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“Koontz is a terrific what-if storyteller . . . the narrative pace is breathless.”
“The resounding variations Mr. Koontz plays on this good story, here craftily retold . . . allow him to counterpoint the new horrors about us with the old horrors already inside us.”
'Koontz is in fine form . . . dragging the reader along through an intricate series of twists and exciting turns.”
“A slam-bang suspense story.”
“Koontz engrosses the reader in terror that can almost be touched.”
“Scary and ingenious.”
“Koontz is the consummate researcher, creating settings, people, and scenes that ring true.”
“The glue that holds together Koontz’s intriguing stories is his stylish writing . . . tight and immensely readable.”
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“Lean prose and rich characterizations . . . Playing on every emotion and keeping the story racing along, Koontz masterfully escalates the tension . . . with the most ingenious twist ending of his career.”
“Deliciously frightening. This author manages to put a fresh spin on every novel.”
“An exciting, strikingly bizarre thriller.”
“Dean Koontz has always had the uncanny ability to take the most unlikely plot and draw in the reader . . . page after page of twists and turns that keep you guessing.”
“Wonderfully suspenseful . . . bound to please his legions of fans.”
“Dean Koontz just keeps getting better and better.
“Tightly written, brilliantly managed,
“Koontz neatly balances terror and mayhem with a marvelous sense of humor and keen insight into human nature, most evident in his well-drawn characterizations of the endearing and resilient Emily and Charlotte. Suspense-packed action and breathless terror.”
“Koontz paints a vivid portrait of the Stillwater family, the warmest, most lovable collection of people since Charles Dickens’s Cratchit family in
“Terrific visceral energy . . . wonderfully creepy. Koontz nails the reader to the page.”
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“Stylish writing, tight and immensely readable.”
“A wonderfully thought-out and suspenseful tale.”
“A stylish . . . suspenseful tale.”
“A flat-out entertainment paced at breakneck speed.”
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“A taut and emotive novel . . . a brilliant, twisting climax.
“Koontz has done it again in this first-rate mystery.”
To Phil Parks, for what is often within, and to Don Brautigam, for what is often without. And for having all that talent without any noticeable, annoying neuroses. Well,
PART ONE
Winter that year was strange and gray. The damp wind smelled of Apocalypse, and morning skies had a peculiar way of slipping cat-quick into midnight.
Life is an unrelenting comedy. Therein lies the tragedy of it.
One