realize, that the rituals themselves were changing, that there was a difference between the rituals of comfort and the preventive rituals that come at the end of life. He still went out as though he had a full roster of house calls to make, but his lifelong patients were beginning to die, to fold slowly to the maladies of old age, even with him there. His daily exercises continued, but they were the perfunctory exercises of an old man: facing the living room window in the pale morning light, his sweatpants loose and hitched up above his socks, his hands clasped behind his back in a matter-of-fact way while he rose to the balls of his feet and fell back onto his heels, rhythmically, with a thump that reverberated through the whole apartment. He did this daily, and without deviation, even with the sirens grinding a howl on the next block.

For twenty years, we had watched the four-o’clock showing of ’Allo ’Allo! together. Now, there were afternoon naps. He slept sitting up, with his head bent. His feet stuck straight out in front of him, and his body was propped up entirely on the heels of his clogs. His hands were folded across his stomach, which was usually growling, because in addition to everything else, he was now frowning, without precedent, over the things my grandma cooked for us, over burek and paprikash and stuffed peppers, things I remembered him eating with relish in the past, meals he would sigh delightedly over during otherwise silent dinners. It happened while I wasn’t looking, but Grandma was preparing separate meals for him now, because she couldn’t bear to subject the rest of us to the punishment of eating boiled greens twice a day and poached meat for dinner, which was all he ate, strictly and uncomplaining.

His trips to the zoo had become a thing of the past long before the bombing forced the City to close its gates. There was a lot of speculation about this closure—people, not just my grandfather, were furious, felt it was a sign of giving up, accused the City of using the bombing as an excuse to slaughter the animals to save on resources. Indignant, the authorities set up a weekly newspaper column that ran current pictures of the animals and reported on their well-being, on the birth of their cubs, on plans for zoo renovation when the raids were over.

My grandfather began to cut out newspaper clippings about the zoo. I would come home in the early mornings, after my shift at the hospital, to find him taking breakfast by himself, removing the back section of the newspaper and looking through it angrily. There was disaster, he would tell me, at the zoo.

“This business is very bad for us,” he said, tilting his head up to look through his bifocals, his tray of seeds and nuts half-finished, his water glass tinted with the orange of fiber supplements.

The story in the newspaper focused on the tiger, and only on the tiger, because, despite everything, there was still some hope for him. It said nothing about how the lioness aborted and the wolves turned and ate their cubs, one by one, while the cubs howled in agony and tried to run. It said nothing about the owls, splitting open their unhatched eggs and pulling the runny red yolk, bird-formed and nearly ready, out of the center; or about the prized Arctic fox, who disemboweled his mate and rolled around in her remains until his heart stopped under the lancing lights of the evening raids.

Instead, they said that the tiger had begun to eat his own legs, first one and then the other, systematically, flesh to bone. They had a picture of the tiger, Zbogom—the aging son of one of my childhood tigers—sprawled out on the stone floor of his cage, his legs, stiff as boards, tied up behind him like hams. You could see the thick black marks where the flesh of his ankles had been soaked in iodine, and the newspaper said that nothing could abate that particular compulsion—they had tried tranquilizers, chains, bandages dipped in quinine. They had modified a dog funnel and taped it to his neck, but he had eaten the funnel during one of the night raids, and afterward he had eaten two of his own toes.

Two days after the tiger article ran, bombers hit the bridge over the South River and, within two hours of its collapse, they hit the abandoned car factory beside the zoo and Sonja, our adopted African elephant—beloved zoo mascot, small-eyed matriarch of the citadel herd, lover of peanuts and of small children—fell dead on the spot.

For weeks, the City had been trying to process the suddenness of the war, the actuality of its arrival, and we had treated it as something unusual and temporary; but, after that particular raid, something changed, and all the indignation and self-righteousness that had seeped over from the end of the last war was now put to good use. Every night afterward, people marched for miles to stand shoulder to shoulder at the citadel gate. Others, meanwhile, stood packed in inebriated rows on the stone arches of our remaining bridges. You had to be drunk for the bridge guard, because the chances you would be hit were higher, and after that the chances got higher still that you would die, because standing on either end would not spare you from a fall into the water if the middle was hit.

Zora, braver than anyone I knew, spread out her defensive agenda—she spent her nights with thousands of people by the stone knees of the dead Marshall’s horse on the east bank of Korcuna, wearing a toucan hat in solidarity with the people guarding the zoo. She can tell stories about the bombing of the First National bank, how she watched a missile hit the old brick building across the river, the vacuum of sound as the blue light went down, straight down, through the top of the building and then blasted out the windows and the doors and the wooden shutters, the bronze name on the building, the plaques commemorating the dead—all of this followed by the realization, once the smoke cleared, that despite everything, the building didn’t fall, but stood there, like a jawless skull, while people cheered and kissed and, as the newspapers would later point out, started a baby boom.

During the war, I had begged my grandfather to give up on his nightly house calls, on the rituals that made him feel productive; now, against his wishes—which he expressed with a more colorful vocabulary than even I had allowed myself at fourteen—I was holding vigil at the zoo on my nights off. The crowd there was different, older. People would begin to arrive around seven o’clock, in time for the last round of the popcorn cart, and then we would stand in small groups on the sidewalk that ran around the citadel wall, wearing the regalia of our beast of choice. The lion-woman was there, wearing a yellow mop as a wig. One man had tied wire hangers around his head and put white socks on them as ears and come to stand for Nikodemus, our giant Welsh rabbit. A few people came as the wolf pack, wearing toilet rolls as snouts, and there was a woman who had been to the zoo only once, as a child, and had come dressed the way she remembered her first and only giraffe: yellow and with stumpy horns. I didn’t have the heart to tell her she’d forgotten the blotches. I came for the tiger, of course, but the best I could do was paint a Davy Crockett–style cap from my old dress-up box in the basement with orange and black stripes, and stand there with the monstrous fake raccoon tail hanging over my back. The fox was a man dressed in a red suit, bow tie, and glasses. The zoo had never had a panda, but we had six or seven pandas guarding the citadel gate, loofah tails sticking out of their pants. The hippo wore a purple sweater, with a pillow tucked underneath.

People were also writing on the zoo wall with chalk and spray paint, and, a few weeks in, they began arriving with placards that favored an attitude of friendly reportage over the standard FUCK YOUs that were being held aloft up and down the bridges. A gray-clad man with a pink towel over his head appeared one evening at the zoo gates holding up a sign that said: AIM HERE, I AM AN ELEPHANT. There was also a famous guy from lower Dranje, where the water tower had been hit, who originally posed as a duck, but then showed up on the sidewalk the day after the cotton factory bombing with the announcement: I NOW HAVE NO CLEAN UNDERWEAR. After that, the newspapers were flooded with overhead shots of his poster, the red lettering, his frayed gray gloves clutching the cardboard. He appeared again, in a week or two, bearing the message: NO UNDERWEAR AT ALL. Someone else held up a sign that read: ME NEITHER.

Zora and I swapped stories over our shifts at the clinic, where we bandaged heads and arms and legs, helped make room for the wounded, assisted in the maternity ward, supervised the distribution of sedatives. From the office window on the third floor of Sveti Jarmo hospital, you could see the trucks coming in from the bomb sites, the tarps laid out on the stone courtyard, laden with parts of the dead. They were not like the parts we saw in anatomy, fresh, connected to their related tissues, or to the function that gave them meaning. Instead, they made

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