The Eyes of Darkness

graphic novel out of the carton and sat on the edge of the bed in the tarnished-copper sunlight that fell like a shower of pennies through the window.

The magazine contained half a dozen illustrated horror stories. The one from which the cover painting had been drawn was sixteen pages long. In letters that were supposed to look as if they had been formed from rotting shroud cloth, the artist had emblazoned the title across the top of the first page, above a somber, well-detailed scene of a rain-swept graveyard. Tina stared at those words in shocked disbelief.

THE BOY WHO WAS NOT DEAD

She thought of the words on the chalkboard and on the computer printout: Not dead, not dead, not dead…

Her hands shook. She had trouble holding the magazine steady enough to read.

The story was set in the mid-nineteenth century, when a physician’s perception of the thin line between life and death was often cloudy. It was the tale of a boy, Kevin, who fell off a roof and took a bad knock on the head, thereafter slipping into a deep coma. The boy’s vital signs were undetectable to the medical technology of that era. The doctor pronounced him dead, and his grieving parents committed Kevin to the grave. In those days the corpse was not embalmed; therefore, the boy was buried while still alive. Kevin’s parents went away from the city immediately after the funeral, intending to spend a month at their summer house in the country, where they could be free from the press of business and social duties, the better to mourn their lost child. But the first night in the country, the mother received a vision in which Kevin was buried alive and calling for her. The vision was so vivid, so disturbing, that she and her husband raced back to the city that very night to have the grave reopened at dawn. But Death decided that Kevin belonged to him, because the funeral had been held already and because the grave had been closed. Death was determined that the parents would not reach the cemetery in time to save their son. Most of the story dealt with Death’s attempts to stop the mother and father on their desperate night journey; they were assaulted by every form of the walking dead, every manner of living corpse and vampire and ghoul and zombie and ghost, but they triumphed. They arrived at the grave by dawn, had it opened, and found their son alive, released from his coma. The last panel of the illustrated story showed the parents and the boy walking out of the graveyard while Death watched them leave. Death was saying, “Only a temporary victory. You’ll all be mine sooner or later. You’ll be back someday. I’ll be waiting for you.”

Tina was dry-mouthed, weak.

She didn’t know what to make of the damned thing.

This was just a silly comic book, an absurd horror story. Yet… strange parallels existed between this gruesome tale and the recent ugliness in her own life.

She put the magazine aside, cover-down, so she wouldn’t have to meet Death’s wormy, red-eyed gaze.

The Boy Who Was Not Dead.

It was weird.

She had dreamed that Danny was buried alive. Into her dream she incorporated a grisly character from an old issue of a horror-comics magazine that was in Danny’s collection. The lead story in this issue was about a boy, approximately Danny’s age, mistakenly pronounced dead, then buried alive, and then exhumed.

Coincidence?

Yeah, sure, just about as coincidental as sunrise following sunset.

Crazily, Tina felt as if her nightmare had not come from within her, but from without, as if some person or force had projected the dream into her mind in an effort to—

To what?

To tell her that Danny had been buried alive?

Impossible. He could not have been buried alive. The boy had been battered, burned, frozen, horribly mutilated in the crash, dead beyond any shadow of a doubt. That’s what both the authorities and the mortician had told her. Furthermore, this was not the mid-nineteenth century; these days, doctors could detect even the vaguest heartbeat, the shallowest respiration, the dimmest traces of brain-wave activity.

Danny certainly had been dead when they had buried him.

And if, by some million-to-one chance, the boy had been alive when he’d been buried, why would it take an entire year for her to receive a vision from the spirit world?

This last thought profoundly shocked her. The spirit world? Visions? Clairvoyant experiences? She didn’t believe in any of that psychic, supernatural stuff. At least she’d always thought she didn’t believe in it. Yet now she was seriously considering the possibility that her dreams had some otherworldly significance. This was sheer claptrap. Utter nonsense. The roots of all dreams were to be found in the store of experiences in the psyche; dreams were not sent like ethereal telegrams from spirits or gods or demons. Her sudden gullibility dismayed and alarmed her, because it indicated that the decision to have Danny’s body exhumed was not having the stabilizing effect on her emotions that she had hoped it would.

Tina got up from the bed, went to the window, and gazed at the quiet street, the palms, the olive trees.

She had to concentrate on the indisputable facts. Rule out all of this nonsense about the dream having been sent by some outside force. It was her dream, entirely of her making.

But what about the horror comic?

As far as she could see, only one rational explanation presented itself. She must have glimpsed the grotesque figure of Death on the cover of the magazine when Danny first brought the issue home from the newsstand.

Except that she knew she hadn’t.

And even if she had seen the color illustration before, she knew damned well that she hadn’t read the story—The Boy Who Was Not Dead. She had paged through only two of the magazines Danny had bought, the first two, when she had been trying to make up her mind whether such unusual reading material could have any harmful effects on him. From the date on its cover, she knew that the issue containing The Boy Who Was Not Dead couldn’t be one of the first pieces in Danny’s collection. It had been published only two years ago, long after she had decided that horror comics were harmless.

She was back where she’d started.

Her dream had been patterned after the images in the illustrated horror story. That seemed indisputable.

But she hadn’t read the story until a few minutes ago. That was a fact as well.

Frustrated and angry at herself for her inability to solve the puzzle, she turned from the window. She went back to the bed to have another look at the magazine, which she’d left there.

The gas company workman called from the front of the house, startling Tina.

She found him waiting by the front door.

“I’m finished,” he said. “I just wanted to let you know I was going, so you could lock the door behind me.”

“Everything all right?”

“Oh, yeah. Sure. Everything here is in great shape. If there’s a gas leak in this neighborhood, it’s not anywhere on your property.”

She thanked him, and he said he was only doing his job. They both said “Have a nice day,” and she locked the door after he left.

She returned to Danny’s room and picked up the lurid magazine. Death glared hungrily at her from the cover.

Sitting on the edge of the bed, she read the story again, hoping to see something important in it that she had overlooked in the first reading.

Three or four minutes later the doorbell rang — one, two, three, four times, insistently.

Carrying the magazine, she went to answer the bell. It rang three more times during the ten seconds that she took to reach the front door.

“Don’t be so damn impatient,” she muttered.

To her surprise, through the fish-eye lens, she saw Elliot on the stoop.