The Book of Q

curious, He wore the robes of an Old Testament mystic, a book covered with astrological symbols clutched in His right hand.

At first, Pearse attributed the idiosyncrasies to a Byzantine style, but the longer he stared, the more he realized how much of the scene felt incongruous, the usual cast of characters somehow miscast-the Virgin Mother nowhere in sight, the apostles conspicuously absent. Even the way the light radiated from Christ seemed skewed.

It slowly dawned on him why. This was no Ascension, but a Heavenly Ascent. No Christ, but a Manichaean prophet. Enoch, as Pearse now recalled his Apocrypha. Who else would be holding the Book of Celestial Physics? He glanced around the chamber. Each of the tapestries wove a similar story of a Seth or an Enosh, the figures virtually indistinguishable from one another. Only one of them stood out-the largest, hung along the back wall, depicting a man twice the size of the rest. Miniature versions of the other prophets stood within his open palms, their tiny auras subsumed within his own brilliance.

Mani, the Paraclete, larger than life.

From his vaunted perch, the Great Prophet stared down on the chamber, gnosis issuing from his every pore in a stream of letters and symbols woven into the cloth, the focus of his attention a raised platform at the center of the room. His gaze seemed to indicate its special importance. Pearse followed Mani’s cue and moved toward it.

A series of wooden sculptures, each no more than two feet tall, surrounded the four sides of the pulpit- Byzantine figures carved in narrow ridges, maroon and aqua pigments peeling from their faces and hands. They looked like typical Eastern icons, eyes peering up at the tapestries, each of the little men in a classic pose of humble piety. And yet, there were subtle differences among them-a hand gesture, the tilt of a head-enough to draw Pearse closer. As he moved from one to the next, he realized how much they varied, each one with its own specific identifying mark: an olive branch clasped to the breast, a garland rung about a shaven head, a tiny book held in the right hand. A book? At once, he turned back to the tapestries, instantly aware of the connection. Each of the sculptures represented one of the figures on the walls. Like Saint Jerome with his lion, or Saint Catherine with her wheel, the Manichaean prophets defined themselves by their own artistic props.

But whereas six of them hung from above, the grouping around the platform numbered seven. Pearse quickly matched statues with tapestries, the odd one out all too obvious when he finally came to it. Its short hair and lack of a beard had confused him at first. Only when he looked more closely did he see the tiny indentations at the center of each palm. Jesus as prophet. Jesus as one more in a long line leading to Mani. Why He had been denied His Heavenly Ascent remained a mystery. Perhaps to confirm Mani’s elevated position. Pearse had no answer. What he did have, though, was far more exhilarating.

Compared to the others in the chamber, Jesus remained earthbound, static. Unmoved.

Pearse needed only to help him “take wing.”

He placed the lantern on the platform and knelt by the figure. Its robes draped to the ground, a hint of sandal peeking out, enough to reveal a rusted nail driven through the arch. At first, Pearse thought it was merely decorative, a symbol of Christ’s final agonies; bending closer in, he realized it was actually bolting the statue to the stone below. He glanced at the other figures; each was managing with a single brace attached to the platform behind. Jesus alone required a separate means of mooring.

Pearse dropped to his chest and began to examine the few inches between the back of the figure and the pulpit. This time, he could find no release mechanism. Pulling himself to his knees, he placed his hands around the statue’s waist and gently tried to lift it. The wood groaned from the mild exertion, the stone below shifting ever so slightly. A hint of movement. More than that, he watched as a powder puff of dust rose from behind the robes as he released, caught in an unseen stream of light. He inched over to the side and lifted again, this time his eyes fixed on the stone. There. A thin shadow along the back edge seemed to deepen as he pulled, another crack of light. The stone was rising. More dust as he let go. He tried it several times, but the bolt refused to give way, no more than half an inch before it locked the stone in place. He needed something to wedge into the gap, something to force the stone up from below.

He surveyed the chamber. Nothing but tapestries and statues stared back. He glanced over at the torches, each one firmly affixed to the wall by a web of ironwork, thick bands of metal impossible to dislodge.

So what about a rusted one?

Jumping to his feet, he grabbed the lantern and ran to the steps. Two minutes later, he was using the lamp’s base to hammer against an eroded pin hanging from one of the corridor walls. A long metal strip dangled at its side, both closer and closer to release with each strike. The sound jarred, its echo a dull thud within the wildly shadowed space, lantern light flying in every direction. With a sudden clang, both pieces fell to the floor. Pearse snatched them up. A minute later, he was maneuvering the long strip into the half-inch opening.

Again he tried to lift. And again the stone refused. He pressed his full weight onto the improvised lever-his arm and chest muscles straining at the effort-bringing the gap to nearly an inch before his body started to shake. With one last surge, he drove down onto the iron wedge, hoping to snap the stone from its bolt, but his knees began to slide out from under him, twisting him to the side. The lever shifted as well, forcing the stone away from him rather than up. To his complete amazement, both continued to move, the stone scraping a few inches across its neighbor before his arms finally gave out.

The bolt, he discovered, had been designed not to keep the statue in place but to act as its pivot. Reaching his fingers into the gap formed by the rotation, he shoved the stone farther, the sound of grinding slate on slate reverberating throughout the chamber. When he had opened up a wide-enough breach, he picked up the lantern and stared into the hollow.

A pit some two feet deep opened up below the statue, more of the luminous stone forming its walls. At its center sat a square metal box perhaps ten inches high, twice that in both length and width. He reached down and pulled it up. It was lighter than he expected. He set it atop the platform and stood, marveling at its simplicity.

A plain box, untouched for nearly a thousand years, more remarkable for what he knew to be inside.

It was almost too much to think of opening it, a kind of ecstatic wonder at the prospect. To this point, he’d been playing a game, prodded by a Manichaean dare, distracted by its ingenuity. Now, all the ciphers, the meanings within meanings, fell away. He stood alone, a single iron latch between himself and an unimagined reality. He didn’t think of Angeli’s warning, nor of his own desire for clarity. He felt only insignificance, the mountain before him again, a divinity he could revere but never fathom. Paralysis born of faith. He sat, light-headed, the shimmering whiteness of the chamber draining him still further.

He had no idea how long he had been sitting, staring, when a flicker of torchlight snapped him back into focus. He reached for the box, an instant of resolve enough to bring his hand to the latch. More a device to keep the agents of decay at arm’s length than to provide additional security, it easily gave way under a bit of pressure. Evidently, anyone who had gotten this far could be trusted with the contents. He lifted the lid, a strange odor wafting out, somehow familiar, though he couldn’t quite place it.

More unsettling, though, was what he saw. A small dome of glass rested on a swath of velvet, between them what looked to be a leather-bound codex, no bigger than the size of his hand. A waxlike substance coated the crease where glass met velvet-a sealant of some sort-further protection against the elements. Next to it lay a pile of gold coins, their presence equally jarring. But it was the dome itself that troubled him most, the glass far too pure to have come from the hand of a tenth-century artisan, its craftsmanship that of the fifteenth or sixteenth century. All sense of wonder quickly faded; he dislodged the glass from the strip and picked up the codex. Flipping it over several times, he realized it, too, belonged to a different age. In fact, it was no codex at all, but a prebound book, the style of binding mid-Renaissance, the texture of the paper-when he finally opened it-confirmation of the dating.

The final slap was the language. Latin. Angeli had promised Greek. Where was the parchment they had gone to such lengths to protect? Where? And what had someone left in its place? His frustration and disappointment began to boil to the surface.

“I don’t suspect you’ll find much on Ambrose down here.”

The sound of the voice bolted Pearse to his feet, all traces of anger quickly lost to the momentary shock. He spun toward the door.

There, peering down at him from the steps, stood Brother Nikotheos, a small revolver in his hand.