through the darkness in which they walk, but a match of fisticuffs in broad day. Though we should be always in action, we should always shrink from view; and yet you could find no better plan than to draw universal attention to us by proceedings at once open and deplorably notorious. To make them more secret, you call in the guard, the commissary of police, the jailers, for your accomplices. It is pitiable, sir; nothing but the most brilliant success could cover such wretched folly; and this success has been wanting.'
'Sir,' said Father d'Aigrigny, deeply hurt, for the Princess de Saint Dizier, unable to conceal the sort of admiration caused in her by the plain, decisive words of Rodin, looked at her old lover, with an air that seemed to say, 'He is right;'—'sir, you are more than severe in your judgment; and, notwithstanding the deference I owe to you, I must observe, that I am not accustomed—'
'There are many other things to which you are not accustomed,' said Rodin, harshly interrupting the reverend father; 'but you will accustom yourself to them. You have hitherto had a false idea of your own value. There is the old leaven of the soldier and the worlding fermenting within you, which deprives your reason of the coolness, lucidity, and penetration that it ought to possess. You have been a fine military officer, brisk and gay, foremost in wars and festivals, with pleasures and women. These things have half worn you out. You will never be anything but a subaltern; you have been thoroughly tested. You will always want that vigor and concentration of mind which governs men and events. That vigor and concentration of mind I have—and do you know why? It is because, solely devoted to the service of the Company, I have always been ugly, dirty, unloved, unloving—I have all my manhood about me!'
In pronouncing these words, full of cynical pride, Rodin was truly fearful. The princess de Saint-Dizier thought him almost handsome by his energy and audacity.
Father d'Aigrigny, feeling himself overawed, invincibly and inexorably, by this diabolical being, made a last effort to resist and exclaimed, 'Oh! sir, these boastings are no proofs of valor and power. We must see you at work.'
'Yes,' replied Rodin, coldly; 'do you know at what work?' Rodin was fond of this interrogative mode of expression. 'Why, at the work that you so basely abandon.'
'What!' cried the Princess de Saint-Dizier; for Father d'Aigrigny, stupefied at Rodin's audacity, was unable to utter a word.
'I say,' resumed Rodin, slowly, 'that I undertake to bring to a good issue this affair of the Rennepont inheritance, which appears to you so desperate.'
'You?' cried Father d'Aigrigny. 'You?' 'I.'
'But they have unmasked our maneuvers.'
'So much the better; we shall be obliged to invent others.'
'But they; will suspect us in everything.'
'So much the better; the success that is difficult is the most certain.'
'What! do you hope to make Gabriel consent not to revoke his donation, which is perhaps illegal?'
'I mean to bring in to the coffers of the Company the whole of the two hundred and twelve millions, of which they wish to cheat us. Is that clear?'
'It is clear—but impossible.'
'And I tell you that it is, and must be possible. Do you not understand, short-sighted as you are!' cried Rodin, animated to such a degree that his cadaverous face became slightly flushed; 'do you not understand that it is no longer in our choice to hesitate? Either these two hundred and twelve millions must be ours—and then the re- establishment of our sovereign influence in France is sure—for, in these venal times, with such a sum at command, you may bribe or overthrow a government, or light up the flame of civil war, and restore legitimacy, which is our natural ally, and, owing all to us, would give us all in return—'
'That is clear,' cried the princess, clasping her hands in admiration.
'If, on the contrary,' resumed Rodin, 'these two hundred and twelve millions fall into the hands of the family of the Renneponts, it will be our ruin and our destruction. We shall create a stock of bitter and implacable enemies. Have you not heard the execrable designs of that Rennepont, with regard to the association he recommends, and which, by an accursed fatality, his race are just in a condition to realize? Think of the forces that would rally round these millions. There would be Marshal Simon, acting in the name of his daughters—that is, the man of the people become a duke, without being the vainer for it, which secures his influence with the mob, because military spirit and Bonapartism still represent, in the eyes of the French populace, the traditions of national honor and glory. There would be Francis Hardy, the liberal, independent, enlightened citizen, the type of the great manufacturer, the friend of progress, the benefactor of his workmen. There would be Gabriel—the good priest, as they say!—the apostle of the primitive gospel, the representative of the democracy of the church, of the poor country curate as opposed to the rich bishop, the tiller of the vine as opposed to him who sits in the shade of it; the propagator of all the ideas of fraternity, emancipation, progress—to use their own jargon—and that, not in the name of revolutionary and incendiary politics, but in the name of a religion of charity, love, and peace—to speak as they speak. There, too, would be Adrienne de Cardoville, the type of elegance, grace, and beauty, the priestess of the senses, which she deifies by refining and cultivating them. I need not tell you of her wit and audacity; you know them but too well. No one could be more dangerous to us than this creature, a patrician in blood, a plebeian in heart, a poet in imagination. Then, too, there would be Prince Djalma, chivalrous, bold, ready for adventure, knowing nothing of civilized life, implacable in his hate as in his affection, a terrible instrument for whoever can make use of him. In this detestable family, even such a wretch as Sleepinbuff, who in himself is of no value, raised and purified by the contact of these generous and far from narrow natures (as they call them), might represent the working class, and take a large share in the influence of that association. Now do you not think that if all these people, already exasperated against us, because (as they say) we have wished to rob them, should follow the detestable counsels of this Rennepont—should unite their forces around this immense fortune, which would strengthen them a hundred-fold—do you not think that, if they declare a deadly war against us, they will be the most dangerous enemies that we have ever had? I tell you that the Company has never been in such serious peril; yes, it is now a question of life and death. We must no longer defend ourselves, but lead the attack, so as to annihilate this accursed race of Rennepont, and obtain possession of these millions.'
At this picture, drawn by Rodin with a feverish animation, which had only the more influence from its unexpectedness, the princess and Father d'Aigrigny looked at each other in confusion.
'I confess,' said the reverend father to Rodin, 'I had not considered all the dangerous consequences of this association, recommended by M. de Rennepont. I believe that the heir, from the characters we know them to be possessed of, would wish to realize this Utopia. The peril is great and pressing; what is to be done?'
'What, sir? You have to act upon ignorant, heroic, enthusiastic natures like Djalma's—sensual and eccentric characters like Adrienne de Cardoville's—simple and ingenuous minds like Rose and Blanche Simon's—honest and frank dispositions like Francis Hardy's—angelic and pure souls like Gabriel's—brutal and stupid instincts like Jacques—and can you ask, 'What is to be done?''
'In truth, I do not understand you,' said Father d'Aigrigny.
'I believe it. Your past conduct shows as much,' replied Rodin, contemptuously. 'You have had recourse to the lowest and most mechanical contrivances, instead of acting upon the noble and generous passions, which, once united, would constitute so formidable a bond; but which, now divided and isolated, are open to every surprise, every seduction, every attack! Do you, at length understand me? Not yet?' added Rodin, shrugging his shoulders. 'Answer me—do people die of despair?'
'Yes.'
'May not the gratitude of successful love reach the last limits of insane generosity?'
'Yes.'
'May there not be such horrible deceptions, that suicide is the only refuge from frightful realities?'
'Yes.'
'May not the excess of sensuality lead to the grave by a slow and voluptuous agony?'
'Yes.'
'Are there not in life such terrible circumstances that the most worldly, the firmest, the most impious characters, throw themselves blindly, overwhelmed with despair, into the arms of religion, and abandon all earthly greatness for sackcloth, and prayers, and solitude?'
'Yes.'
'Are there not a thousand occasions in which the reaction of the passions works the most extraordinary
