It was after 9:00 p.m. by the time Stokely took the podium,
after Bumpy and Marcus Dupri gave two fiery introductions.
Some of the rebels had pushed their way to the front row. The air
in the hall was muggy, thick with the breathy heat of anticipation,
everyone waiting and wondering . . . just what was this brother
gon’ say? Stokely came onstage dressed clean as a whistle, in a
pressed suit and thin black tie, not a wrinkle on him, and he was
wearing shades, black and wide, like Ray Charles. Dude looked
like the bass player for Booker T. and the MG’s, like a blues phi
losopher. He leaned over the podium, into the mike, pushing his
shades up on the bridge of his nose as if they were prescription
glasses, as if their darkness helped him see things clearly. Jay can still remember his first words.
Stokely looked directly at the white rebels and said, “One of
the most pointed illustrations of the need for ‘black power’ in a
society that has degenerated into a form of totalitarianism is to
be found in the very debate itself.” Then to everyone else, “Wel
come, brothers and sisters.”
The crowd went hog wild, black students whooping and
cheering.
The white students in the audience, rebels and liberals alike,
were struck dumb, silenced by the sheer force of words they
didn’t understand, their own language turned against them.
Backstage, Jay felt his whole world was busting wide open. Here
was this brother onstage, achingly hip and capable of intellectu
ally skating over all of their heads. No one had heard a speech
like this, a framing of the fight for justice in such fundamentally
political and theoretical terms. The term “black power” was rela
tively new; it had started at a rally in Greenwood, Mississippi, the year before, one night after Stokely was arrested for the twentyseventh time. “The only way we’re gonna stop these white men from whuppin’ us is to take over,” he’d said. “We been saying ‘freedom’ for six years and we ain’t got nothing. What we gon’
start saying now is . . . black power.”
The term caught on and contributed to Stokely’s militant
reputation, but as he began to lay it down that night in Cullen
Auditiorium, to lay out his case, it sounded less radical to Jay and
more like good old common sense. It was, frankly, gospel. The
black students waved their hands in the air, clapping and calling
out to Brother Carmichael as if they were in church. “The concept of integration is based on the assumption that
there is not value in the Negro community . . .”
class...”
ports—their university degrees—escape into middle-class Amer
ica . . .”