attempting to lead Cossack forces from Gatchina toward Petrograd. However, the Bolsheviks disKRAVCHUK, LEONID MAKAROVICH (b. 1934), Ukrainian politician and first president of post-Soviet Ukraine.
Elected president of Ukraine on December 1, 1991-the same date as the historic referendum on Ukrainian independence-Kravchuk won decisively, garnering 61.6 percent of the popular vote in a six-way contest. His primary political achievement was to establish Ukraine’s sovereignty and maintain peace and social order with a minimum of violence and almost no ethnic conflict. It is impossible to overemphasize the importance of this accomplishment. However, he appears to have misunderstood the relationship between state building
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and economic reforms. This failure would cost him the presidency in early elections in July 1994.
A consummate politician, Kravchuk gained for himself the nickname “sly fox” because of his ability to maneuver in predicaments that he himself had created. His political shrewdness manifested itself in the events of 1991 when, as chairman of the Ukrainian Supreme Soviet, he publicly vacillated during the Moscow coup attempt of August 19-21. While other Ukrainian officials supported Russian President Boris Yeltsin, Kravchuk urged caution. With the failure of the coup and with public opinion turning against him, Kravchuk led the Communist Party of Ukraine (CPU) to join the democratic opposition on August 24 and to adopt Ukraine’s Declaration of Independence by a vote of 346 to 1. Kravchuk also redeemed himself by resigning from the CPU and the CPSU.
Clearly, the CPU strategy was to retain power in an independent Ukraine. The democratic opposition was too weak and disorganized to take power on its own; for this, they needed the Communists. It is ironic that, as the former ideology chief of the CPU, Kravchuk persecuted nationalist groups, such as the Popular Front for Perestroika in Ukraine (Rukh), only to appropriate their goals and program in his 1991 bid for the newly established presidency. As president, however, Kravchuk effectively postponed economic and political reforms in favor of nation building. A notable aspect of his leadership was a continuing reliance on officials of the former Communist apparat in key governmental positions. Consequently, the simultaneous pursuit of political stability and economic reform was all but ruled out.
Confused and contradictory economic policies emanated from Kravchuk’s government. He publicly supported radical reforms even as he worked to strengthen the hold of the former nomenklatura over the state and economy. The saga of Kravchuk’s management of the economy was the massive emission of cheap credits and budget subsidies to industry, coupled with the imposition of administrative controls over prices and currency exchange rates. Major price increases in January and July 1992 drove Ukraine from the ruble zone in November of that year. But Ukrainian authorities proved no better at controlling inflation, plunging the nation into hyperinflation throughout 1993, when prices increased by more than 10,000 percent. Industrial output also plunged precipitously as the economic crisis widened and deepened. Throughout 1992 and into 1993, Kravchuk was locked in a struggle with Prime Minister Leonid D. Kuchma for authority to reform the economy. Consequently, Kravchuk dismissed his errant premier in September 1993. The president made a halfhearted attempt to renew the command economy in late 1993, but by then the economic decline severely damaged Kravchuk’s credibility. In response to pressure from heavily industrialized eastern Ukraine, Kravchuk agreed to early elections, to be held in July 1994. Facing his one- time premier, Leonid Kuchma, Kravchuk was defeated in the second round, garnering but 45.1 percent of the popular vote. The former president did not retire from politics, however; he was elected a member of parliament in a special election in September 1994, replacing a people’s deputy who died before taking office. He was reelected in 1998 and 2002 from the party lists of the Social Democratic Party of Ukraine, and from 1998 onward has been a member of the parliamentary Committee on Foreign Relations. See also: PERESTROIKA; UKRAINE AND UKRAINIANS
BIBLIOGRAPHY
Kravchuk, Robert S. (2002). Ukrainian Political Economy: The First Ten Years. New York: Palgrave Macmillan. Kuzio, Taras, and Andrew Wilson. (1994). Ukraine: Per-estroika to Independence. Edmonton: Canadian Institute of Ukrainian Studies Press. Wilson, Andrew. (1997). “Ukraine: Two Presidents and Their Powers.” In Postcommunist Presidents, ed. Ray Taras. New York: Cambridge University Press.
Few architectural forms have acquired greater resonance than the Moscow Kremlin. In actuality many medieval Russian towns had a “kremlin,” or fortified citadel, yet no other kremlin acquired the fame of Moscow’s. The Kremlin structure, a potent symbol of Russian power and inscrutability, owes much of its appearance to the Russian imagina-tion-especially the tower spires added in the seventeenth century by local architects. Yet the main towers and walls are the product of Italian fortification engineering of the quattrocento, already long outdated in Italy by the time of their construction in Moscow. Nonetheless, the walls proved
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The Moscow Kremlin at twilight. © ROYALTY-FREE/CORBIS adequate against Moscow’s traditional enemies from the steppes, whose cavalry was capable of inflicting great damage on unwalled settlements, but had little or no heavy siege equipment.
In the 1460s the Kremlin’s limestone walls, by then almost a century old, had reached a dangerous state of disrepair. Local contractors were hired for patchwork; as for reconstruction, Ivan III turned to Italy for specialists in fortification. Between 1485 and 1516 the old fortress was replaced with brick walls and towers extending 2,235 meters and ranging in thickness from 3.5 to 6.5 meters. The height of the walls varied from eight to nineteen meters, with the distinctive Italian “swallowtail” crenelation. Of the twenty towers, the most elaborate were placed on the corners or at the main entrances to the citadel. Among the most imposing is the Frolov (later Spassky, or Savior, Tower), built between 1464 and 1466 by Vasily Ermolin and rebuilt in 1491 by Pietro Antonio So-lari, who arrived in Moscow from Milan in 1490. The decorative crown was added in 1624 and 1625 by Bazhen Ogurtsov and the Englishman Christopher Halloway. At the southeast corner of the walls, the Beklemishev Tower (1487-1488, with an octagonal spire from 1680) was constructed by Marco Friazin, who frequently worked with Solari. This and similar Kremlin towers suggest comparisons with the fortress at Milan. The distinctive spires were added by local architects in the latter part of the seventeenth century.
Although he built no cathedrals, Pietro Antonio Solari played a major role in the renovation of the Kremlin. He is known not only for his four
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entrance towers-the Borovitsky, the Constantine and Helen, the Frolov, and the Nikolsky (all 1490-1493)-as well as the magnificent corner Arsenal Tower and the Kremlin wall facing the Red Square, but also for his role in the completion of the Faceted Chambers (Granovitaya palata), its name due to the diamond-pointed rustication of its limestone main facade. Used for banquets and state receptions within the Kremlin palace complex, the building was begun in 1487 by Marco Friazin, who designed the three-storied structure with a great hall whose vaulting was supported by a central pier. Much of the ornamental detail, however, was modified or effaced during a rebuilding of the Chambers by Osip Startsev in 1682.
The rebuilding of the primary cathedral of Moscow, the Dormition of the Virgin, began in the early 1470s with the support of Grand Prince Ivan III and Metropolitan Philip, leader of the Russian Orthodox Church. Local builders proved incapable of so large and complex a task. Thus when a portion of the walls collapsed, Ivan obtained the services of an Italian architect and engineer, Aristotle Fiora-vanti, who arrived in Moscow in 1475. He was instructed to model his structure on the Cathedral of the Dormition in Vladimir; and while his design incorporates certain features of the Russo-Byzantine style, the architect also introduced a number of technical innovations. The interior-with round columns instead of massive piers-is lighter and more spacious than any previous Muscovite church. The same period also saw the construction of smaller churches in traditional Russian styles, such as the Church of the Deposition of the Robe (1484-1488) and the Annunciation Cathedral (1484-1489).
The ensemble of Kremlin cathedrals commissioned by Ivan III concludes with the Cathedral of the Archangel Mikhail, built in 1505-1508 by Ale-viz Novy. The building displays the most extravagantly Italianate features of the Kremlin’s Italian Period, such as the scallop motif, a Venetian feature soon to enter the repertoire of Moscovy’s architects. The wall paintings on the interior date from the mid-seventeenth century and contain, in addition to religious subjects, the portraits of Russian rulers, including those buried in the cathedral from the sixteenth to the
