hundred-strong demonstration lines the last stretch, chanting, “Swannekke C over our dead bodies!” A wall of police keeps them back from the line of nine or ten vehicles. Luisa reads the placards while she waits. YOU ARE NOW ENTERING CANCER ISLAND, warns one, another, HELL, NO! WE WON’T GO! and, enigmatically, WHERE OH WHERE IS MARGO ROKER?
A guard taps on the window; Luisa winds it down and sees her face in the guard’s sunglasses. “Luisa Rey,
“Press pass, ma’am.”
Luisa gets it from her purse. “Expecting trouble today?”
“Nah.” He consults a clipboard and hands back her pass. “Only our regular nature freaks from the trailer park. The college boys are vacationing where the surf’s better.”
As she crosses the bridge, the Swannekke B plant emerges from behind the older, grayer cooling towers of Swannekke A. Once again, Luisa wonders about Rufus Sixsmith.
Twenty minutes later Luisa arrives at a colony of some two hundred luxury homes overlooking a sheltered bay. A hotel and golf course share the semiwooded slope below the power station. She leaves her Beetle in the R? &?D parking lot and looks at the power station’s abstract buildings half-hidden by the brow of the hill. An orderly row of palm trees rustles in the Pacific wind.
“Hi!” A Chinese-American woman strides up. “You look lost. Here for the launch?” Her stylish oxblood suit, flawless makeup, and sheer poise make Luisa feel shabby in her blueberry suede jacket. “Fay Li”—the woman offers her hand—“Seaboard PR.”
“Luisa Rey,
Fay Li’s handshake is powerful. “
“—our editorial scope includes energy policy?”
Fay Li smiles. “Don’t get me wrong, it’s a feisty magazine.”
Luisa invokes Dom Grelsch’s reliable deity. “Market research identifies a growing public who demand more substance. I was hired as
“Very glad you’ve come, Luisa, whatever your brow. Let me sign you in at Reception. Security insists on bag searches and the rest, but it’s no good having our guests treated like saboteurs. That’s why
10
Joe Napier watches a bank of CCTV screens covering a lecture theater, its adjacent corridors, and the Public Center grounds. He stands, fluffs up his special cushion, and sits on it.
A janitor adds another chair to the row onstage.
The audience of dignitaries, scientists, think-tank members, and opinion formers take their seats. A screen shows William Wiley, vice CEO of Seaboard Inc., joking with those VIPs to be honored with a seat onstage.
A slide projector beams a fish-eye aerial shot of Swannekke B.
Napier speaks into his walkie-talkie. “Fay? Show starts in ten minutes.”
Static. “Copy that, Joe. I’m escorting a visitor to the lecture theater.”
“Report to Security when you’re through, please.”
Static. “Copy. Over and out.”
Napier weighs the set in his hand.
Milly, his deceased wife, watches her husband from the photograph on his console desk.
11
“Our great nation suffers from a debilitating addiction.” Alberto Grimaldi, Seaboard CEO and
Alberto Grimaldi scans his audience.
He smiles as the cheers subside. “As of today, domestic, abundant, and
“But hey, now, enough of me, I’m only the CEO.” Affectionate laughter. “Here to unveil our viewing gallery and flick that switch to connect Swannekke B to the national grid, the Seaboard family is
An immaculately groomed man strides onstage to great applause. Lloyd Hooks and Alberto Grimaldi grasp each other’s forearms in a gesture of fraternal love and trust. “Your scriptwriters are getting better,” Lloyd Hooks murmurs, as both men grin broadly for the audience, “but you’re still Greed on Two Legs.”
Alberto Grimaldi backslaps Lloyd Hooks and replies in kind, “You’ll only wrangle your way onto this company’s board over my dead body, you venal sonofabitch!”
Lloyd Hooks beams out at the audience. “So you
A cannonade of flashes opens fire.