THIS BOOK IS FOR DAVID THOMPSON AND BILL REINKAMISS YA, FELLAS!

CONTENTS

Title Page

Dedication

Acknowledgments

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Also by S. J. Rozan

Copyright

ACKNOWLEDGMENTS

A big m’goi, xie xie, and thank you to

Steve Axelrod, my agent

Keith Kahla, my editor

Dr. Qian Zhijian

Xin Song

Reed Farrel Coleman, Nancy Ennis, Ed Lin, Jonathan Santlofer, Lisa Scottoline, Keith Snyder, Joseph Wallace

Steven Blier, Hillary Brown, Belmont Freeman, Max Rudin, James Russell, Amy Schatz

Betsy Harding, Royal Huber, Tom Savage

The Museum of Chinese in America

And a wish for good fortune to

Liu Xiaobo and Ai Weiwei

1

In a relentlessly chic and tranquil tea shop on the Lower East Side, I sat sipping gunpowder green and trying to figure out what my new client was up to. That the client, Jeff Dunbar, sat across the table laying out the case he was hiring me for, helped not at all.

“It’s about art,” he’d begun, stirring sugar into his straight-ahead American coffee after the pleased-to-meet- yous were over.

“Art?” I’d tried to sound intrigued, as opposed to baffled, by this revelation. Dunbar had called the day before, saying he needed an investigator and had seen my Web site. I’d expected, when we met on this chilly, bright spring

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