The Chain of Chance

investigation or that the superintendent wasn’t really retired. Still, nothing would have been easier than to set up a private meeting somewhere. I could understand it if they were reluctant to drag out the files—the files being something sacrosanct for these people—but the tape recorder alone implied they were anxious to avoid any sort of discussion. The briefing was to take place without commentary: you can’t very well pump a tape recorder. But why the elaborate cover? Barth was either thrown just as far off balance as I, or else he wanted—was obliged?—to keep any doubts he may have had to himself. My mind was still mulling over such thoughts when a rather low, self- assured, asthmatic voice came on the tape recorder.

“Monsieur, just so there won’t be any misunderstandings—I will tell you as much of the story as discretion will allow. Inspector Pingaud has vouched for you; still, there are certain matters that are better left undiscussed. The dossier you brought with you to Paris is something I’ve known about for a long time, longer than you, and I’ll give you my honest opinion: this case doesn’t warrant an investigation. Don’t take me wrong. It’s just that I have no professional interest in anything that doesn’t come under the penal code. The world’s full of mind-baffling things—flying saucers, exorcisms, guys on TV who can bend forks from a distance—but none of that means anything to me as a policeman. Oh, when I read about such things in France-Soir, I can scratch my head and say, ‘Well, I’ll be damned!’ I may be wrong in saying the Italian affair doesn’t call for an investigation; then again, I’ve put in a good thirty years on the force. You may disagree with me; that’s your privilege. Inspector Pingaud had asked me to brief you on a case I handled a couple of years ago. When I’m finished you’ll see why it was never publicized. At the risk of being rude, I must warn you that if you ever try to publish any of this material I shall categorically deny everything. You’ll see why. It’s a question of raison d’etat, and I am, after all, a member of the French police force. Please don’t take it personally; it’s a matter of professional loyalty. What I’m telling you is standard procedure.

“The case has now been shelved, though at one time the police, the Surete, and even French counterintelligence were all in on it. Well, to start with, the subject’s name was Dieudonne Proque. Proque is not really a French name; originally it was Procke. He was a German Jew who, as a young boy, emigrated to France with his parents during the Hitler regime, in 1937. His parents belonged to the middle class, thought of themselves—till the time of the Nazis, that is—as German patriots, and had distant relatives in Strasbourg whose ancestors had settled in France in the eighteenth century. I’m going so far back in time because this was one of those cases calling for a thorough background investigation. The tougher the case, the more widely the net has to be thrown.

“His father left him nothing when he died, and Proque later became an optician. He spent the occupation years in Marseilles, in the unoccupied zone, where he stayed with relatives. Except for the war years, he lived the whole time in Paris, in my arrondissement, where he ran a little optical shop out of his apartment on Rue Amelie. Since he didn’t have the resources to compete with the more established firms, business was bad, and he barely made ends meet. He made very little from sales, mostly from repairs—replacing lenses, fixing broken toys, that sort of thing. An optician for the poor. He lived with his mother, a woman going on ninety. A bachelor, he was sixty-one at the time in question. His record was clean: not one court conviction, though we knew the photo lab he’d fixed up at the back of the shop was far from being the innocent little hobby he said it was. There are people who specialize in risque pictures—not necessarily pornography—but who are unable or unwilling to do their own developing, in which case they need someone else to handle it, someone reliable who won’t make extra prints for himself. Within limits, there’s not even anything illegal about it. Then there are those who lure people into tricky situations and take pictures for blackmail. We keep most of the blackmailers on file, and it’s not advisable for them to have their own darkroom or camera equipment or to hire a photographer who’s already had a conviction. Proque was running that kind of racket, but only as a sideline. We knew that he was developing pictures and that he usually did it when he was hard pressed financially. But that was still no reason to move in on him. And frankly, these aren’t the only things that get by the police nowadays. Not enough full-time staff, not enough funds, and not enough manpower. Besides, we knew Proque wasn’t making a bundle on the deal. He didn’t have the nerve to use extortion against any of his clients. He was the cautious type, a coward by nature, completely dominated by his mother. Every July they’d make the same trip to Normandy; they lived always in the same cluttered apartment above the shop, in the same building, with the same neighbors they’d known since before the war. A brief physical description of the man, since that’s important for you: short, thin, prematurely stooped, with a tic in his left eye and a constantly drooping eyelid. To those who didn’t know him, and especially in the afternoon hours, he gave the impression of being hard of hearing and a bit of a crank. But he was completely in his right mind, except for periodic drowsy spells—usually in the afternoon—caused by low blood pressure. That’s why he always kept a Thermos of coffee on his workbench, to help keep him awake on the job. As the years went by, these spells grew worse, to the point where he was constantly yawning and on the verge of fainting or collapsing. Finally his mother made him go to see a doctor. He saw two doctors, both of whom prescribed harmless stimulants, which actually helped for a while.

“What I’m telling you isn’t a secret; every tenant in the building knew about it. People even knew about his shady business deals in the darkroom. The guy was so easy to see through. And in the end these pictures were nothing compared to your bread-and-butter sort of stuff. The fact is, I’m in Homicide; morals offenses are not my department. Anyway, what happened later had nothing to do with morals offenses. What else should I tell you to complete the picture? He was a collector of old postcards, used to grumble a lot about having hypersensitive skin— too much exposure to the sun made him break out all over, though he didn’t seem like the sort of man who’d go out of his way to get a suntan. But that fall his complexion started to change, became sort of coppery, the way it does when it’s been exposed to a sun lamp, and some of his regular customers, friends of his, started saying, ‘Tch, tch, Monsieur Proque, don’t tell me you’ve been going to a sunroom?!’ And, blushing like a little girl, he’d explain that he had a bad case of boils—in the most sensitive spot, he said—so bad that his doctor had prescribed radiation plus vitamins and a special skin ointment. Apparently the treatment worked.

“That October was especially cold and rainy. Fall was also the time of year the optician was most susceptible to attacks of dizziness and fainting spells, so again he went to see the doctor, and again the doctor prescribed some pep pills. Around the end of the month, while he and his mother were eating dinner one night, he became very excited and began telling her about how he stood to make a killing on a big order for developing and enlarging lots of prints, in color and in large format. He figured on netting sixteen hundred francs on the deal, a small fortune for a man like Proque. At seven that evening he lowered the shutter and, after telling his mother he wouldn’t be back till late, shut himself up in his darkroom. Around one in the morning his mother was awakened by a noise coming from her son’s room. She found him sitting on the floor and crying ‘worse than any man has ever cried before,’ to quote the transcript. In a sobbing voice he kept screaming that he’d wasted his whole life and that suicide was the only way out, started ripping up his favorite postcards, knocking over the furniture… and there was nothing his mother could do to stop him. Though normally obedient, he completely ignored her. It was like some cheap melodrama. She kept trailing him around the room and yanking at his clothes; he kept looking for some rope, ripped off the curtain cord but was so weak his mother had no trouble getting it away from him; he went for a knife in the kitchen, and as a last resort threatened to go down to the darkroom, where he always kept a supply of lethal chemicals on hand. But then he suddenly went limp, slumped to the floor, and before long was snoring and whining in his sleep. His mother wasn’t strong enough to lift him into bed, so she slipped a pillow under his head and let him sleep like that through the night.

“The next morning he was his normal self again, though extremely demoralized. He complained of a bad headache, said he felt as if he’d been drinking the whole night, though in fact all he’d had to drink was a quarter of a bottle of wine at lunch, and a weak table wine at that. After taking a couple of aspirin tablets, he went down to the shop, where he spent a routine day. He had very few customers as an optician, and since he spent most of his time in the back polishing lenses or in the darkroom developing photos, the shop was usually empty. That afternoon he waited on a total of four customers. He kept a record of every order, even the most minor repair job done on the spot. If the customer was a stranger, he’d merely jot down the order. Needless to say, he didn’t keep a record of his photographic work.

“The next two days were also uneventful. On the third day he got an advance for the enlargements and prints, though of course he was shrewd enough not to enter this amount in the cash receipts. That night he and his mother ate more extravagantly than usual, at least by their standards: an elegant wine, a special fish dish—oh, I can’t remember all the dishes any more, though there was a time when I knew all of them by heart, even what kind of cheeses they ate for dessert. The following day he received another batch of undeveloped film, from the same client. During lunch he was in an excellent mood, telling his mother all about his plans for building a house; then, in