But he’d been truly intended. While Tom, it seemed, had turned up by surprise and at much hazard to his mother. It made a difference, perhaps. It made him feel that Tom was never a rival—the opposite. Jack had been born at Jebb, in the Big Bedroom, with the assistance of an intrepid midwife. But Tom had been brought home one day from Barnstaple Infirmary, with a Vera who’d looked rather weaker than her baby. It made a difference.

In any case, after Tom was there, Jack’s mum had a way, from time to time, of drawing Jack aside into a sort of special, private corner—though it was usual y in the kitchen or on warm days in the yard, so in no way hidden.

Nonetheless his dad, and Tom when he was older, would respectful y steer clear of it, as if Vera had issued an order.

When he was in this special space with his mother, Jack would mysteriously understand—even when he was only nine or ten—that he was having a grown-up conversation, something you were supposed to have in life, a sort of always-to-be-resumed conversation, which went on, in fact, right up until the time his mother fel il and died. And he’d understand that this conversation had to do with something that seldom otherwise came into his thinking, let alone his talk: his future and its responsibilities. Or, to put it another way, his name.

Since it meant something if you were born, as he was, on a farm: the name. The generations going back and forwards, like the hil s, whichever way you looked, around them. And what else had his mother borne him for than to give him and show him his birthright? Something his father, for whatever reason—and though it was his name—could never do. There’d never been such a moment.

And then the birthright, deprived of Vera’s backing and blighted by cow disease, had begun to look anyway like a poor deal.

That had always seemed to Jack to be the gist of those conversations, whatever their apparent subject: his birthright. That he shouldn’t worry about Tom, who would always be the little nipper and latecomer. That he should rise to his place and his task.

When he was older, starting to outgrow both his father and that Burtons suit, she’d make tea for just the two of them. He’d smoke a cigarette. She’d top up his mug, without his asking, when he put it down. He didn’t know then how much one day he’d miss, and he wouldn’t know how to speak of it when he did, the creases in his mother’s wrist as she held the teapot, one hand pressing down the lid, and refil ed his mug, just for him.

And it was only later, when she was gone, that it occurred to him that another gist, and perhaps the real gist, of those conversations was precisely that. That she was tel ing him that she wouldn’t always be there. It was what she’d had in her mind perhaps—and he’d been right to have those strange feelings—even when she first told him about Tom.

She’d be gone sooner than anyone might think.

She was more of a Luxton, it could be said, than the Luxtons themselves. When she died it was as if the whole pattern was lost. Yet her name had once been Newcombe, and until she was nineteen she’d never even known life on a farm. She was the daughter of a postmaster. One day Michael Luxton had plucked her from the post office in Polstowe and carried her to Jebb Farm and, so it seemed, nothing could have better answered her hopes and her wishes.

Something like that must have happened. Jack had never known, even from his mother’s lips, the actual story.

His dealings with El ie Merrick didn’t seem a useful guide.

But he found it hard, or just vaguely trespassing of him, to imagine that his father, his father of al people, might once have carried his mother, her legs kicking, over the threshold of Jebb Farm and possibly even have carried her, without a pause, straight up to the Big Bed—where two years later he, Jack, would be born and where, twenty-one years after that, Vera Luxton would die.

He’d sometimes daringly think that the business of birthright might work in reverse. That his mother’s birthing him, more than her taking his father’s name, had made a Luxton out of her. She’d had such a bad time with him, Jack supposed, that it had general y been accepted that she couldn’t be a mother again. So everything was pooled in him. Or, looking at it another way, it was his fault. Eight long years had proved it. Then Tom had come along and taken away the blame. Which was another reason why suddenly having a little brother around was never a problem for Jack.

Quite the opposite.

Anyway, there were those conversations. And anyway, by the time Vera lay dying in that big bed, she’d become so much a Luxton that despite the determined efforts of the health authorities to move her into hospital, she refused to be taken from Jebb Farm. As if she were putting down her final roots.

He’d always remember—though he’s tried to forget them

—her last days. How she clung, sometimes literal y, to that bed as if she wanted, perhaps, to become it. Or the bed, perhaps, wanted to become her. His father, as if not to intrude on this intimate process, had slept, or rather kept terrified watch, close by in a sort of separate bivouac made out of the old wooden chest pushed up against the room’s solitary, battered armchair. The room was like some compartment of disaster.

WELL, at least she was spared, Jack can say to himself now, the long road to ruin, and worse. Though it was not so long, real y, after her death. How it would have appal ed and shamed and simply disappointed her. How she must have flinched, again and again, in that grave of hers in Marleston churchyard. But then if she could have flinched—Jack can sometimes lose his own logic—she wouldn’t have been spared.

He can’t decide the matter. His mother is dead, yet she has never not been, in theory, at his shoulder. He wants her not to have known and suffered or even witnessed al the things that fol owed her death. Including al this now. But that would be like wishing her dead. Merely dead.

Only yesterday Jack had been obliged to stand close to his mother’s grave. Had she known? How could she have borne it to know, under the circumstances? But if she’d known, then surely she’d have let him know, he’d have felt some tug—something even like the tug of those empty caravans—and surely she’d have cried out, somehow, when he’d left in that sudden, uncontrol able haste, “Jack, don’t go. Don’t rush off like that.” And surely, if she had, he’d have stayed.

All of them there together, for that short, agonising while, al of them under the same pressing circumstances, but him the only one left above ground.

And al of them there (except him) right now, he thinks, right this minute, under this wind and rain. The wind plucking the browning petals from al those flowers, toppling the stacked-up bunches and wreaths,

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