Her husband, clubman come whatever,

Is just as meek and deaf, it's true,

And still consumes enough for two.

46

Their daughters, after brief embraces,

Look Tanya over good and slow;

In silence Moscow's youthful graces

Examine her from head to toe.

They find her stranger than expected,

A bit provincial and affected,

And somewhat pale, too thin and small,

But on the whole, not bad at all;

Then bowing to innate compassion,

They squeeze her hand and, in the end,

Take Tanya in and call her friend;

They fluff her curls in latest fashion,

And in their singsong tones impart

Their girlish secrets of the heart

47

Both others' and their own successes,

Their hopes, and pranks, and maiden dreams;

All innocence, their talk progresses .

Though now and then some gossip gleams.

And then they ask, in compensation

For their sweet flow of revelation,

For her confessions of romance.

But Tanya, in a kind of trance,

Attends their giddy conversation

Without response and takes no part;

And all the while she guards her heart

With silence and in meditation:

Her cherished trove of tears and bliss

She'll share with none, aloud like this.

48

Tatyana tries to pay attention

When in the parlour guests converse;

But all they ever seem to mention

Is incoherent rot, or worse;

They seem so pallid and so weary,

And even in their slander dreary.

In all the sterile words they use

In arid gossip, questions, news

Not once all day does thought but flicker,

Not even in some chance remark;

The languid mind will find no spark,

The heart no cause to beat the quicker;

And even simple-minded fun

This hollow world has learned to shun!

49

Вы читаете Eugene Onegin
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