God to guide him. He had decided that God had given him his brain and his skills to use, and it was not his place to out-guess God and withhold his services from any patient.
Jeremy, of course, was an unsettling new factor in the equation. If he had brought Jeremy back, and if Jeremy had killed innocent people … It did not bear thinking about.
The cool air no longer seemed refreshing. It seeped into the hollows of his spine.
Okay, dinner. Two steaks. Filet mignon. Lightly grilled, with a little Worcestershire sauce. Salads with no dressing but a squirt of lemon and a sprinkle of black pepper. Maybe he
He went to the freezer in the corner. He pushed the latch-release and put up the lid.
Within lay Morton Redlow, late of the Redlow Detective Agency, pale and gray as if carved from marble but not yet obscured by a layer of frost. A smear of blood had frozen into a brittle crust on his face, and there was a terrible vacancy where his nose had been. His eyes were open. Forever.
Jonas did not recoil. As a surgeon, he was equally familiar with the horrors and wonders of biology, and he was not easily repulsed. Something in him withered when he saw Redlow. Something in him died. His heart turned as cold as that of the detective before him. In some fundamental way, he knew that he was finished as a man. He didn't trust God any more. Not any more. What God? But he was not nauseated or forced to turn away in disgust.
He saw the folded note clutched in Redlow's stiff right hand. The dead man let go of it easily, for his fingers had contracted during the freezing process, shrinking away from the paper around which the killer had pressed them.
Numbly, he unfolded the letter and immediately recognized his son's neat penmanship. The post-coma aphasia had been faked. His retardation was an immensely clever ruse.
The note said,
Lindsey drove with utmost urgency, pushing the Mitsubishi to its limits, finding every planning flaw in a highway not always designed for speed. There was little traffic as they moved deeper into the east, which stacked the odds in their favor when once she crossed the center line in the middle of a too-tight turn.
Having snapped on his safety harness again, Hatch used the car phone to get Jonas Nyebern's office number from information, then to call the number itself, which was answered at once by a physician's-service operator. She took his message, which baffled her. Although the operator seemed sincere in her promise to pass it on to the doctor, Hatch was not confident that his definition of “immediately” and hers were materially the same.
He saw all the connections so clearly now, but he knew he could not have seen them sooner. Jonas's question in the office on Monday took on a new significance: Did Hatch, he asked, believe that evil was only the result of the acts of men, or did he think that evil was a real force, a presence that walked the world? The story Jonas had told of losing wife and daughter to a homicidal, psychopathic son, and the son himself to suicide, connected now to the vision of the woman knitting. The father's collections. And the son's. The Satanic aspects to the visions were what one might expect from a bad son in mindless rebellion against a father to whom religion was a center post of life. And finally — he and Jeremy Nyebern shared one obvious link, miraculous resurrection at the hands of the same man.
“But how does that explain anything?” Lindsey demanded, when he told her only a little more than he had told the physician's-service operator.
“I don't know.”
He couldn't think about anything except what he had seen in those last visions, less than half of which he understood. The part he
Without having seen the collection as Hatch had seen it, Lindsey was fixated, instead, on the mystery of the link, which was somewhat explained — yet not explained at all — by learning the identity of the killer in sunglasses. “What about the visions? How do they fit the damned composition?” she insisted, trying to make sense of the supernatural in perhaps not too different a way from that in which she made sense of the world by reducing it to ordered images on Masonite.
“I don't know,” he said.
“The link that's letting you follow him—”
“I don't know.”
She took a turn too wide. The car went off the pavement, onto the gravel shoulder. The back end slid, gravel spraying out from beneath the tires and rattling against the undercarriage. The guardrail flashed close, too close, and the car was shaken by the hard bang-bang-bang of sheet metal taking a beating. She seemed to bring it back under control by a sheer effort of will, biting her lower lip so hard it appeared as if she would draw blood.
Although Hatch was aware of Lindsey and the car and the reckless pace they were keeping along that sometimes dangerously curved highway, he could not turn his mind from the outrage he had seen in the vision. The longer he thought about Regina being added to that grisly collection, the more his fear was augmented by anger. It was the hot, uncontainable anger he had seen so often in his father, but directed now against something deserving of hatred, against a target worthy of such seething rage.
As he approached the entrance road to the abandoned park, Vassago glanced away from the now lonely highway, to the girl who was bound and gagged in the other seat. Even in that poor light he could see that she had been straining at her bonds. Her wrists were chafed and beginning to bleed. Little Regina had hopes of breaking free, striking out or escaping, though her situation was so clearly hopeless. Such vitality. She thrilled him.
The child was so special that he might not need the mother at all, if he could think of a way to place her in his collection that would result in a piece of art with all the power of the various mother-daughter tableaux that he had already conceived.
He had been unconcerned with speed. Now, after he turned off the highway onto the park's long approach road, he accelerated, eager to return to the museum of the dead with the hope that the atmosphere there would inspire him.
Years ago, the four-lane entrance had been bordered by lush flowers, shrubbery, and groupings of palms. The trees and larger shrubs had been dug up, potted, and hauled away ages ago by agents of the creditors. The flowers had died and turned to dust when the landscape watering system had been shut off.
Southern California was a desert, transformed by the hand of man, and when the hand of man moved on, the desert reclaimed its rightful territory. So much for the genius of humanity, God's imperfect creatures. The pavement had cracked and hoved from years of inattention, and in places it had begun to vanish under drifts of sandy soil. His headlights revealed tumbleweed and scraps of other desert brush, already brown hardly six weeks after the end of the rainy season, chased westward by a night wind that came out of the parched hills.
When he reached the tollbooths he slowed down. They stretched across all four lanes. They had been left standing as a barrier to easy exploration of the shuttered park, linked and closed off by chains so heavy that simple bolt cutters could not sever them. Now the bays, once overseen by attendants, were filled with tangled brush that the wind had put there and trash deposited by vandals. He pulled around the booths, bouncing over a low curb and traveling on the sun-hardened soil of the planting beds where lush tropical landscaping would once have blocked the way, then back to the pavement when he had bypassed the barrier.
At the end of the entrance road, he switched off his headlights. He didn't need them, and he was at last beyond the notice of any highway patrolmen who might pull him over for driving without lights. His eyes immediately felt more comfortable, and now if his pursuers drew too close, they would not be able to follow him by sight alone.
He angled across the immense and eerily empty parking lot. He was heading toward a service road at the southwest corner of the inner fence that circumscribed the grounds of the park proper.
As the Honda jolted over the pot-holed blacktop, Vassago ransacked his imagination, which was a busy abattoir of psychotic industry, seeking solutions for the artistic problems presented by the child. He conceived and rejected concept after concept. The image must stir him. Excite him. If it was really art, he would know it; he would
