Hideaway

Hell. His description isn't like anything in Dante, let me tell you. Oh, it possesses a certain romance, undeniable power. In fact, if you were a psychotic young man with delusions of grandeur and a bent for violence, with the unnaturally high testosterone levels that usually accompany a mental condition like that, then the Hell he describes would be your ultimate wet dream of power. You would swoon over it. You might not be able to get it out of your mind. You might long for it, do anything to be a part of it, achieve damnation.”

Kari put the book down and wiped her fingertips on the sleeve of her blouse. “This author, Thomas Nicene — you said he killed his mother.”

“Yes. Mother and brother. Set the example.” Jonas knew he had already drunk too much. He took another long sip of his wine anyway. Turning from the night view, he said, “And you know what makes it all so absurd, pathetically absurd? If you read that damn book, which I did afterward, trying to understand, and if you're not psychotic and disposed to believe it, you'll see right away that Nicene isn't reporting what he saw in Hell. He's taking his inspiration from a source as stupidly obvious as it is stupidly ridiculous. Kari, his Hell is nothing more than the Evil Empire in the Star Wars movies, somewhat changed, expanded upon, filmed through the lens of religious myth, but still Star Wars.” A bitter laugh escaped him. He chased it with more wine. “His demons are nothing more than hundred-foot-tall versions of Darth Vader, for God's sake. Read his description of Satan and then go look at whichever film Jabba the Hut was a part of. Old Jabba the Hut is a ringer for Satan, if you believe this lunatic.” One more glass of chenin blanc, one more glass. “Marion and Stephanie died—” A sip. Too long a sip. Half the glass gone. “—died so Jeremy could get into Hell and have great, dark, antiheroic adventures in a fucking Darth Vader costume.”

He had offended or unsettled her, probably both. That had not been his intention, and he regretted it. He wasn't sure what his intention had been. Maybe just to unburden himself. He had never done so before, and he didn't know why he'd chosen to do so tonight — except that Morton Redlow's disappearance had scared him more than anything since the day he had found the bodies of his wife and daughter.

Instead of pouring more wine for herself, Kari rose from her armchair. “I think we should get something to eat.”

“Not hungry,” he said, and heard the slur of the inebriate in his voice. “Well, maybe we should have something.”

“We could go out somewhere,” she said, taking the wine glass from his hand and putting it on the nearest end table. Her face was quite lovely in the ambient light that came through the view windows, the golden radiance from the web of cities below. “Or call for pizza.”

“How about steaks? I've got some filets in the freezer.”

“That'll take too long.”

“Sure won't. Just thaw 'em out in the microwave, throw 'em on the grill. There's a big Gaggenau grill in the kitchen.”

“Well, if that's what you'd like.”

He met her eyes. Her gaze was as clear, penetrating, and forthright as ever, but Jonas saw a greater tenderness in her eyes than before. He supposed it was the same concern she had for her young patients, part of what made her a first-rate pediatrician. Maybe that tenderness had always been there for him, too, and he had just not seen it until now. Or perhaps this was the first time she realized how desperately he needed nurturing.

“Thank you, Kari.”

“For what?”

“For being you,” he said. He put his arm around her shoulders as he walked her to the kitchen.

* * *

Mixed with the visions of gargantuan machines and dark seas and colossal figures, Hatch received an array of images of other types. Choiring angels. The Holy Mother in prayer. Christ with the Apostles at the Last Supper, Christ in Gethsemane, Christ in agony upon the cross, Christ ascending.

He recognized them as paintings Jonas Nyebern might have collected at one time or another. They were different periods and styles from those he had seen in the physician's office, but in the same spirit. A connection was made, a braiding of wires in his subconscious, but he didn't understand what it meant yet.

And more visions: the Ortega Highway. Glimpses of the night-scapes unrolling on both sides of an eastward-bound car. Instruments on a dashboard. Oncoming headlights that sometimes made him squint. And suddenly Regina. Regina in the backsplash of yellow light from that same instrument panel. Eyes closed. Head tipped forward. Something wadded in her mouth and held in place by a scarf.

She opens her eyes.

Looking into Regina's terrified eyes, Hatch broke from the visions like an underwater swimmer breaking for air. “She's alive!”

He looked at Lindsey, who shifted her gaze from the highway to him. “But you never said she wasn't.”

Until then he did not realize how little faith he'd had in the girl's continued existence.

Before he could take heart from the sight of her gray eyes gleaming in the yellow dashboard light of the killer's car, Hatch was hit by new clairvoyant visions that pummeled him as hard as a series of blows from real fists:

Contorted figures loomed out of murky shadows. Human forms in bizarre positions. He saw a woman as withered and dry as tumbleweed, another in a repugnant state of putrefaction, a mummified face of indeterminate sex, a bloated green-black hand raised in horrid supplication. The collection. His collection. He saw Regina's face again, eyes open, revealed in the dashboard lights. So many ways to disfigure, to mutilate, to mock God's work. Regina. Poor baby. Don't be afraid. Okay? Don't be afraid. We're only going to an amusement park. You know, like Disneyland, like Magic Mountain? How nicely will she fit in my collection. Corpses as performance art, held in place by wires, rebar, blocks of wood. He saw frozen screams, silent forever. Skeletal jaws held open in eternal cries for mercy. The precious collection. Regina, sweet baby, pretty baby, such an exquisite acquisition.

Hatch came out of his trance, clawing wildly at his safety harness, for it felt like binding wires, ropes, and cords. He tore at the straps as a panicked victim of premature burial might rip at his enwrapping shrouds. He realized that he was shouting, too, and sucking breath as if in fear of suffocation, letting it out at once in great explosive exhalations. He heard Lindsey saying his name, understood that he was terrifying her, but could not cease thrashing or crying out for long seconds, until he had found the release on the safety harness and cast it off.

With that, he was fully back in the Mitsubishi, contact with the madman broken for the moment, the horror of the collection diminished though not forgotten, not in the least forgotten. He turned to Lindsey, remembering her fortitude in the icy waters of that mountain river the night that she had saved him. She would need all of that strength and more tonight.

“Fantasy World,” he said urgently, “where they had the fire years ago, abandoned now, that's where he's going. Jesus Christ, Lindsey, drive like you've never driven in your life, put the pedal to the floor, the son of a bitch, the crazy rotten son of a bitch is taking her down among the dead!”

And they were flying. Though she could have no idea what he meant, they were suddenly flying eastward faster than was safe on that highway, through the last clusters of closely spaced lights, out of civilization into ever darker realms.

* * *

While Kari searched the refrigerator in the kitchen for the makings of a salad, Jonas went to the garage to liberate a couple of steaks from the chest-style freezer. The garage vents brought in the coolish night air, which he found refreshing. He stood for a moment just inside the door from the house, taking slow deep breaths to clear his head a little.

He had no appetite for anything except perhaps more wine, but he did not want Kari to see him drunk. Besides, though he had no surgery scheduled for the following day, he never knew what emergency might require the skills of the resuscitation team, and he felt a responsibility to those potential patients.

In his darkest hours, he sometimes considered leaving the field of resuscitation medicine to concentrate on cardiovascular surgery. When he saw a reanimated patient return to a useful life of work and family and service, he knew a reward sweeter than most other men could ever know. But in the moment of crisis, when the candidate for resuscitation lay on the table, Jonas rarely knew anything about him, which meant he might sometimes bring evil back into the world once the world had shed it. That was more than a moral dilemma to him; it was a crushing weight upon his conscience. Thus far, being a religious man — though with his share of doubts — he had trusted in