told himself when the walls got steep or the holds thin or the storms mean. Stick , as in hang. As in no surrender.
Ike clenched his teeth. He slowed his lungs. Again he removed the batteries. This time he replaced them with the batch of nearly dead batteries in his pocket. He flipped the switch.
Light. Sweet light. He breathed it in.
In an abattoir of white stone.
The image of butchery lasted one instant. Then his light flickered out.
'No!' he cried in the darkness, and shook the headlamp.
The light came on again, what little there was of it. The bulb glowed rusty orange,
grew weaker, then suddenly brightened, relatively speaking. It was less than a quarter- strength. More than enough. Ike took his eyes from the little bulb and dared to look around once more.
The passageway was a horror.
In his small circle of jaundiced light, Ike stood up. He was very careful. All around, the walls were zebra-striped with crimson streaks. The bodies had been arranged in a row.
You don't spend years in Asia without seeing a fair share of the dead. Many times, Ike had sat by the burning ghats at Pashaputanath, watching the fires peel flesh from bone. And no one climbed the South Col of Everest these days without passing a certain South African dreamer, or on the north side a French gentleman sitting silently by the trail at 28,000 feet. And then there had been that time the king's army opened fire on Social Democrats revolting in the streets of Kathmandu and Ike had gone to Bir Hospital to identify the body of a BBC cameraman and seen the corpses hastily lined side by side on the tile floor. This reminded him of that.
It rose in him again, the silence of birds. And how, for days afterward, the dogs had limped about from bits of glass broken out of windows. And above all else, how, in being dragged, a human body gets undressed.
They lay before him, his people. He had viewed them in life as fools. In death, half-naked, they were pathetic. Not foolishly so. Just terribly. The smell of opened bowels and raw meat was nearly enough to panic him.
Their wounds... Ike could not see at first without seeing past the horrible wounds. He focused on their undress. He felt ashamed for these poor people and for himself. It seemed like sin itself to see their jumble of pubic patches and lolling thighs and randomly exposed breasts and stomachs that could no longer be held in or chests held high. In his shock, Ike stood above them, and the details swarmed up: here a faint tattoo of a rose, there a cesarean scar, the marks of surgeries and accidents, the edges of a bikini tan scribed upon a Mexican beach. Some of this was meant to be hidden, even to lovers, some to be revealed. None of it was meant to be seen this way.
Ike made himself get on with it. There were five of them, one male, Bernard. He started to identify the women, but with a rush of fatigue he suddenly forgot their names altogether. At the moment, only one of them mattered to him, and she was not here.
The snapped ends of very white bone stood from lawnmower-like gashes. Body cavities gaped empty. Some fingers were crooked, some missing at the root. Bitten off? A woman's head had been crushed to a thick, panlike sac. Even her hair was anonymous with gore, but the pubis was blond. She was, poor creature, thank God, not Kora.
That familiarity one reaches with victims began. Ike put one hand to the ache behind his eyes, then started over again. His light was failing. The massacre had no answer. Whatever had happened to them could happen to him.
'Stick, Crockett,' he commanded.
First things first. He counted on his fingers: six here, Cleo up the tunnel, Kora somewhere. That left Owen still at large.
Ike stepped among the bodies, searching for clues. He had little experience with such extremes of trauma, but there were a few things he could tell. Judging by the blood trails, it looked like an ambush. And it had been done without a gun. There were no bullet holes. Ordinary knives were out of the question, too. The lacerations were much too deep and massed so strangely, here upon the upper body, there at the backs of the legs, that Ike could only imagine a pack of men with machetes. It looked more like an attack by wild animals, especially the way a thigh had been stripped to the bone.
But what animal lived miles inside a mountain? What animal collected its prey in a
neat row? What animal showed this kind of savagery, then conformity? Such frenzy, then such method. The extremes were psychotic. All too human.
Maybe one man could have done all this, but Owen? He was smaller than most of these women. And slower. Yet these poor people had all been caught and mutilated within a few meters of one another. Ike tried to imagine himself as the killer, to conceive the speed and strength necessary to commit such an act.
There were more mysteries. Only now did Ike notice the gold coins scattered like confetti around them. It looked almost like a payoff, he now recognized, an exchange for the theft of their wealth. For the dead were missing rings and bracelets and necklaces and watches. Everything was gone. Wrists, fingers, and throats were bare. Earrings had been torn from lobes. Bernard's eyebrow ring had been plucked away. The jewelry had been little more than baubles and crystals and cheap knickknacks; Ike had specifically instructed the trekkers to leave their valuables in the States or in the hotel safe. But someone had gone to the trouble of pilfering the stuff. And then to pay for it in gold coins worth a thousand times what had been taken.
It made no sense. It made even less sense to stand here and try to make it make sense. He was not normally the type who couldn't think what to do, and so his confusion now was all the more intense. His code said Stay , like a sea captain, stay to sort through the crime and bring back, if not his wayfarers, then at least a full accounting of their demise. The economy of fear said Run. Save what life could be saved. But run which way and save which life? That was the excruciating choice. Cleopatra waited in one direction in her lotus position and white light. Kora waited in the other, perhaps not as surely. But hadn't he just heard her song?
His light ebbed to brown. Ike forced himself to rifle the pockets of his dead passengers. Surely someone had batteries or another flashlight or some food. But the pockets had been slashed and emptied.
The frenzy of it struck him. Why shred the pockets and even the flesh beneath them? This was no ordinary robbery. Stopping down his loathing, he tried to summarize the incident: a crime of rage, to judge by the mutilations, yet a crime of want, to judge by the thievery. Again it made no sense.
His light blinked out and the blackness jumped up around him. The weight of the mountain seemed to press down. A breeze Ike had not felt before brought to mind vast mineral respiration, as if a juggernaut were waking. It carried an undertone of gases, not noxious but rare, distant.
And then his imagination became unnecessary. That scratching sound of nails on stone returned. This time there was no question of its reality. It was approaching from the upper passageway. And this time Kora's voice was part of the mix.
She sounded in ecstasy, very near to orgasm. Or like his sister that time, in that instant just as her infant daughter came out of her womb. That, Ike conceded, or this was a sound of agony so deep it verged on the forbidden. The moan or low or animal petition, whatever it was, begged for an ending.
He almost called to her. But that other sound kept him mute. The climber in him had registered it as fingernails scraping for purchase, but the torn flesh lying in the darkness now evoked claws or talons. He resisted the logic, then embraced it in a hurry. Fine. Claws. A beast. Yeti. This was it. What now?
The dreadful opera of woman and beast drew closer. Fight or flight? Ike asked himself.
Neither. Both were futile. He did what he had to do, the survivor's trick. He hid in plain sight. Like a mountain man pulling himself into a womb of warm buffalo meat, Ike lay down among the bodies on the cold floor and dragged the dead upon him.
It was an act so heinous it was sin. In lying down between the corpses in utter blackness and in