kind of pain had begun to disgust him.

'Ready?' Eadie signed that she wanted the camera off the tripod.

Shoulder-mounted, J-J could follow the action wherever it led.

J-J shook his head. You do it.

'You're serious?' Eadie stared at him a moment, then abandoned the soiled tissue and began to un clamp the camera. By the time Daniel reappeared, she'd wedged herself in a corner of the room, the shot nicely framed on the open door. J-J retreated to the window. In the street below, a red Cavalier was disappearing in the direction of Southsea. He watched until it rounded a distant corner. For once, he was glad he was deaf.

'Just ignore me, Daniel. Pretend I'm not here.'

Eadie had followed Daniel into the kitchen. The student was fumbling with one of the wraps. In the background stood the kettle he'd just plugged in. He tore at the Sellotape and began to empty the contents of the wrap into the waiting spoon. In the viewfinder the heroin was dirty brown, the colour of dried mud. From a plastic Jiffy container came a squirt or two of lemon juice, beginning to dissolve the powder.

Daniel tested the kettle with the back of his hand, then decanted a little of the water into the bowl of the spoon before propping the handle on a box of matches. Next, in close-up, came the belt. He wound it round his upper arm, leaving it loosely secured while he stirred the concoction with the end of a match. Moments later, he uncapped the syringe with his teeth and drew swampy liquid into the barrel. A biro lay beside the spoon. He slipped the biro beneath the belt he'd wrapped round his arm and began to twist. A vein appeared, a tiny blue snake amongst the yellowing bruises below his elbow. Trapping the tourniquet against his ribcage, he prodded the vein with the flat of his thumb, then retrieved the syringe and laid the needle against his flesh before working it slowly in.

A single drop of blood formed. There was a brief moment of absolute silence and then, as Eadie slowly panned the camera up to Daniel's face, there came a sound that was to stay with her for days to come. It began as a gasp and expired as a sigh. It spoke of surprise, of delight, of relief, of immense satisfaction, and she caught the clatter of the falling biro as she swung round with the camera, following Daniel out of the kitchen. He still had the syringe in his arm, empty now, and he began to sway and stumble as he made his way to bed.

His bedroom was next to the bathroom. The single bed was unmade, a flower-patterned duvet in a heap on the floor, and Eadie paused in the open doorway, the shot perfectly framed, as Daniel, still fully clothed, climbed into bed. He looked like a drunk, every movement slowed to half speed, a man easing himself through an ocean of sweetness. He struggled briefly upright and leaned out of the bed, plucking at the duvet, missing, plucking again, then finally dragged half of it off the floor. Flat on his back again, his eyes were closed. Eadie's finger found the zoom control and the shot slowly tightened. By the time his face filled the viewfinder, Daniel Kelly was smiling.

Faraday sat on a bollard on the quay side overlooking the harbour, waiting for Willard's Jaguar to appear. The rain had stopped now and the sky was beginning to clear from the west. Evenings like this, mid March, the sunsets could be spectacular, shafts of livid sunshine slanting across the city, and he thought of Eadie Sykes out on the balconette, toasting the view with her first glass of Cotes du Rhone.

Recently, watching her with J-J, he'd concluded that she'd become the mother his son had never had. She'd built a real kinship with the boy.

She'd become his mentor, his pathfinder, his guide. She was teaching him all she knew. She stuck by him in difficult situations. And all of that, in Faraday's view, probably added up to motherhood. Janna had died when J-J was barely a couple of months old. Only now, twenty-three years later, had he discovered a woman he could rely on.

Rely on? Faraday shook his head. Relationships, as he knew to his own cost, could be brutal. A woman called Marta had made him happier than he'd ever been in his life. Losing her had taken him to places so dark he shuddered to remember them.

J-J, too, had tasted this kind of despair. His guileless passion for life, the unconditional trust he put in virtual strangers, exposed him to all kinds of risks and a year-long relationship with a French social worker had nearly broken his heart. But his son had somehow emerged from this encounter more or less intact and was still hungry for the next of life's little tests whereas Faraday was increasingly aware of his own vulnerability.

Eadie Sykes had blown into his life with the force of a gale. He loved her gutsiness, her candour, her absolute refusal to compromise. She surprised him constantly, and he loved that as well. But, unlike J-J, he was always alert for the unforeseen twist. In ways he was ashamed to admit, he almost expected betrayal.

Willard had left his Jaguar outside the dockyard. He was wearing a heavy-duty sailing anorak and a pair of yellow waterproofs to match. He stole up on Faraday, standing over him as he stared out across the harbour.

'The rib should be here any minute. I belled them just now.'

Faraday looked up at him, faintly surprised at the interruption.

'Rib?'

'Big inflatable. They use it to ferry stuff back and forth. Wallace tell you about the fort?'

'Yes'

'Neat, eh?'

'Let's hope so.'

'And the chats with Mackenzie? All that?'

'He told me they'd spoken a couple of times on the phone.' Faraday got to his feet. 'Mackenzie wants him out of the running. No surprises there.'

Willard was beginning to look irritated, and Faraday forced himself back into the world of Operation Tumbril. According to Wallace, the idea for the original sting had come from Nick Hayder but Willard would have been quick to spot the potential. Scalps were important to Det-Supts and Mackenzie's would be a serious battle honour. There were rumours on Major Crimes that Willard had his eyes on promotion maybe even head of CID and putting a full flag level three away would do him no harm at all.

Willard was watching the harbour entrance, his eyes narrowed against the flaring sun. When Faraday asked him how much the fort's owner, the German woman, knew about the sting, he smiled. Spit Bank, he said, had been offered for sale by the Ministry of Defence in the '80s. The buyer, an ex-boatyard owner, had spent a fortune getting it into some kind of shape. Fifteen years later, he'd sold it on to a wealthy businessman, eager to find a project for his wife.

'This is the German woman?'

'Gisela Mendel. You'll meet her in a minute. Peter Mendel's an arms broker, covers the gaps between the defence salespeople in the MOD and the dodgier foreign governments. It's a semi-Whitehall job. He's security- cleared, full PV.'

The positive vetting, Willard said, made him a perfect partner in the sting against Mackenzie. Given his relationship with the MOD, there was no way he'd hazard the operation.

'And the wife?'

'She runs a series of language modules for Fort Monkton. Four-week total immersion courses out on Spit

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