Then the interminable business of starting the engine: Sears ground his teeth and tried to get the engine to turn over by willing it. He saw Elmer Scales's face as he had when coming awake, staring at him with dazed unfocused eyes and saying You gotta get out here, Mr. James, I don't know what I been doin', just get here for Chrissake… the engine gnashed and sputtered, then mercifully caught. Sears fluttered the gas pedal, making the engine roar and then rocked the car back and forth to roll it out of its depression and through the snow which had built up around it.

After he got the car pointed out onto the street, Sears took the ice tool from the dashboard and pushed the powder off the windshield: the big harmless fluffs of snow swirled about him in a soundless dawn. He reversed the tool and used the bladed end to clear an eight-inch hole in the ice directly in front of the steering wheel. He'd let the heater do the rest.

'Things you're better off not knowing, Ricky,' he said to himself, thinking of the childish footprints he'd seen in the drifts outside his window three mornings running. The first morning he'd pulled his drapes shut in case Stella came into the guest room to clean; a day later he had realized that Stella had an extremely haphazard approach to housekeeping, and that not even bribery would induce her to enter the guest room-she was waiting until the cleaning woman would be able to come from the Hollow. For two mornings, those prints of bare feet dotted the snow which relentlessly climbed up to the window, even on Sears's protected side of the house. This morning, after Elmer's drugged face had pulled him unceremoniously from sleep, he had seen the prints on the windowsill. How long would it be before Fenny appeared inside the Hawthorne house, trotting gleefully up and down the stairs? One more night? If Sears could lead him away, perhaps he could win more time for Ricky and Stella.

In the meantime he had to see to Elmer Scales and just get here for Chrissake… Ricky too had been tuned into whatever kind of signal that was, but fortunately Stella had appeared to keep him at home.

The Lincoln rolled out onto the street and began bulling through the snow. There's one comfort, Sears thought: at this time of the morning on Christmas day the only other person on the road will be Omar Norris.

Sears pushed Elmer Scales's face and voice out of his consciousness and concentrated on driving. Omar had worked most of the night again, it seemed, because nearly all the streets in the center of Milburn were scraped down to the last four or five inches of hard-packed frozen snow. On these streets, the only danger was of skidding on the glassy cake beneath the wheels and going off into a spin to collide with a buried car… he thought of Fenny Bate on his windowsill, levering up the window, gliding into the house, snuffling for the scent of living things… but no, those windows had storms on them and he had made sure the inner windows were locked.

Maybe he was doing the wrong thing; maybe he ought to turn around and go back to Ricky's house.

But he couldn't do that, he realized. He swung the car through the red light at the top of the square and lifted his foot from the accelerator, letting the car coast into its own angle past the front of the hotel. He could not go back: Elmer's voice seemed almost to get stronger, sounding deep tones of pain, of confusion (Jesus Sears, I can't get my head around what's happening out here). He twitched the wheel and straightened out the car: the only rough spot now would be the highway, those few miles of treacherous hills, cars stacked up in the ditches on both sides… he might be forced to walk.

Jesus Sears I can't figure out all this blood… seems like those trespassers got in finally and now I'm scared bad, Sears, scared real bad…

Sears nudged the accelerator down a fraction of an inch.

3

At the top of Underhill Road he paused: it was much worse than he expected. Through the snow and gloom of the morning he could see the red lights on Omar's plow, pushing maddeningly slowly toward the highway. A nine-foot drift shaped like a surfer's ideal wave curled over all the unplowed section of Underhill Road. If he tried to get around Omar's plow, he'd bury the Lincoln in the drift.

For a second he had a mad impulse to do just that, floor the accelerator and sail down the fifty yards to the bottom of the hill and then smash the Lincoln through the snow, crashing through it around Omar on his slow- motion throne and exploded out of the big drift onto the highway-it was as if Elmer were telling him to do it. Get that car moving, Mr. James, I need you bad-

Sears blew his horn, mashing his hand down on the button, Omar turned around to gape at him: when he saw the Lincoln, he jabbed one finger in the air, and through the glass behind the cab Sears saw him weave on the seat, his face covered with a snow-crusted ski mask, and knew two things at once. Omar was drunk and half-dead with exhaustion; and he was yelling at him, telling him to turn around and not come down the hill. The Lincoln's tires would never hold on the slope.

Elmer's dogged, wheedling voice had kept him from seeing it.

The Lincoln, idling, rolled a few inches down the long hill. Omar switched off the plow and stood up half-out of the cab, supporting himself on one of the struts to the blade. He held a hand out palm-forward like a traffic cop. Sears stamped on his brake pedal, and the Lincoln shuddered on the slippery plowed surface. Omar was making circular motions with his free hand, telling him to turn around or back up.

Sears's car lurched another six inches down the slope and he grabbed for the handbrake, no longer thinking of how to handle the car but just trying to stop it. He heard Elmer saying Sears-need-need- that dogged, high-pitched voice urging the car forward.

And then saw Lewis Benedikt at the bottom of the hill running toward him, waving his arms to make him stop, a khaki jacket flapping out behind him, his hair blowing.

-need-need-

Sears released the handbrake and pushed his foot down on the accelerator. The Lincoln skidded forward, its rear tires whining, and plummeted down the long hill, fishtailing from side to side. Behind Lewis's running figure, Sears saw a blurry Omar Norris standing stock-still on the snowplow.

Traveling at seventy-five miles an hour, the Lincoln sliced through the figure of Lewis Benedikt; Sears opened his mouth and shouted, twisting the wheel savagely to the left. The Lincoln spun three fourths of the way around and jolted the snowplow with its right rear fender before plunging into the huge curling drift.

His eyes closed, Sears heard the mushy, sickening thud of a heavy object striking the windshield: a moment later he felt the atmosphere about him become thicker: in the next endless second the car crumped to a stop as if he'd hit a wall.

He opened his eyes and saw he was in darkness. Sears's head stung where he had struck it in the crash. He put one hand to a temple and felt blood; with the other he switched on the interior lights. Omar Norris's masked face, jammed against the windshield, peered with an empty eye in at the passenger seat. Five feet of snow held the car like cement

'Now, little brother,' said a deep voice from the back of the car.

A small hand, earth embedded under its nails, reached forward to brush against Sears's cheek.

The violence of his reaction took Sears by surprise: he rocketed sideways on the seat, getting his body out from under the wheel without planning or forethought, moved by a galvanic revulsion. His cheek felt scraped where the child touched it; and already, in the sealed-off car, he could smell their corruption. They sat forward in the back seat, glowing at him, their mouths open: he had startled them, too.

Disgust for these obscene beings kindled up in him. He would not die passively at their hands. Sears threw himself forward and grunted, aiming the only punch he had thrown in sixty years: it caught Gregory Bate's cheekbone and slid, tearing the flesh, into a damp, reeking softness. Glistening fluid slid over the torn cheek.

'So you can be hurt,' Sears said. 'By God, you can.'

Snarling, they flew at him.

Twelve Noon, Christmas Day

4

Ricky knew that Hardesty was drunk again the moment Walt had finished breathing two words into the telephone. By the time he had uttered as many sentences, he knew that Milburn was without a sheriff.

'You know where you can put this job,' Hardesty said, and belched. 'You can shove it. Hear me, Hawthorne?'

'I hear you, Walt.' Ricky sat on the couch and glanced over at Stella, whose face was averted into her cupped hands. Mourning already, he thought, mourning because she let him go alone, because she sent him out of here

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