quivered, and froth dripped over his ugly fangs. He strained toward me with such force that I was afraid he might break the guard rope, though I also hoped that he would strangle himself on his leash. Seeing the dog’s fury and my fear, Garbos would sometimes untie Judas, lead him only by the collar, and make him back me against the wall. The growling, sputtering mouth was only inches from my throat, and the animal’s big body shook with savage fury. He nearly choked, frothing and spitting, while the man urged him on with hard words and sharp proddings. He came so close that his warm, moist breath dampened my face.

At such moments life would almost pass out of me, and my blood would flow through my veins with a slow, sluggish drip, like heavy spring honey trickling through the narrow neck of a bottle. My terror was such that it nearly transported me to the other world. I looked at the beast’s burning eyes and at the man’s hairy, freckled hand gripping the collar. At any moment the dog’s teeth might close over my flesh. Not wanting to suffer, I would push my neck forward for the first quick bite. I understood, then, the fox’s mercy in killing geese by severing their necks in one snap.

But Garbos did not release the dog. Instead he sat down in front of me drinking vodka and marveling aloud why such as I were permitted to live when his boys had died so young. He often asked me that question, and I did not know what to reply. When I failed to answer he would hit me.

I could not understand what he wanted from me or why he beat me. I tried to keep out of his way. I did as I was told, but he continued the beatings. At night, Garbos would sneak into the kitchen, where I slept, and awake me by yelling into my ear. When I jumped up with a scream, he laughed, while Judas struggled on the chain outside, ready to fight. At other times, when I was sleeping, Garbos would take the dog quietly into the room, tie its muzzle with rags, and then throw the animal on top of me in the darkness. The dog rolled over me while I, overcome by terror, not knowing where I was or what was happening, fought against the huge hairy beast that was scratching me with its paws.

One day the vicar came in a dogcart to see Garbos. The priest blessed us both, and then he noticed the black and blue welts on my shoulders and neck and demanded who had beaten me and why. Garbos admitted that he had to punish me for laziness. The vicar then admonished him mildly and told him to bring me to the church the next day.

As soon as the priest had left, Garbos took me inside, stripped me, and flogged me with a willow switch, avoiding only the visible parts, such as my face, arms, and legs. As usual, he forbade me to cry; but when he hit a more sensitive spot, I could not stand the pain and let out a whimper. Droplets of sweat appeared on his forehead and a vein started swelling on his neck. He jammed some thick canvas in my mouth and, passing his tongue over his dry lips, continued flogging me.

Early the next morning I started on my way to church. My shirt and pants were sticking to the bloody patches on my back and buttocks. But Garbos warned me that if I whispered a word about the beating, he would set Judas on me in the evening. I bit my lips, swearing that I would not say a word and hoping that the vicar would not notice anything.

In the brightening light of dawn, a crowd of aged women waited in front of the church. Their feet and bodies were swathed in strips of cloth and wraps of odd sorts, and they babbled endless words of prayer while their cold- benumbed fingers shifted the rosary beads. When they saw the priest coming they rose unsteadily, teetering on their knotty canes, and rapidly shuffled to meet him, contesting for priority in kissing his greasy sleeve. I stood aside, trying to remain unnoticed. But those with the best sight stared at me with disgust, called me a vampire or Gypsy foundling, and spat three times in my direction.

The church always overwhelmed me. And yet it was one of the many houses of God scattered all over the world. God did not live in any of them, but it was assumed for some reason that He was present in all of them at once. He was like the unexpected guest for whom the wealthier farmers always kept an additional place at their table.

The priest noticed me and patted my hair warmly. I grew confused as I answered his questions, assuring him that I was now obedient and that the farmer did not have to beat me any more. The priest asked me about my parents, about our prewar home, and about the church which we had attended but which I could not remember very well. Realizing my total ignorance of religion and church observances, he took me to the organist and asked him to explain the meaning of liturgical objects, and to start preparing me for service as an altar boy at morning Mass and vespers.

I began coming to church twice a week. I waited at the back until the old women had crawled to their pews and then I took a back seat, close to the holy water font, which mystified me tremendously. This water looked like any other water. It had no color, no odor; it looked far less impressive than, for example, ground horse bones. Yet its magic power was supposed to far exceed that of any herb, incantation, or mixture that I had ever seen.

I understood neither the meaning of the Mass nor the role of the priest at the altar. All of this to me was magic, more splendid and elaborate than Olga’s witchcraft, but just as difficult to fathom. I looked with wonder at the stone structure of the altar, the finery of the cloths hanging from it, the majestic tabernacle in which the divine spirit dwelled. With awe I touched the fancifully shaped objects stored in the sacristy: the chalice with the shining, polished interior where wine changed into blood, the gilded paten on which the priest dispensed the Holy Ghost, the square, flat burse in which the corporal was kept. This burse opened at one side and resembled a harmonica. How poor Olga’s hut was by comparison, full of its evil-smelling frogs, rotting pus from human wounds, and cockroaches.

When the priest was away from the church and the organist was busy with the organ in the balcony, I would stealthily enter the mysterious sacristy to admire the humeral veil which the priest used to slip over his head and with a nimble movement slide down his arms and loop around his neck. I would stroke my fingers voluptuously along the alb placed over the humeral, smoothing out the fringes of the alb belt, smelling the ever-fragrant maniple which the priest wore suspended from his left arm, admiring the precisely measured length of the stole, the infinitely beautiful patterns of the chasubles, whose varied colors, as the priest explained to me, symbolized blood, fire, hope, penance, and mourning.

While mumbling her magic incantations, Olga’s face had always taken on changing expressions that aroused fright or respect. She rolled her eyes, shook her head rhythmically, and made elaborate movements with her arms and palms. In contrast, the priest, while saying the Mass, remained the same as in everyday life. He merely wore a different robe and spoke a different language.

His vibrant, sonorous voice seemed to buttress the dome of the church, even awakening the sluggish old women sitting in the tall pews. They would suddenly gather their drooping arms and with difficulty raise their wrinkled eyelids, resembling shriveled, heavy, late-cut peapods. The bleak pupils of their dimmed eyes would glance fearfully around, uncertain of where they were, until, finally beginning anew their rumination of the words from an interrupted prayer, they rocked back to sleep like wilted heather swayed by the wind.

The Mass was ending, the old women thronged the aisles, jockeying to reach the priest’s sleeve. The organ fell silent. At the door the organist greeted the priest warmly and gave me a sign with his hand. I had to return to work, to sweep the rooms, feed the cattle, prepare the meal.

Every time I came back from the pasture, the henhouse, or the stable, Garbos would take me into the house and practice, at first casually and then more eagerly, new ways of flogging me with a willow cane, or hurting me with his fists and fingers. My welts and cuts, having no chance to heal, turned into open sores, seeping yellow pus. At night I was so terrified of Judas that I could not sleep. Every slight noise, every creaking of the floorboards, would jolt me into attention. I stared into the impenetrable darkness, pressing my body into the corner of the room. My ears seemed to grow to the size of half-pumpkins, straining to catch any movement in the house or yard.

Even when I finally dozed off my sleep was disturbed by dreams of dogs howling through the countryside. I saw them lifting their heads to the moon, sniffing in the night, and I sensed my approaching death. Hearing their calls, Judas would sneak up to my bed and when he was quite close he would jump on me at Garbos’s command and maul me. The touch of his nails would make rising blisters on my body and the local man-of-cures would have to burn them out with a red-hot poker.

I would wake up screaming and Judas would start barking and jumping at the walls of the house. Garbos, half awake, would rush into the kitchen thinking thieves had broken into the farm. When he realized that I had yelled for no reason, he beat and kicked me until he was out of breath. I remained on the mat, bloody and bruised, afraid to fall asleep again and risk another nightmare.

In the daytime I went around in a daze and was beaten for neglecting my work. Sometimes I would fall asleep on the hay in the barn while Garbos looked for me everywhere. When he found me idling, it started all over

Вы читаете The Painted Bird
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