Elizabeth I. By the 1960s, she had been supervising the royal equine enterprise for more than a decade, with breeding operations located at Sandringham and nearby Wolferton as well as Hampton Court, along with Polhampton Lodge Stud in Berkshire, which she began leasing in 1962. Ten years later she bought Polhampton to use as a bucolic camp for recently weaned yearlings and runners needing a rest—what her veteran stud manager Michael Oswald calls the “walking wounded.”

In her private as well as public life, the Queen is a woman of predictable routines, which, in the case of her racehorses, are timed to their rhythms of mating, birth, weaning, training, and racing. She typically visits the mares and stallions at the Sandringham stud farm twice in the first six weeks of each year when the breeding season begins, and again in April and July to see the foals resulting from the previous season’s mating. With her trusty old- fashioned camera, she methodically photographs the mares and their offspring.

In the early spring as well as the fall she inspects her yearlings at Polhampton, and whenever possible in the spring and summer she observes more than a score of her young thoroughbreds in training at stables in Wiltshire, Hampshire, and Berkshire. She follows their progress at races throughout the year, only a small number of which she sees in person because of the demands of her job. The Derby in early June and Royal Ascot later that month are indelible dates in her calendar, and she attends other major race meetings when she can.

The Royal Stud at Sandringham is a picturesque late-nineteenth-century complex of red-brick and native brown carrstone stables topped by chimneys and cupolas. The mares inhabit roomy boxes that can easily accommodate newborn foals, but each stallion lives like a king in his considerably larger box with tiled walls, ten inches of wood chips on the floor, high windows, a pitched roof of wood and Norfolk reed, and infrared lights for drying off. There are four paddocks of two acres apiece for the stallions, enclosed by brick walls and hedges, with nearby gardens and fountains.

The main business of the stud takes place in the covering shed, a cavernous structure with a sandy floor. The Queen’s breeding and racing advisers make suggestions about mating, but unlike her role as sovereign, where she follows the guidance of others, she often takes the initiative, based on her observations as well as her extensive knowledge of bloodlines. She knows which horses are good for stamina, which for speed, and which possess the ineffable trait of courage. She is an astute judge of conformation—whether, as Henry Porchester observed, “a horse had a good shoulder, short cannon bones, good feet, flat feet, bent or straight hocks, good quarters, a nice eye or quality head.” She famously discovered that a stable had mixed up two of her yearlings, Doutelle and Agreement, that she had only previously seen once as foals. “She reads a lot, and she knows a lot,” said Michael Oswald. “If you want to discuss a sales catalogue you should do your homework, because she’ll know who a horse’s great-great- grandmother was.” The final decision “rests always with the Queen,” wrote Arthur FitzGerald in his official history of the Royal studs.

Oswald jocularly refers to the Sandringham Stud as the “Maternity Help and Marriage Guidance Center for Horses.” But the act of live cover—breeding a multimillion-dollar prize-winning stallion with one of the Queen’s valuable mares—is not for the faint of heart. Rather, it is a serious exercise in controlled lust between two powerful and highly strung creatures, each weighing nearly a ton. As a measure of her earthy nature as a countrywoman, the Queen has witnessed the raw reality of thoroughbred matchmaking any number of times. The otherwise prim and proper Queen would stand in a corner of the covering shed with her stud manager and grooms, wearing a hard hat for protection before the health and safety authorities required her to build an elevated viewing stand. “She is very matter-of-fact,” said Michael Oswald. “She knows how it works.”

The fast, furious, and potentially dangerous mating act begins when a mare in heat is brought into the covering shed. Her rear legs are encased in heavy leather boots to prevent her from kicking the stallion, and a thick leather “false mane” is strapped across her neck and withers so she is not bitten during the frenzy of coitus.

The mare is first brought to one side of the shed, a padded wall with a large opening where she and a “teaser” stallion engage in equine foreplay, and if she is sufficiently aroused—an unmistakable reaction known as clitoral “winking”—the veterinarian will examine her by palpation and ultrasound to determine whether she is about to ovulate. If so, she returns to the covering shed, where she stands in a slight hollow in the middle. One groom holds her bridle and another has a “twitch,” a pole with a loop of rope that sedates the mare when twisted around the end of her nose. The highly excited stallion of choice is held by four men as he strains, snorts, whinnies, and rears before mounting the mare, his violent exertions guided by a stud groom standing near her tail.

Once conception has been confirmed by ultrasound, the Queen tracks the eleven-month gestation, and occasionally she watches the mare foaling, which usually occurs at night. Typically she is sent a photograph of the foal, which she sometimes will name even before birth, and she follows its development until it is weaned and shipped out as a yearling to Polhampton.

During one of the Queen’s visits to Polhampton, she accompanied Henry Porchester, her stud groom Sean Norris, her trainer Ian Balding and his wife, Emma, into a field to have a better look at six colts about to be broken in. Suddenly the colts started galloping around in a circle and “dive bombing,” rearing up and kicking out. Only Balding and the Queen stayed in place, while their three companions bolted for the gate. Elizabeth II and her trainer knew that if they remained motionless, the young horses would not attack them and would eventually settle down.

“Oh, that was scary,” the Queen said afterward. “She was completely unruffled,” Balding recalled, having witnessed an unflinching physical courage that is one of her defining traits. “She has the ability to get calmer in the face of problems rather than allowing herself to get her adrenaline up and to panic,” said Monty Roberts, the California horse trainer known as the “horse whisperer,” who was to become her close friend.

Preparing her yearlings for the racetrack occupies nearly as much of the Queen’s attention as breeding. Her expertise is such that, as Henry Porchester said, “talking to her is almost like talking to a trainer.” “If she had been a normal person, she probably would have become a trainer,” observed Ian Balding. “She loves it so much.” She has always divided her horses among several trainers, mainly because she wants to see their different approaches. “Some trainers suit a particular horse better than others,” said Oswald. “It’s rather like deciding on schools for your children.” She can stand for hours in the early morning mist on the gallops, wearing a head scarf, tweed coat, and Wellington boots, binoculars fixed on the horses streaking across the rolling downs. “She would watch how her horses moved, how they would stretch out,” said Ian Balding. “She could see how they run.”

She revisits her horses in their boxes during “evening stables,” when she takes the time to inspect them one by one, offering each a carrot or a bunch of clover with an affectionate pat, and chatting with its groom. She knows all the stable hands and grooms, and she respects their expertise. Their world is one of the very few places where the barriers of protocol disappear, where she can talk to people on the same level. She knows about their problems and concerns just as much as those of their four-legged charges.

While touring Balding’s stables at Kingsclere, she inquired about the ventilation system, knowing that since horses can breathe only through their noses, they are susceptible to respiratory infections. Back at the house for a drink, she blew her nose and startled her trainer by handing him her handkerchief so he could see the dark mucus. “I had a feeling that it was incredibly dusty in there, and there was no air,” she said. It was her dramatic and no- nonsense way of showing that his horses were suffering. Balding knocked some holes in the rear of the stalls, covered them with screens, and added a vent in the roof to increase the air circulation.

While staying at one of her country residences, the Queen finds time to ride nearly every day, even in the rain, both as an escape and a physical fitness regimen. Since childhood she has ridden well, with a fine seat, light rein, and confident control. Although she is always accompanied by a groom and detective, when she hacks out across the countryside she is as alone as she can possibly be—a rarity for a queen.

She was never interested in jumping, and she knew how to avoid danger. But her prudence has always excluded wearing a hard hat while riding, even in her younger days when tearing down the racecourse with her sister and her daughter, her head scarf flying in the wind during the family’s private morning race each year on Gold Cup Day during Royal Ascot. Jean Carnarvon recalled that her husband “used to be bananas about it. He would talk to her about it. She wasn’t going to do it.” Once when Ian Balding was hacking with her in Windsor Home Park, he took her to task. “I really think it is ridiculous that you above all others do not wear a crash helmet,” he said. Replied the Queen, “I never have, and you don’t have to have your hair done like I do”—an expression less of vanity than the practical need to be ready for her appointments.

Unlike his wife, Philip was not brought up on horseback. He took up polo in 1950 while living on Malta because he enjoyed the sport’s vigorous physical challenge. From the start he rode aggressively, “keen to win at all costs,” said Major Ronald Ferguson, who played frequently with Philip. Ferguson believed that Philip “needed to play polo to get rid of all his pent-up frustrations. He would arrive … with steam coming out of his ears and after a few

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