'Maybe it's his own poetry,' Graham said.

'The Butcher's?'

'Maybe.'

'A murderous poet? T.S. Eliot with a homicidal urge?

Graham shrugged.

'No,' Preduski said. 'A man usually commits this sort of crime because

it's the only way he can express the rage inside him.

Slaughter releases pressures that have built in him. But a poet can

express his feelings with words. No. If it were doggerel, perhaps it

could be the Butcher's own verse. But this is too smooth, too

sensitive, too good. Anyway, it rings a bell. Way back in this thick

head of mine, it rings a bell.' Preduski studied the bloody message for

a moment, then turned and went to the bedroom door. it was standing

open; he closed it. 'Then there's this one.'

On the back of the door, five words were printed in the dead woman's

blood.

a rope over an abyss 'Has he ever left anything like this before?'

Graham asked.

'No. I would have told you if he had. But it's not unusual in this

sort of crime. Certain types of psychopaths like to communicate with

whoever finds the corpse. jack the Ripper wrote notes to the police.

The Manson family used blood to scrawl one-word messages on the walls.

'A rope over an abyss.' What is he trying to tell us?'

'Is it from the same poem as the other?'

'I haven't the faintest idea.' Preduski sighed, thrust his hands into

his pockets. He looked dejected. 'I'm beginning to wonder if I'm ever

going to catch him.'

The living room of Edna Mowry's apartment was small but not mean.

Indirect lighting bathed everything in a relaxing amber glow.

Gold velvet drapes.

Textured light tan burlap-pattern wallpaper.

Plush brown carpet. A beige velour sofa and two matching armchairs. A

heavy glass coffee table with brass legs. Chrome and glass shelves full

of books and statuary.

Limited editions of prints by some fine contemporary artists. It was

tasteful, cozy and expensive.

At Preduski's request, Graham settled down in one of the armchairs.

Sarah Piper was sitting on one end of the sofa. She looked as expensive

as the room. She was wearing a knitted pantsuit-dark blue with Kelly

green piping-gold earrings and an elegant watch as thin as a half

dollar. She was no older than twenty-five, a strikingly lovely,

well-built blonde, marked by experience.

Earlier she had been crying. Her eyes were puffy and red. She was in

control of herself now.

'We've been through this before,' she said.

Preduski was beside her on the couch. 'I know,' he said. 'And I'm

sorry. Truly sorry. It's terribly late, too late for this. But there

is something to be gained by asking the same questions two and even

three times. You think you've told me all the pertinent facts.

But it's possible you overlooked something. God knows, I'm forever

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