A Critical Cinema 2: Interviews with Independent Filmmakers

San Francisco

. 1980. Super-8mm; 12 minutes; color; silent.

Calligraphy

. 1981. Super-8mm; 10 minutes; color; silent.

The Wedding

. 1982. Super-8mm; 15 minutes; color; silent.

Reassemblage

. 1982. 16mm; 40 minutes; color; sound (Circles; Idera, 2524 Cypress St., Vancouver, BC V6J 3N2, Canada; MoMA, Third World Newsreel, 335 West 38th St., 5th Fl., New York, NY 10018; WMM).

Naked SpacesLiving Is Round

. 1985. 16mm; 135 minutes; color; sound (Circles, Idera, MoMA, WMM).

Surname Viet Given Name Nam

. 1989. 16mm; 108 minutes; color; sound (Circles, Idera, MoMA, WMM).

Shoot for the Contents

. 1991. 16mm; 101 minutes; color; sound (WWM).

Peter Watkins

A complete Watkins filmography is included in James Michael Welsh,

Peter Watkins: A Guide to References and Resources

(Boston: G. K. Hall, 1986), pp. 4563. It is all-inclusive through 1977.

The Web

. 1956. 8mm; c. 20 minutes; black and white; sound (Institute of Amateur Cinematographers, 63 Woodfield Lane, Ashstead, Surrey, KT21 2BT, U.K.).

The Field of Red

. 1958. 16mm; ? minutes; black and white; sound (lost).

The Diary of an Unknown Soldier

. 1959. 16mm; 20 minutes; black and white; Sound.

The Forgotten Faces

. 1961. 16mm; 17 minutes; black and white; sound (Institute of Amateur Cinematographers).

Culloden

. 1961. 35mm; 75 minutes; black and white; sound (FACETS, Films Incorporated; New Cinema, 75 Homer Ave., #1, Toronto, Ont., M8Z 4X5 Canada; University of California, Extension Media Center, 2223 Fulton St., Berkeley, CA 94720; University of Michigan, Media Resources Center, 416 Fourth St., Ann Arbor, MI 48109).

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