Inside, I go the front desk and it hits me that I don’t have a room number or any idea who to ask for. Point for Kasabian.

“Good evening, sir. How can I help you?”

The desk clerk looks like Montgomery Clift and is better dressed than the president. He’s smiling at me, but his pupils are dilating like he thinks I’m going to start stealing furniture from the lobby. I stashed the leather jacket in the Room of Thirteen Doors before coming over and am wearing the rifle coat. I thought it looked classier and more formal, but maybe I was wrong.

“A friend of mine is staying here, but I don’t have his room number.”

“Of course. What’s your friend’s name?”

“I don’t know.”

“Excuse me?”

“He’s not going to give his real name and I don’t know what name he’s using. He has a lot of them.”

The clerk raises his eyebrows a little. Now he has an excuse to release his inner snotty creep.

“Well, I’m not sure what I can do about that. You and your friend should probably have dealt with that in advance. Are you even sure he’s here? We specialize in a fairly exclusive clientele.”

“He’ll be in your penthouse. The biggest one you have.”

The clerk smiles like I’m a bug and he’s deciding whether to step on me or hose me down with Raid.

“Unless your friend is a Saudi prince with an entourage of thirty-five, I’m afraid you’re mistaken.”

“Check your register again. I know he’s here, Maybe the prince checked out.”

“The prince’s rooms are booked through the summer, so, no, there’s no mistake.”

I get out my phone and dial the direct line to my room above Max Overload. I know Kasabian is there, but he doesn’t answer. He knows what time it is and he’s probably dancing a centipede jig and laughing at me as the phone rings and rings. I put the phone back in my pocket. The clerk is looking at me. His expression hasn’t changed. What I want to do is punch a hole in the front of the desk, reach through, grab his balls, and make him sing The Mickey Mouse Club song. But these days, I’m working on the theory that killing everyone I don’t like might be counterproductive. I’m learning to use my indoor voice like a big boy, so I smile back at the clerk.

“Are you sure you don’t have another penthouse lying around here somewhere? Some off-the-books place you keep for special guests?”

“No, I’m sure we don’t have anything like that. And without a name or a room number, I need to ask you to leave the hotel.”

“Is needing to ask me to leave the same as telling me to leave? That’s a really confusing sentence.”

“Please, sir. I don’t want to have to call security.”

No, you don’t want to call them because then I’d have to make you into a sock puppet.

“Would you like me to tell your fortune?”

“Excuse me?”

I pick up a pen from the counter.

“Give me your hand a minute.”

He tries to pull both of his hands away, but I’m faster by a mile and get a death grip on his right wrist. His heart is pumping as fast as the Bugatti’s engine. He wants to yell for security, but he can’t even open his mouth. I don’t want the poor guy to stroke out, so I draw a single Hellion character on the palm of his hand, and then ball it closed. It’s a mind trick I saw Azazel use a few times on his dumber enemies. It’s like sticking the magic word in a golem’s mouth. The clerk’s eyes glaze over and he stares past me at nothing in particular.

“Can you hear me, hotshot?”

He smiles at me. It’s nice this time. Like he’s a human talking to another human.

“Yes, of course. How can I help you?”

“I need you to tell me the names of your extra-special guests. Not princes or movie stars. Your really special guests.”

He looks away and taps something into the computer terminal behind the desk.

“We only have one guest who sounds like the kind of person you’re looking for. A Mr. Macheath.”

Another point for Kasabian. Alice loved The Threepenny Opera and I played the 1930s German version at the store a few times when I was extra drunk and maudlin. Kasabian must have told Lucifer. I wonder what else I let slip that he could pass on to his boss.

“Yeah, that’ll be him. Where’s his room?”

“That particular room isn’t a where. It’s a when.”

“Say that again, but use smaller words.”

The clerk laughs a little. I might have to leave him like this.

“You take the elevator to the top floor. On the east wall you’ll see a very beautiful old grandfather clock. Open the cabinet where the pendulum swings and hold it to one side. Count to three and step into the cabinet.”

“Inside the grandfather clock?”

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