Victor, aged six, perched fatly atop the load, bouncing up and down and shouting with glee, and clutching George’s three-pronged fork like a little god of the sea, an infant Poseidon being borne home across the waves in his chariot. Victor knew that George was incapable of killing anybody; why then did the newspapers say he’d done it?
“Because,” said his father, “some newspapers always try to make things worse than they really are. They sell more copies that way.”
“Well, if people know that,” said Victor, “they won’t pay any attention, and Mr. Lecky will be acquitted.”
“I wish that were true,” said Henry.
And so the last day began. Humphrey Stoker first reviewed the evidence, and demonstrated how deeply it incriminated George. Having made his arguments in a relatively rational tone, he then became histrionic. With some passion he told the jury that a monster capable of such inhuman brutality toward a young man with everything to live for—a young man, he stressed, on the brink of a promising literary career—such a monster deserved the most extreme penalty the law could exact. He for one, he said, would not sleep soundly in his bed until he knew that George Lecky would never walk the land again. He implored the jury neither to flinch nor falter from their duty; and their duty, their terrible duty, he said quietly, he believed, with humility, he had established: they must reach a verdict of guilty, guilty of murder in the first degree. Then he sat down.
Then Sir Fleckley stood up. His learned friend, he said, was perfectly correct. “If you find,” he said, “beyond a reasonable doubt that George Lecky murdered Sidney Giblet, then your verdict must indeed be one of guilty. But I wonder, ladies and gentlemen of the jury, whether we cannot say that here, surely, reasonable doubt exists?” He then, at length, and in detail, elaborated upon the circumstantial nature of the evidence, admitting that George had erred, and erred badly, in not reporting the body to the authorities; but that error, he reiterated, was not the same thing as capital murder. And if they had any doubt, any doubt at all, as he was sure they must have, then they must bring in a verdict of not guilty. In his summing up, Mr. Justice Congreve made a similar point; his instructions to the jury in fact revolved around this very point, for none of the evidence had been contested. With watery eyes and quavery voice the little old man then sent them off to deliberate, and the court adjourned.
It took them forty-three minutes to reach their verdict, and a tense forty-three minutes it was. For so eloquent had been Sir Fleckley’s closing address, and so emphatically had the judge supported his circumstantiality argument, that fresh hope had sprung up in Harriet’s and Hilary’s hearts. Mrs. Giblet joined them in the small chamber Sir Fleckley had put at their disposal, adjacent to his own; and for forty-three minutes the three women waited there in an agony of suspense. Sir Fleckley suddenly appeared through the door connecting to his own chambers, the skirts of his robe swirling about his pin-striped trousers. “They’re back,” he said.
“Guilty of murder in the first degree,” said the foreman, and George opened his mouth, drew back his lips, clamped his great teeth together then pressed a hand to his eyes. Yes, he answered Mr. Justice Congreve, he did have something to say before sentence was passed: he was innocent, he had told the truth; and if he died for his crime, he died unjustly. That was all. Harriet and Hilary were not the only ones in the courtroom whose cheeks were damp with tears. Mr. Justice Congreve very slowly donned his white gloves and black cap. His baggy throat, his small, wobbling, wizened head: they seemed such tiny, fragile shreds of flesh to be bearing the weighty majesty of those red robes, that glorious wig with the black cap fitted to the crown. His voice was the voice of an old, old man, unspeakably tired and yearning for death.
“George Kitchener Lecky, you have been found guilty of a terrible crime. The sentence of the court upon you is, that you be taken from this place to a lawful prison, and thence to a place of execution, and that you there be hanged by the neck until you be dead; and that your body be afterwards buried within the precincts of the prison in which you shall have been confined before your execution. And may the Lord have mercy on your soul.”
“Amen,” said the chaplain of the court, who stood behind the judge and to his left.
The long grim shadow of the gallows stretched all the way to Crook, and in the days that followed an eerie stillness settled on the house. Mrs. Giblet was often on the telephone to Harriet, and I understood from conversations in the drawing room that the only hope now was an appeal for clemency that had been put before the Home Secretary. And that was all George had to clutch at as he languished, hollow-eyed and black of heart, in his lonely cell at the core of one of the oldest of England’s great prisons. And as I say, we all felt it, at Crook, we all felt the crushing weight of the death sentence. Even Fledge betrayed emotion, on at least one occasion, when dealing with Doris in the kitchen after dinner. It was a mark of the intense strain he was feeling, for as I’ve indicated, the expression of emotion was anathema to the man. Not passion, I hasten to add, not the expression of passion. Passion he could express, and did, nightly, and this I imagine helped to divert Harriet from brooding constantly on George’s fate. In fact, the routine established in the weeks after my accident was soon in place once more. Doris weaved off to bed well before midnight, having sometimes got me down before passing out herself. After this Fledge would take a turn round the grounds, then lock up, and noiselessly ascend the back stairs with a candle.
Harriet and Fledge were by this time at a point in their relationship where, despite the tensions endemic to their situation, they were subject to an almost uncontrollable physical longing for one another. The touch of a hand, a stray glance, a certain tone of voice —and I would be left alone in the drawing room as the pair slipped out, headed, I have no doubt, either for Fledge’s pantry or Harriet’s bedroom. I believe he even took her in the dining room once, right after dinner, on the floor, heedless that Doris might enter. Harriet, you see, having finally abandoned all moral and religious scruples, had quickly come to adore the sight of Fledge’s fine penis rising stiff and faintly throbbing from that soft fleece of red-brown pubic hair. Herself damp, her upper thighs already smeared with fluid secretions indicative of deep arousal, she would lift her plump-fingered hands to loosen the great coils of copper-colored hair that lay heavily piled atop her skull. She would gaze at the man with immense, inhuman hunger, and then, at last—sweet consummation!—she reached out for him, drew him into her arms, and covered his pale body with her kisses.
Afterwards there would be a spell of languid torpor, and then —oh, how well I knew my Harriet!—her brow would darken as her thoughts fled from the butler in her bed to the gardener in his distant cell. So it was that in the very bower of love arose the specter of death.
George’s date of execution was set for May 24, roughly three weeks from sentencing. Having been probed, analyzed, and defined by the police, by the lawyers, by the jury of his peers, and even by the psychiatric community, George was now exclusively the property of the worst sort of newspapers and their public. They called him a brute, a maniac, and a monster. Like a screen he was illuminated by their lurid projections. Cleo read me the stories, and my heart wept for my old African comrade. Nor was it only the press that maintained a relentless scrutiny of the man: in his prison cell George was the object of dozens of pairs of custodial eyes. I, too, saw him, I saw him in my mind’s eye, one afternoon in the middle of May. He was sitting on the edge of a low concrete bunk, his elbows on his knees, his long jaw cradled in his palms and his fingertips laid upon his eyelids.
“Lecky.”
George is in ill-fitting prison clothes with a number stenciled across the pocket of the shirt. He pulls his fingers down his cheeks, briefly stretching the skin from his eye sockets. Sunlight streams through the barred window and falls in slats across the cell floor, and stripes the hunched form of the man on the bunk. A pair of flies goes endlessly round and round just beneath the ceiling. Slowly straightening his back and laying his palms flat on his knees, George turns to the door and, lit from behind, his face is dark with shadow. From out of this darkness comes a hollow sound, barely recognizable as the once-gruff voice of George Lecky.
“What is it?”
The key turns in the lock and the door swings open.
“Someone to see you.”
“Who?”
“King George the Sixth, who do you think? On your feet.”
George wearily rises. His hair is cropped even shorter than I remember it, and in his long, dour face, particularly around his eyes and in the cleft of his thick eyebrows, can be read a slackening of the man’s tight-knit nature, the unmistakable signs of exhaustion and despair. He seems devitalized, enfeebled, unnerved. He shuffles to the door, hitching the loose, baggy prison trousers about his narrow hips, and, stooping slightly, emerges into the corridor.
The warder locks the door behind them and slips his vast bunch of keys, which are linked by a chain to his
