more details than she had offered him up to now. He felt the need to know more than that his father had been a soldier, and so forth. But he also felt Cushie Percy's soft lips on his belly, and when she took him suddenly into her warm mouth, he was very surprised and his sense of resolve was as quickly blown as the rest of him. There under the triple barrels of the Steering family cannons, T. S. Garp was first treated to sex in this relatively safe and nonreproductive manner. Of course, from Cushie's point of view, it was nonreciprocal, too.

They walked back along the Steering River holding hands.

“I want to see you next weekend,” Garp told her. He resolved he would not forget the rubbers.

“I know you really love Helen,” Cushie said. She probably hated Helen Holm, if she really knew her at all. Helen was such a snob about her brains.

“I still want to see you,” Garp said.

“You're nice,” Cushie told him, squeezing his hand. “And you're my oldest friend.” But they both must have known that you can know someone all your life and never quite be friends.

“Who told you my father was Japanese?” Garp asked her.

“I don't know,” Cushie said. “I don't know if he really is, either.”

“I don't either,” Garp admitted.

“I don't know why you don't ask your mother,” Cushie said. But of course he had asked, and Jenny was absolutely unwavering from her first and only version.

When Garp phoned Cushie at Dibbs, she said, “Wow, it's you! My father just called and told me I was not to see you or write to you or talk to you. Or even read your letters—as if you wrote any. I think some golfer saw us leaving the cannons.” She thought it was very funny, but Garp only saw that his future at the cannons had slipped from him. “I'll be home that weekend you graduate,” Cushie told him. But Garp wondered: If he bought the condoms now, would they still be usable for graduation? Could rubbers go bad? In how many weeks? And should you keep them in the refrigerator? There was no one to ask.

Garp thought of asking Ernie Holm, but he was already fearful that Helen would hear of his being with Cushie Percy, and although he had no real relationship with Helen that he could be unfaithful to, Garp did have his imagination and his plans.

He wrote Helen a long confessional letter about his “lust,” as he called it—and how it did not compare to his higher feelings for her, as he referred to them. Helen replied promptly that she didn't know why he was telling her all this, but that in her opinion he wrote about it very well. It was better writing than the story he'd shown her, for example, and she hoped he would continue to show her his writing. She added that her opinion of Cushie Percy, from what little she knew of the girl, was that she was rather stupid. “But pleasant,” Helen wrote. And if Garp was given to this lust, as he called it, wasn't he fortunate to have someone like Cushie around?

Garp wrote back that he would not show her another story until he wrote one that was good enough for her. He also discussed his feelings for not going to college. First, he thought, the only reason to go to college was to wrestle, and he wasn't sure he cared enough about it to wrestle at that level. He saw no point in simply continuing to wrestle at some small college where the sport wasn't emphasized. “It's only worth doing,” Garp wrote to Helen, “if I'm going to try to be the best.” He thought that trying to be the best at wrestling was not what he wanted; also, he knew, it was not likely he could be the best. And whoever heard of going to college to be the best at writing?

And where did he get this idea of wanting to be the best?

Helen wrote him that he should go to Europe, and Garp discussed this idea with Jenny.

To his surprise, Jenny had never thought he would go to college; she did not accept that this was what prep schools were for. “If the Steering School is supposed to give everyone such a first-rate education,” Jenny said, “what on earth do you need more education for? I mean, if you've been paying attention, now you're educated. Right?” Garp didn't feel educated but he said he supposed he was. He thought he had been paying attention. As for Europe, Jenny was interested. “Well, I'd certainly like to try that,” she said. “It beats staying here.”

It was then that Garp realized his mother meant to stay with him.

“I'll find out the best place for a writer to go in Europe,” Jenny said to him. “I was thinking of writing something myself.”

Garp felt so awful he went to bed. When he got up, he wrote Helen that he was doomed to be followed by his mother the rest of his life. “How can I write,” he wrote to Helen, “with my mom looking over my sboulder?” Helen had no answers for that one; she said she would mention the problem to her father, and maybe Ernie would give Jenny some advice. Ernie Holm liked Jenny; he occasionally took her to a movie. Jenny had even become something of a wrestling fan, and although there couldn't have been anything more than friendship between them, Ernie was very sensitive to the unwed mother story—he had heard and accepted Jenny's version as all he needed to know, and he defended Jenny rather fiercely to those in the Steering community who suggested they were curious to know more.

But Jenny took her advice on cultural matters from Tinch. She asked him where a boy and his mother could go in Europe—which was the most artistic climate, the best place to write. Mr. Tinch had last been to Europe in 1913. He had stayed only for the summer. He had gone to England first, where there were several living Tinches, his British ancestry, but his old family frightened him by asking him for money—they asked for so much, and so rudely, that Tinch quickly fled to the Continent. But people were rude to him in France, and loud to him in Germany. He had a nervous stomach and was afraid of Italian cooking, so Tinch had gone to Austria. “In Vienna,” Tinch told Jenny, “I found the real Europe. It was c-c-contemplative and artistic,” Tinch said. “You could sense the sadness and the g-g-grandness.”

A year later, World War I began. In 1918 the Spanish grippe would kill many of the Viennese who had survived the war. The flu would kill old Klimt, and it would kill young Schiele and Schiele's young wife. Forty percent of the remaining male population would not survive World War II. The Vienna that Tinch would send Jenny and Garp to was a city whose life was over. Its tiredness could still be mistaken for a c-c-contemplative nature, but Vienna was hard-put to show much g-g-grandness anymore. Among the half-truths of Tinch, Jenny and Garp would still sense the sadness. “And any place can be artistic,” Garp later wrote, “if there's an artist working there.”

“Vienna?” Garp said to Jenny. He said it in the way he had said “Wrestling?” to her, over three years ago, lying on his sickbed and doubtful of her ability to pick out a sport for him. But he remembered she had been right then, and he knew nothing about Europe, and very little about any place else. Garp had taken three years of German at Steering, so there was some help, and Jenny (who was not good with languages) had read a book about the strange bedfellows of Austrian history: Maria Theresa and fascism. From Empire to Anschluss! was the name of the book. Garp had seen it in the bathroom, for years, but now no one could find it. Perhaps it was lost to the whirlpool bath.

“The last person I saw with it was Ulfelder,” Jenny told Garp.

“Ulfelder graduated three years ago, Mom,” Garp reminded her.

When Jenny told Dean Bodger that she would be leaving, Bodger said that Steering would miss her and would always be glad to have her back. Jenny did not want to be impolite, but she mumbled that one could be a nurse almost anywhere, she supposed; she did not know, of course, that she would never be a nurse again. Bodger was puzzled by Garp's not going to college. In the dean's opinion, Garp had not been a disciplinary problem at Steering since he had survived the roof of the infirmary annex at the age of five, and Bodger's fondness for the role he played in that rescue had always given him a fondness for Garp. Also, Dean Bodger was a wrestling fan, and one of Jenny's few admirers. But Bodger accepted that the boy seemed convinced by “the writing business,” as Bodger called it. Jenny did not tell Bodger, of course, that she planned to do some writing of her own.

This part of the plan made Garp the most uncomfortable, but be did not even say a word of it to Helen. Everything was happening very fast and Garp could express his apprehension only to his wrestling coach, Ernie Holm.

“Your mom knows what she's doing, I'm sure,” Ernie told him. “You just be sure about you.”

Even old Tinch was full of optimism for the plan. “It's a little ec-ec-eccentric,” Tinch told Garp, “but many good ideas are.” Years later Garp would recall that Tinch's endearing stutter was like a message to Tinch from Tinch's body. Garp wrote that Tinch's body was trying to tell Tinch that he was going to f-f-freeze to death one

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