A Critical Cinema 2: Interviews with Independent Filmmakers

. 1976. 16mm; 178 minutes; black and white/color; sound (CFDC, FMC).

In Between

. 1978. 16mm; 52 minutes; black and white/color; sound (FMC).

Notes for Jerome

. 1978. 16mm; 45 minutes; color; sound (FMC, MoMA).

Paradise Not Yet Lost

(a.k.a. ''Oona's Third Year'). 1979. 16mm; 96 1/2 minutes; color; sound (FMC).

Street Songs

. 1983. 16mm; 10 1/2 minutes; black and white; sound (FMC).

Cup/Saucer/Two Dancers/Radio

. 1983. 16mm; 23 minutes; color; sound (FMC).

Erick Hawkins: Excerpts from 'Here and Now with Watchers'/Lucia Dlugoszewski Performs

. 1983. 16mm; 5 3/4 minutes; black and white; sound (FMC).

He Stands in a Desert Counting the Seconds of His Life

. 1985. 16mm; 150 minutes; color; sound (FMC).

Laura Mulvey

Penthesilea

(co-made with Peter Wollen). 1974. 16mm; 90 minutes; color; sound (Mulvey, 207 Ladbroke Grove, London W11, U.K.; Wollen, 11005 Strathmore Dr., Los Angeles, CA 90024).

Riddles of the Sphinx

(co-made with Peter Wollen). 1977. 16mm; 92 minutes; color; sound (BFI, MoMA; New Cinema; 75 Horner Ave., #1, Toronto, Ont., M8Z 4X5 Canada).

Amy!

(co-made with Peter Wollen). 1979. 16mm; 33 minutes; color; sound (BFI, MoMA).

Crystal Gazing

(co-made with Peter Wollen). 1981. 16mm; 90 minutes; color; sound (BFI).

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Frida Kahlo and Tina Modotti

(co-made with Peter Wollen). 1983. 16mm; 30 minutes; color; sound (ACGB; MoMA).

The Bad Sister

(co-made with Peter Wollen). 1983. Video; 90 minutes; color; sound (Channel 4, U.K.).