in history that ever wished to abolish itself. And if one listens to

some of our ‘moderate’ Negro leaders, it appears that the Ameri­

can Negro is the first race that ever wished to abolish itself. And,

my black brothers and sisters, it stops tonight.”

The crowd was clapping and stomping, so loud that Jay could

feel it backstage, as if the walls were shaking. He could not believe

the heat this man was generating, like a lightning rod in a prairie storm. It wasn’t just the man, but, really, the ideas, the words . . .

two words: black and power.

“So what you’re preaching, man,” one of the white students

down front asked, a cat dressed in cords and a denim patch jacket,

“isn’t it just racism of a different color? Isn’t ‘black power’ inher­

ently anti-white?”

“See, you’re still putting yourself at the center of it, jack.

That’s what you ain’t yet getting. Black folks ain’t talking about

you, or to you, no more.”

He had to be escorted out the back entrance that night, not

because of rioting, but because so many people wanted to shake

his hand, wanted a word with the brother. Jay had to shuttle

him out of the rear of the auditorium to avoid a mob. He shoved

Stokely into Lloyd Mackalvy’s VW bug, and the three of them

rode on to Austin that night, to accompany Stokely at the anti­

war rally at the University of Texas.

That was the first night somebody put a gun in Jay’s hand. The Klan had threatened publicly to meet Mr. Carmichael

on Highway 71 that night, stopping the car before it got past

Bastrop. They promised a good show for anyone man enough to

come out and watch. Lloyd kept a little .22 pistol under the front

seat. He handed the gun to Jay and appointed him lookout. Stokely talked the whole way on the road that night, his head

leaned against the passenger-side window, coat turned around

and tucked under his chin like a blanket. He was mumbling softly

over the radio about how they were gon’ change the world, how

it was gon’ be better for their kids. Jay remembers Aretha had

a new cut out that spring, a haunting cover of Sam Cooke’s “A

Change Is Gonna Come.” The music was so slow and pretty that

Lloyd turned up the radio, and the three of them rode in silence

in the car, smoking cigarettes and listening to Aretha sing of

hope, Jay with Lloyd’s pistol still in his hand.

Stokely would shortly leave SNCC for the Panthers, joining

Eldridge Cleaver and Huey Newton and Elaine Brown. The

civil rights movement as any of them knew it would never be

the same. Black nationalism became the order of the day, less

a focus on integration than on self-reliance and full-scale sup­

port of black pride and culture, entrepreneurship and political

uplift, to the exclusion of everything and everybody else. Bumpy

got on this big-time. He pushed for the complete disbanding of

COBRA. The old Scott Street group reinvented itself as AABL,

Afro-Americans for Black Liberation, or “able.” Bumpy and

Lloyd Mackalvy had fallen head over heels in love with black

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