father’s death in 1590, Naresuan acceded to the throne and reigned for fifteen years, extending the Thai domain to unprecedented frontiers. He adorned his palace gates with images of the cock. Monuments to the king still depict him surrounded by his roosters. The fighting cock became a symbol of national resistance. Even today, one of the most sought-after breeds is the Gai Leung Hang Khao, a fierce black-feathered bird with gold around its throat like a necklace and a long white tail; a cock that traces its ancestry back to the one Naresuan had carried into exile.

After Naresuan, the sport took a firm hold on the Thai imagination. The woven bamboo baskets of fighting cocks became ubiquitous in the front yards of peasant villages across the country. And it remains a pastime for the elite, with the most coveted breeds selling for $10,000 or more and up to $250,000 in bets changing hands at top matches. Thai celebrities and entertainment moguls have rallied to the cause of cockfighting as the tradition came under fire from public health specialists. The country’s most prominent devotee and outspoken partisan is a long- haired pop icon named Yuenyong Opakul, the godfather of Thai country rock ’n’ roll. Yuenyong rose to the top of the charts penning edgy songs about social injustice and performing them as the singer and lead guitar player of his band, Carabao. He cashed in on his fame as the spokesman for a Thai beer company and then launched his own brand of energy drink, called Carabao Dang, which quickly claimed a significant share of the market. Then, after bird flu erupted in Thailand in late 2003, Yuenyong emerged as vigorous defender of cockfighting, clashing with the government over its demand that roosters in infected areas be culled, defying a ban on vaccinating the birds against the virus by immunizing his own. (Thai officials worried that any poultry vaccination could undercut the confidence of foreign markets in Thailand’s massive chicken exports.) Ever the rebel, Yuenyong included the song “Vaccine for Life” in his CD Big Mouth 5: Bird Flu, which reportedly sold at least a hundred thousand copies.

Today Thai magazines devoted to cockfighting proliferate. Dog eared copies are a common sight in farmyards and the front seats of pickups. For a few more dollars, glossy books with colorful plates detail the attributes and ancestry of different breeds, including some that trace their bloodlines even further back than Naresuan. The black-tailed Gai Pradu Hang Dam, for instance, is descended from birds raised by King Ram Khamheng of the Sukhothai dynasty, who six hundred years ago extended the Thai kingdom as far as modern-day Laos and Burma.

The Burmese have never accepted Thai claims of superiority, whether in politics or cockfighting. If Thai cocks are famed for their aggressiveness, then the Burmese retort that theirs are smarter and more stylistic. Many Thais in fact do not contest that. Like Thailand, Burma has traditionally been a major exporter of gamecocks to other Asian countries.

But passion for the pastime spread across the region centuries before these exports. In Indonesia, cockfighting has a long history on the main island of Java and the Hindu outpost of Bali. Despite Bali’s mystical reputation as an oasis of transcendental peace, the island’s villagers have long preferred spending their afternoons betting on blood sport than joining tourists to watch dance performances of the Ramayana epic. Remarkably, the Balinese have assimilated this sanguinary diversion into their spirituality, making the neighborhood temple a prime venue for cockfights. When officials in Bali tried to combat gambling by suggesting that cockfights should be limited to major festival days, villagers balked. “We believe that to purify our sacred temple, you should have cockfighting regularly,” a Balinese matron named Made Narti told me when I spent an afternoon in her village. “The blood splattered by the cock will protect the temple and protect the whole village. If you go without cockfighting for a long time, our god Dewa gets unhappy. The bricks will fall out and the temple walls will collapse.”

If fighting cocks are bred for valor, strength, and stamina, then Phapart Thieuviharn was bred to be a breeder. His grandfather had emigrated as a young man from China to northern Thailand at a time when thousands of other Chinese were making a similar migration to the lands of economic promise in Southeast Asia. He settled in the pleasant farming province of Phayao just outside the infamous Golden Triangle, where Thailand, Laos, and Burma all come together in a remote, hilly region that for years produced much of the world’s opium. He found a piece of land in a valley nestled between high mountains, built a traditional wood home on stilts, and began raising chickens. His prize possessions were about ten cocks he bred beneath the house. He fed them on scraps from the family table.

Phapart’s father substantially expanded the family’s landholdings but always found time away from farming to pursue the family passion, raising cocks and training to become a cockfighting referee in local arenas. Later, around 1970, he bought a parcel of land in the province and built his own.

Phapart, who was forty-seven when I first met him at an empty fish restaurant beside the province’s scenic Kwan Phayao Lake, said fighting cocks were a part of his life from birth. “Even before I can remember, I was already caring for them,” he told me. When he was seven or eight, he would refuse to get a haircut unless he could take his favorite rooster with him to the barber. As a teenager, he rose hours before school to train his cocks and then pitted them against those of his teacher.

“When you raise fighting cocks, you see them from the moment you open your eyes in the morning. You can recognize the way each one coos,” Phapart explained, pushing up the sleeves of his green work shirt and chomping on an ever-present piece of gum. He had recently recovered from heart surgery, and though he was fit and vigorous, cigarettes were no longer an option. “We give them more love than we would a baby. You see, you and your children can talk in the same language. They can tell you what they want. But fighting cocks can’t. So you have to be even more attentive and give them even more care.”

Over the years, his flock grew and grew. He raised dozens of cocks at his home in Phayao town and kept hundreds more at a family farm near Thailand’s northern capital, Chiang Mai. Many of these cocks were bred as an investment and sold for a small fortune. Proven winners went for up to $2,500. Others he retained and personally groomed as champions. Their framed portraits now adorn Phapart’s house. But none was more accomplished and lucrative than a beautiful bird named Lucky, who retired undefeated after twelve matches. A picture of Phapart embracing the champ occupies a place of honor in his living room.

“It wasn’t about the money,” Phapart stressed. “It’s not like other gambling, like at a casino. It was about social status. It was about my pride as a winner.”

Not long after Lucky called it quits, tragedy struck. In late 2003, bird flu erupted across Thailand, ravaging the country’s poultry and outracing the government’s ability to contain it. The epidemic reached Chiang Mai and within days had sickened the roosters at the family’s farm. Birds bred for fierce character turned listless. “We saw the symptoms. We just killed them all,” he recounted, too pained to say much more. He never notified the government, just slaughtered six hundred roosters himself and burned their bodies. The economic loss was staggering, at least $150,000, and the emotional loss was worse. For good measure, he gave away ten other cocks he was grooming beneath a metal awning behind his house, fearing they might be next to catch the bug.

Phapart eventually restocked. He drove me over to his house to see his new flock. There were eight birds, still too young to fight but promising. They had good bloodlines, strong builds, and character. “I can tell they’ll do well,” he said with pride. He drew one of the roosters from its wire-mesh cage and cradled it in his arms. It was a handsome, frisky creature with a red head and black feathers tinged with brown.

“I love them, and I’m looking for more,” he said. But he continued, “If the disease comes back again, I will do it again and cull them again.”

He returned the bird to its cage and sat down on the edge of the practice ring he had built in his backyard. So far, the young cocks were healthy, he said. A government veterinarian had recently examined them and declared them free of bird flu. But Phapart quipped that he did not need some bureaucrat to tell him that.

“I know my birds. I check them every morning,” he said, irritation flashing in his eyes. “You have a very close relationship with your fighting cocks, and the closer you are, the more confident you are about their health. You know their condition.” Emphasizing each word somewhat defensively, he added, “That is why I am not afraid.”

“The villagers around here and their fighting cocks communicate heart to heart,” Phapart told me as we set off in his Isuzu 4x4 for a breeder’s tour of Phayao town. “They share the same spirit and the same daily life.” He had volunteered to give me a crash course on the care and conditioning of gamecocks. It would also be a chance for him to dispense advice to some of the townspeople who were planning to enter their birds at a few of the more competitive arenas. Phapart estimated that at least two-thirds of the local families raised fighting cocks. “Cockfighting connects people in the same community,” he continued. “We’re a farming country, and after we work hard in the fields, this is how we like to relax.”

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